Alexandersmap

    Category: Art

    • A Visit to Reykjavik

      Reykjavik is the capital city of Iceland and the northernmost capital city in the world. As with any great city it has a strong foundation of history, culture and character. For the most part it’s highly walkable with a vibrant and diverse food and bar scene, friendly and interesting people. The trick is navigating the ice and wind in winter. They deal with ice by heating some of the main sidewalks, utilizing their abundance of geothermal heat. The wind you just learn to deal with. This blog post is a postcard from a city I’ve quickly grown to love.

      Hallgrímskirkja Lutheran Church
      Leif Erikson Statue, given to Iceland by the United States in 1930 to commemorate the 1000th anniversary of his discovery of America
      Parliament Building
      Harpa Music Hall

    • Simply Do

      “I want to be famous in the way a pulley is famous, or a buttonhole, not because it did anything spectacular, but because it never forgot what it could do.” — Naomi Shihab Nye (with a nod to @MayaCPopa for showing the way)

      Fame is overrated, contribution is where it’s at. We are utilitarian at the root of it, here to be productive in our time, whatever our calling, lighting the way until we pass the torch.

      We tend to lean into complicated. This is a distraction from the beautiful truth, a collective turn away from the briefness of being, a wish before the song fades and we blow out the candles. It’s contribution that lives beyond wishes.

      Poetry stares the truth in the eye, wanting nothing more than to face it. I wished somedays I was a better poet, a better writer. I’d forgotten what I could do. Now I simply do.

    • A Wisp of a Moment, Captured

      On a recent walk I noticed the recently painted median strip dividing the road featured artwork now and then. It seems they painted the road in autumn, as the oak leaves returned to the earth to close their cycle and begin again. A few rebels, wishing for immortality perhaps, found the opportunity to capture the moment. It struck me this was what all artists do; reach out from the anonymous mass of their moment and leave something of ourselves for others to find.

      There’s something lovely in the temporary nature of this street art, akin to chalk drawings on sidewalks or sandcastles at low tide. Some art is meant to someday be a memory, recalled in quiet moments when you again walk down that street or on that particular stretch of beach. Do you remember the leaves of autumn, swirling in the wind? How quickly they fade from memory. We surf on a wisp of a moment, sometimes captured, mostly lost forever. We ought to embrace the freedom in that, elusive as it feels, for this is our fragile dance.

      “If you would create something, you must be something.” ― Johann Wolfgang von Goethe

      At times we hear the call from the naked page of a notebook, and at times from the middle of the road. Leaves locked in the amber of their moment are a whisper from seasons past to do something with this one. To feel the urgency of the season and make the most of it before the moment fades. This is the unique call of our work, leaping to our attention in the strangest of places. In each case, the question lingers in the moment: Where will you take us now?

    • The Shape of Our Circles

      “We are mirrors reflecting one another. The people with whom we surround ourselves shape us, and we shape those around us, too.” — Brad Stulberg, The Practice of Groundedness

      I had a conversation with two strong players in my circle of influence who both disliked The Banshees of Inisherin, a movie I absolutely loved. The movie shows the desperation of breaking free of circles when you feel trapped in a place. The four main characters each deal with this in their own way, but ultimately the circle is broken. How you react to the character’s choices generally informs what you think of the movie, but it isn’t about their choices, it’s about the desperate friction of a limited circle.

      We don’t live in a movie, but they capture our imagination because they often mirror moments in our own lives. Our circle can be a trap that surrounds us or a blessing that informs us. It’s often both, and when we break out of it we can reshape ourselves. People come and go from our lives, and the circle around us fluctuates with the stages of our lives. We ourselves have the agency to choose our dance partners in this lifetime. We’ve each felt the sting that each character in the movie feels.

      We’re collectors of people, each of us, gathering relationships and nurturing them over time. We aren’t meant to go it alone for the long haul. Solitude is a blessing best savored in doses. And we are the average of the five people who we associated with the most. This in itself is a blessing or a curse, offering guidance with whom we ought to spend our days with. Our closest relationships help inform us of who we really are, and also reveal where we’re going.

      Sometimes we find that the circle doesn’t suit as anymore, and sometimes we find that the people in our circle feel more alive in a different one. Over time we reconcile our place in a series of circles. We’re either running around in circles, circling the wagons or spinning off to another place. That’s life, dizzying as it might seem. But we must always remember we have a hand in shaping our circle even as it shapes us.

