Blog

  • Always Mine Time

    “When I paint a picture, the time it takes will always be mine, or I get something out of it; time doesn’t end because it has passed. I feel sick when I think about the days that are passing—interminably. And I don’t have anything, or I can’t get at it. It’s torture; I can get so furious that I have to pace the floor and sing something idiotic so that I won’t start crying with rage, and then I almost go crazy when I stop again and realize that meanwhile time has been passing, and is passing while I’m thinking, and keeps on passing and passing. There is nothing so wretched as being an artist.” — Jens Peter Jacobsen, Niels Lyhne

    When we stumble across that which captures our move through time, traps it in amber as Vonnegut put it, we realize the infinite—that which is timeless. Timelessness is itself an illusion, as is time, we simply capture our passage through it with something that will outlast us.

    Do you doubt this? Look at an old photograph from a moment in the past and feel what stirs within. Read an old letter, when people still wrote those, and see what is captured in amber. I write this blog post, as with all the rest of them, knowing that once I hit publish it becomes always mine time—this moment of thought and emotion and intellectual momentum (or perhaps inertia) are now captured. I move on to the next thing in my day, and the next; passing and passing. What of the rest is captured? Precious little, but these words remain.

    What artist hasn’t felt swept up in the moment of creation? What artist hasn’t felt the emptiness of uncreative moments? We must be productive in our time, or watch it drift away like so many empty days. The only answer to the coldness of time is to do work that matters, and to strive towards mastery in it. Personal excellence (arete) may be forever out of reach, but to reach for it is to make something more out of… time.

  • Stoke the Fire

    “Beware the barrenness of a busy life.” — Anonymous (often attributed to Socrates)

    We often feel the least satisfaction with our busiest days. We learn that there is always something else pressing upon us—our best is never enough. And this is the time when we must step away from the grindstone before we ourselves are ground to dust.

    The older we get, the more the fallacy of busy becomes apparent. All those getting ahead stories were told to stoke the fire. Did we ever realize that we were the coal? That fire was someone else’s. Hustle and sacrifice are noble traits, but we must be very clear about what is being hustled and sacrificed, and who we’re doing it for. Hustle is time, applied with energy and vigor to some endeavor. Sacrifice is what we would be doing otherwise, given the clarity of choice.

    There is no time to sacrifice our very best years to the factory furnace. The answer is to slow down and see what stokes our own fire. Do the essential, move deliberately away from all the rest. While there is still time to realize the dream.

  • The Schooner Ardelle on a Celtic Sunset Cruise

    These summer clouds she sets for sail,
    The sun is her masthead light,
    She tows the moon like a pinnace frail
    Where her phosphor wake churns bright.
    Now hid, now looming clear,
    On the face of the dangerous blue
    The star fleets tack and wheel and veer,
    But on, but on does the old earth steer
    As if her port she knew.
    — William Vaughn Moody, Gloucester Moors

    We know when we are in the midst of something extraordinary. Anticipation creeps up on us as the minutes pass by, awaiting our participation. Awareness floods in as the magic unfolds. Joy and gratitude edge in, provoking other emotions. There comes a time when we must simply put away the camera, stop searching for just the right word or phrase, and simply be a part of all that is happening around us.

    Gloucester, Massachusetts has a long history with the sea. Its famous harbor has long welcomed home fisherman and sailors from passages as far and wide as the ocean’s reach. One feels the history sailing in this harbor, and you play some small part in the play for having been here at all. The fleets of old are mostly all gone now, ghosts of what once was. But there are a few holdouts, and newcomers built in the traditional way, to offer some hint of what it was like long ago.

    Harold Burnham has built several schooners in the traditional fashion. For a couple of centuries the Burnham’s have built ships in Essex, Massachusetts. Two of his schooners are harbored in nearby Gloucester, and Harold himself captains sunset cruises. You simply have to put yourself in the way of beauty and sign up to participate. And if you’re especially fortunate, you may join on a night of Celtic music to offer a proper soundtrack for a September night when the clouds are just so to harness a bit of heavenly magic.

    Maritime Heritage Charters offers many opportunities to learn and experience a few hours on a schooner sailing in Gloucester Harbor. One not to miss is the Celtic Music Sunset Sail with Michael O’Leary & Friends cruise, when traditional music and song fill the heart and soul as you slip past history and witness the divine dance of fading light. The experience is one that will stay with you forever.

    The Schooner Ardelle, Gloucester, Massachusetts
  • Framing the Day

    Come, read to me some poem,
    Some simple and heartfelt lay,
    That shall soothe this restless feeling,
    And banish the thoughts of day.
    — Henry Wadsworth Longfellow, The Day is Done

    This blog may ultimately stand for something, or perhaps it will simply be a lifetime of favorite poetry, lyrics and prose quoted as prompts for the words that follow. We all write for our own reasons. To share it at all is the audacious act. The words, cherished while embraced, are simply allowed to float away into infinity, where we will one day join them.

    I’ve grown weary of debate. It doesn’t matter a lick when each side is dug in and unwilling to consider common ground. To reach across the aisle is considered weak. So we learn to ignore each other’s radical ideas. And we are collectively the lesser for closing the door on each other’s most passionate pleas. Instead we get bland exchanges about the weather. How lonely is a life devoid of meaningful engagement with the larger world?

    I may have it all backwards. I begin my day with hopefulness and close it with resignation that the work didn’t change much of anything. That’s no way to end the day. We must bookend our days with aspiration and hope. The trivial thoughts of the day will not be remembered—they will dissolve as all the rest have before them. It is only the way we frame our days that will have the structural resilience to hold together the story of a lifetime. Choosing the right material for that frame thus becomes a critical affair.

    And so I build my frame of poetry and song. I glue it together with philosophy. I make it rigid through engagement with the world, beginning in the garden and venturing outward as far as the travel budget allows. All of this living means something, I’ve come to understand, mostly to me. But that doesn’t make the frame any less solid. Or any less a part of someone else’s frame for having shared at all.

  • Of Blossoms and Stars

    Silently one by one, in the infinite meadows of heaven,
    Blossomed the lovely stars, the forget-me-nots of the angels.

    — Henry Wadsworth Longfellow, Evangeline: A Tale of Acadie

    Here’s to the stargazers among us. We tend to walk with tilted heads, with eyes towards the infinite. Time is marked by the celestial dance. We are but brief witnesses—spectators watching the play unfold and yet knowing we are a part of it just the same. The masses are busily scurrying about, thinking the universe wraps around them. Look up on a crisp September night to find the truth of the matter. We are nothing but fireflies to the universe. And yet we burn brightly for our brief moment.

    The garden is fading rapidly, but some of its stars rise just in time to save the season. Sedum autumn joy blushes for all the attention it receives from the bees. Chrysanthemums, top-heavy with blooms, positively glow even as their neighbors bow with fatigue. The Montauk daisies (Nipponanthemum nipponicum) are just now budding, promising their own show in days to come. These are days we’ll remember, the garden reminds us, in the long nights of winter coming soon enough.

    Isn’t it strange how we feel most alive as the days grow shorter? Is it heightened attention or a building sense of urgency to squeeze more awareness into this brief fling with the sun? I think it’s appreciation for the beautiful dance and gratefulness for being a dancer ourself. To mourn the season coming to a close is to miss the sparkling rise of the next. We must be active gardeners in this life, no matter the season at hand. Look around, for magic is all around us.

  • One Pebble

    “I wanted to change the world. But I have found that the only thing one can be sure of changing is oneself.” — Aldous Huxley

    This week has been stressful, because there were no pleasing leaps forward, only a steady slog through the frenzy of a busy life. None of that frenzy matters as much as the act of taking the next step forward in our essential work, and then (if we don’t stumble into the abyss) the next step after that. We must learn to stop skipping ahead to that dark place of overwhelm. To try to move a mountain all in one shove will only leave us gasping in a puddle of failure. Try one pebble at a time and soon we’re making progress.

    We know this and yet we still feel the scale of the larger goal pressing down upon us. In the middle of a long row I thought to myself momentarily, can I sustain this pace for the entire time I’ve committed to? I saw my split waiver for a stroke or two, while I reminded myself that the only thing that mattered was the next stroke, not the one 40 minutes from now. I ended up with a PR for the year just by staying out of my own head one stroke at a time. When we stop playing mind games with ourselves about the future and our place in it, we get back to the essential work of now.

    Progress is uncomfortable. We feel the discomfort in our own change as we make it, and we feel discomfort when we feel we’re falling behind the changes around us, prodding us to move faster in our own development. The only thing to do is accept the discomfort as a necessary tax of forward motion. We know that change can be infuriatingly incremental. Stop looking so far ahead and we won’t get tripped up by the task right in front of us. This next task is all that really matters anyway. One pebble at a time.

  • See What Unfolds

    The Barred Owls have returned. There is a mating pair that moves through the trees, hooting it up to check in on each other while they each hunted in different places in the woods surrounding us. I’m told that Barred Owls hunt independent of each other, eat what they eat and catch up again later. “So how was work today?” “Fine, had hoped for a baby bunny but only caught a field mouse.” Romantic stuff.

    Also developing in the neighborhood, a large beaver has moved in to the stream, wading about just after dusk above the bridge. It’s been a few years since I’d seen a beaver in the stream, and I’m wondering if the drought had dried up its previous nest. Beaver will move on when their food source is used up, not unlike the owls. We’ve all got to eat. While the owls are big talkers, the beaver works in silence most of the time.

    We’re seeing yet another bumper crop of acorns this year, which explains the abundance of animals that feed on them moving back into the neighborhood (along with the animals that feed on the feeding animals). It’s been a hot dry summer after a wet spring. I wonder what that means for the fall foliage this autumn, but I don’t wonder enough to look it up. We all have the world at our fingertips, don’t we? We ought to let a few things simply unfold before us just to keep the magic in our lives.