    • One’s Way

      “The important thing is never to let oneself be guided by the opinion of one’s contemporaries; to continue steadfastly on one’s way without letting oneself be either defeated by failure or diverted by applause.” — Gustav Mahler

      Gustav Mahler was an Austrian composer who’s work is familiar to us whether we know it or not. His Symphony No. 1 in D is the basic tune of “Frère Jacques”, the nursery rhyme embedded in our brains as children. He built his legacy as a conductor and composer in Vienna, a place chock full of legendary conductors and composers, and navigated his career through both anti-semitism and general criticism of his work, which pushed boundaries many weren’t ready for. So in this context, his quote becomes illuminating.

      There’s a moment after we’ve tied a shoe or set a sail just so when we look up and begin going where we determined we’d go in our minds just a beat before. It’s that moment of beginning on one’s way, wherever it may bring us, that is transformative. Everything that comes after is a matter of resolve: Do we finish what we started or to let it fall by the wayside and try something else?

      Most likely, the worst criticism we face comes from within. Self-doubt, imposter syndrome and fear of failure have destroyed more art than all the critics and book-burning zealots combined. In such moments, we must keep going, one way or another. Easier said than done, of course, but pushing through has a way of building confidence and resilience. We simply learn to ignore the voice inside.

      “Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.” — Steven Pressfield

      That moment of beginning, of breaking through that Resistance, is a big step in reaching our unlived life. But every step thereafter has its own subsequent Resistance. Put one foot in front of the other, and soon you’ll be walking across the floor, as the song goes. To reach our potential we must overcome all the external and internal noise that is distracting us from that voice in our head that is telling us quietly, persistently, what we ought to do.

      Today we’re beginning something, and continuing other things. Who we once were passed away in that beat. This blog post, like the 1,663 before this one, is another step for me across that proverbial floor, with the character who wrote each long gone. What remains is the sum of each, on the way to becoming something entirely new. Who we become is in so many ways up to us, determined by the choices one makes on one’s way and our steadfast resolve to arrive at what’s next.

    • Fighting the Guardians of Treasure

      “Don’t forget that dragons are only guardians of treasures and one fights them for what they keep – not for themselves…” ― Katherine Mansfield, Katherine Mansfield Letters And Journals: A Selection

      These are early days and late days, all at once, for we each are in the beginning stages of the year while looking back with chagrin at the years gone by. These Are Days by 10,000 Maniacs rolls in my head, competing with These Days by Jackson Browne. One is joyful, one is tinged in regret, each bouncing around in the same brain as if coming from a juke box in hell. But that’s the nature of being human, we think too much, we hope and dream and dance with our feelings, and we wake up and do it all over again the next day.

      Writers take all of this and put it out there for the world to see, and to comment on next time the world sees you. It makes for awkward moments in the early days, when you’re still on edge about writing with your name attached. This is who I am, we say, feel free to drop a comment in at the end.

      I wonder, when Mansfield was writing in her journal, slowly dying with Tuberculosis, if she meant for them to be seen for generations? I’d like to think she’d have smiled at the thought, for the act of writing is sharing, even if at first we’re the only ones who are meant to see it. Mark Twain’s diary was released 100 years after his death on his request. It was not to be evasive, I expect, but to spare those he was writing about from knowing his thoughts on the matter.

      We fight for what we keep, and every artist knows what it is to fight with dragons. It takes courage to fight for the treasure and then give it away to those who weren’t in the fight with you, knowing they may use it in their own fight, knowing that most will never see the gesture at all, publishing just the same. It’s not our treasure, after all, it’s only our fight that matters in the end. Knowing this, one should take courage and fight bigger dragons.

    • The Steps Between Hurdles

      “Set it in your mind right now that the process is more important than the result. You don’t control the result; what you control are your actions.” — Brian P. Moran, The 12 Week Year

      It’s that time of year, when some of us are more hyper-focused on improving our productivity and effectiveness in our chosen work than usual. I have a few friends who roll their eyes when I start rattling off words like productivity and execution, but they’re also highly productive and execute on the things they choose to focus on. Think about what you’re most passionate about in life, be it your family, your writing, your fitness level, or your career—each thing that we’re highly engaged in features higher levels of execution and attention than the things we find less interesting. We naturally try harder to be good at the things that matter more.