    I’m finally reading a paperback version of Niels Lyhne by Jens Peter Jacobsen, based entirely on the recommendation of Rainer Maria Rilke, mind you. I’m at a point in my life when I look around and find most talking heads haven’t got much to add to the conversation, so I dig deeper. Don’t just stop with the work of an author or poet or artist—seek out the works that influenced them. What challenges and transforms us, collectively?

    Today’s world is unfolding exactly as I anticipated when the elections went the way they went a year ago. We are where we are because people believe what they want to believe, and feel emboldened to behave the way they behave because others do it so it must be okay. We too may choose how to react in such times. How do we want to navigate this world that we live in?

    My advice, since you’ve read this far, is to seek out the timeless over the trend whenever possible. Things will come and go in a lifetime. We mustn’t forget that the lifetime in question is ours. We must do the best we can with what unfolds before us. There is more to this world than the madness swirling noisily on the platforms of choice. Go deeper and see what unfolds.

  • Where We Have to Be

    “Your comfort zone is a beautiful place, but nothing ever grows there.” — Jen Alvares

    Do hard things. It’s the only way to grow beyond the comfortable place we find ourselves in now. Sure, but why move on from comfortable places? For the same reason that we get out of a cozy bed in the morning—because as nice as comfort feels in the moment, it isn’t bringing us to where we have to be.

    And there it is: where we have to be. Something beyond where we presently are is calling, and we must go to it. Every hero’s journey, every odyssey, every bold leap, lies beyond this comfortable place we’ve grown to love.

    “Rise free from care before the dawn, and seek adventures.” — Henry David Thoreau

    Comfort has its own momentum. We get swept up in our routine, find ourselves doing the same things over and over again, habitual and familiar: “I’ll have the usual.” “Already have it poured, friend.

    The thing is, doing hard things also develops its own momentum. Exchanging comfort for harder is a daily negotiation with identity. We are where we are, lovely as it is, but we wish to do and be more than this, and that, friend, is hard.

    Everything we truly want in life has a cost. Comfort has a cost, and so does hard. Decide what to be and go be it. There’s no momentum in stasis: we must get up and get going, now, if we are ever going to get to that loftier place.

  • Our Box of Stories

    I spent a few minutes scanning the Substack of a clever hipster with far more subscribers than I have on that platform and really all of my platforms combined. She stated that blogging is long dead, and Substack was getting there itself. And I smiled to myself, knowing just how uncool I’ve become for still calling it a blog. Why not simply call it writing? Or a daily newsletter? Or the complicated ramblings of a self-absorbed passenger on this ship of fools we call now? It’s all just the great conversation, in whatever way we dare to put it out there. The rest is positioning ourselves as close to relevance as we can get, if we choose to. Some of us forgo influence for deeper, calmer waters. It all matters, and none of it matters, all at once. We do the best we can where we are, with what we have.

    Our box of stories is that which surrounds us, holding us in place so we don’t stray too far into reckless places. My story is telling me to be responsible today and go to work after writing this [whatever we want to call it] and doing a few chores around the homestead so it’s still in one piece when I eventually return. There’s more to the story than that, but why bog down your story by going long with mine? Let’s keep it real, and really concise.

    The thing is, we know we ought to re-write our stories now and then, just to change the box we find ourselves trapped in. We’re all running out of time to experience all that lies outside our box. That’s the underlying story, no matter how we write it. We don’t have to ruin all our stories, but we ought to stretch the box beyond the limits those stories have given us. Today is as good a day to try something new as any. What are we currently writing? Make it fresh and a little bolder than the box can contain.

  • For Now

    When is the last time you will ever do something? Sometimes we know in the moment, like saying goodbye to someone on their deathbed, or closing the door on an apartment we spend some notable time living in as we move out and move on. The weight of that last goodbye may hit us particularly hard, or barely register in that busy moment but whisper to us for years afterward. Last goodbyes mark transition points in our lives—points from which we know we’re never going back again.

    Goodbye, for nows are a less permanent but still notable closure on some chapter of our lives. Yesterday I went for a swim in the bay, the air a little crisp, the water warmer but clearly cooling off, and a wave of goodbye for now emotion rolled over me as I toweled off in the cool breeze. I may well swim again this season, but odds are it was the last one until next summer. Or maybe forever. We never really know, do we? So we must savor each experience like we’re turning the last breathless page in a thrilling novel. We may never pass this way again.

    September brings obvious signs that the season is ending. The cucumbers are fading rapidly now, and so are the tomatoes. Savor, they remind me, for you’ll be doomed to the supermarket variety soon enough (good god—no!). Venus and Jupiter rise in the early morning sky and Orion is more prominent again. The crickets are having a final, desperate word, the nut-gathering rodents play chicken with cars and frantic frisbee dogs. It’s all happening, right before our eyes and waiting for us to notice.

    Life doesn’t wait for us, we must experience the season we’re in before it’s over forever. Tempus fugit, friend: Time flies. So, if only for now, trap yourself in the amber of this moment a beat longer. Each day offers a goodbye. Be sure to look it squarely in the eye just once, that we may remember something of it.