      But what are we to do with the things that matter less but still matter a great deal? Nobody wants to stumble through life, we all want to lift ourselves and others through our contribution. And that’s where developing good habits and a process or system for living matter a great deal. If we fancy ourselves writers or athletes or accountants, we ought to refine our system of living to optimize our efficiency and results. I write best in the morning but find the afternoon better for a workout. You might find the morning the only effective time for a run, and late night the best time to focus on your best work. We learn what works over time and apply it to our lives.

      “Accountability is not consequences; it’s ownership.” — Brian P. Moran, The 12 Week Year

      If change is our constant companion, then refinement of our processes is our tool to overcome the hurdles we encounter. Each day is an opportunity to reflect on what’s working, what’s not, and what we must change in our system to be effective in this new reality. What we can’t do is bury our head in the sand and hope the world changes back again. We might as well finish the job and bury the rest of ourselves at that point. We must rise up, dust ourselves off and get to work on improving our lot in life.

      I’m not a runner, but I’m deeply invested in people who are. Having spent many hours on tracks, I know that effective hurdlers use a 3 step technique to clear hurdles in sprints. Some people use 4 steps between those hurdles because they have shorter legs or their gait between hurdles is off. This is less efficient and slower than 3 steps, but the point is to get over the hurdle and try to improve your steps on the next one. It seems this is a good analogy for our lives between hurdles too. The trick is to quickly adapt on the fly for what comes next.

      We’ve all just been through quite a hurdle, and yet we cleared it. Sure, maybe we banged our shin or stumbled a bit on our landing, but we’re on to the next hurdle now. That’s life in the race, isn’t it? We must focus continually on where we are and what we must face next. Best to have a system that enables, not hinders.

    • Not Everything Dies

      Dear heart, I shall not altogether die.
      Something of my elusive scattered spirit
      shall within the line’s diaphanous urn
      by Poetry be piously preserved.
      — Samuel Beckett, Non Omnis Moriar

      Samuel Beckett’s first stanza is a mic drop precisely because we feel the truth in it. Non Omnis Moriar—not everything dies—because we create ripples that reverberate and live beyond our fragile bodies. Our lifetime contribution in relationships and in our work has the opportunity to outlast us. What will it say?

      It might say something of our spirit, our willingness to share and grow and offer something of consequence in a world fraught with characters with no such inclinations. Perhaps it will be that one line, read at the right time, that turns history towards hope. Too bold? Shouldn’t we be? Our work is our time capsule to a future without us, no doubt, but it might also be a time capsule to a future us, older and wiser (perhaps) and looking for evidence that we lived a life of purpose.

      As this is published, we’re a few days into the New Year, when bold plans for a larger life take hold in our imagination. Creating anything meaningful daily amplifies and extends this feeling to the rest of the year and the rest of our lives. When we look at our lives as a creative work, we move beyond the timidity of everyday living and tap into our unrealized potential. We figuratively raise the bar on what we expect of ourselves, and seek to exceed it on our next attempt. In this way our contribution grows even as we grow.

      The question, O me! so sad, recurring—What good amid these, O me, O life?
      Answer.
      That you are here—that life exists and identity,
      That the powerful play goes on, and you may contribute a verse.
      — Walt Whitman, O Me! O Life!

      If your mind immediately leaps to the Dead Poet’s Society follow-up question, then we share the same cultural influences. And isn’t it an example of not everything of the poet dying? Robin Williams, as John Keating, asks his class, “What will your verse be?” We ought to let the question linger a few beats longer. And then get down to the business of answering it for ourselves. It follows that we should be earnest in this pursuit, for it will take a lifetime. And, just maybe, then some.

    • Diligent Awareness (Life as a Poem)

      “The aim of life is to live, and to live means to be aware joyously, drunkenly, serenely, divinely aware. In this state of god-like awareness one sings; in this realm the world exists as poem.”
      ― Henry Miller, The Wisdom of the Heart

      “Imagine that you’re unwell and in a foul mood, and they’re taking you through some lovely countryside. The landscape is beautiful but you’re not in the mood to see anything. A few days later you pass the same place and you say, “Good heavens, where was I that I didn’t notice all of this?” Everything becomes beautiful when you change.” — Anthony De Mello, Awareness: The Perils and Opportunities of Reality

      It’s easy to say we should live with awareness, but harder in practice. This business of living demands attention, or rather, distracts our attention from much of the things we’d be focused on if we weren’t so damned busy with that other thing. We forget, sometimes, that life is merely what we pay attention to and everything becomes beautiful when we change. Most of us won’t change or become fully aware, but isn’t it pretty to think so?

      Most don’t want to change, they want to live with what they have, while wishing for more, and do it again tomorrow. When someone does we wonder at their boldness, but don’t connect the dots to doing it ourselves. If we are what we repeatedly do (Aristotle), then doing something completely different strikes at our very identity. No wonder so many refuse to cross that line in the sand.

      “How many people do you know who are obsessed with their work, who are type A or have stress related diseases and who can’t slow down? They can’t slow down because they use their routine to distract themselves, to reduce life to only its practical considerations. And they do this to avoid recalling how uncertain they are about why they live.” ― James Redfield, The Celestine Prophecy

      The thing is, awareness isn’t about turning our lives upside down, it’s being fully present in the moment. Being open to everything that surrounds us, not just those practical considerations. We aren’t quitting our jobs and living like a hermit in a hot tent when we’re aware, we’re simply inviting more of the universe into our present moment. It seems if we want a more fulfilling life then we ought to fill more of our life with beautiful things.

      I was once a closed young man who thought of poetry as frivolous. Something was missing within me that took years to fill. When you close yourself up the world simply cannot find its way in to fill you. Over time my awareness pendulum has swung wide open. Not coincidently, I write more, listen more, seek more and linger more with the world. When we realize the world exists as a poem, we’re more inclined to dance with its verse.

      “Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what they are. That they don’t know they are alive—that they don’t feel, that action upon which all consciousness sits, lightly or heavily.” — Mary Oliver, Upstream

      We expand into the world we create for ourselves through diligent awareness. Knowing what we are, and who we are, is the job of a lifetime. When we open ourselves to everything, we discover more, and we live a bigger life.

    • Sharing Moments, After

      “I’ve never taken a photograph of someone and created a persona, I’ve just discovered what was already there.” ― Anthony Farrimond

      I’ve been known to take a few pictures in my time. As with writing, it helps me focus on the things around me in a way I might not otherwise. I have friends that send me pictures of sunsets that they’re not putting on social media as a reminder that I tend to put a lot of such pictures on social media. I celebrate the ribbing, for it means I’m doing my part to share a bit of beauty and positivity in a world full of people inclined to share ugly and negative. That’s not us, friends. We’re here to light the world during our shift.

      During occasions when family and friends come together, my attention shifts from pictures of nature’s beauty to the beautiful souls around me. There’s a fine line between being a part of the party and being apart from the party, and I try to stay in the moment while capturing some of it. Stopping a conversation for a picture can be disruptive, but if done well it might enhance and draw people together. When done well it captures the illusive and fragile moments we have together. Looking back on pictures from the last few years, it’s striking how many people are no longer with us. We can’t control fate, but we can capture moments before it intervenes.

      At a Christmas Eve party just last night I was talking to someone about some of the settings in an iPhone. They shared a few tips that I immediately started trying. In portrait mode you can tap on someone’s face and everything in the background blurs, highlighting the face or faces you’ve chosen to focus on. It’s a nice trick that brings a measure of professional photography to the amateur. Perhaps my favorite thing about it is that focus. As in an intimate conversation, you’re drawn completely into the world of the person you’re focused on. In such moments we capture something more than the moment, we capture a glimpse into their soul.

      I’m not a great photographer (I know too many great photographers to claim such mastery for myself), but I take enough pictures that I get a few good ones worth sharing. The way I look at it, that picture is a time machine, shared after the moment, carrying life force from one moment to another. That after moment might be turning the image around to show those you’ve just taken a picture of what it looks like, or it might be our great-grandchildren feeling the love through the eyes of a long-lost ancestor. This is the nature of photography, it tends to outlast us.

      As the photographer in such moments, as with writing, one hopes for mastery, but accepts the best we can deliver in the present. Don’t we owe it to each other to capture our best moments together? Having captured an image, it becomes a gift for others in moments after.