Category: Poetry

  • Where a Road Will Go

    What if this road, that has held no surprises
    these many years, decided not to go
    home after all; what if it could turn
    left or right with no more ado
    than a kite-tail? What if its tarry skin
    were like a long, supple bolt of cloth,
    that is shaken and rolled out, and takes
    a new shape from the contours beneath?
    And if it chose to lay itself down
    in a new way; around a blind corner,
    across hills you must climb without knowing
    what’s on the other side; who would not hanker
    to be going, at all risks? Who wants to know
    a story’s end, or where a road will go?
    – Sheenagh Pugh, What If This Road

    That anticipation of what’s around the bend or over the next rise is the fuel of exploration. Getting out there, seeing what there is to see, chancing upon magic and the mysterious, that’s the stuff of life. And it’s what we anticipate in the faraway places we might visit after the world opens up again.

    But the alternate path, the shake of routine to try a new way, that holds plenty of potential too, doesn’t it? I should think so. The last year has proven the point: when you can’t cross borders, the world down that path you’ve ignored for years looks pretty inviting. That dusty little corner with a story to tell is more informative in its proximity than those extraordinary places that remain tantalizingly out of reach.

    The last year has a silver lining, and it’s learning our own backyard better than we ever thought possible. Those castles and islands and mountains that call to us are just around the corner too. But for now let’s embrace the road we can travel on today, and see just where it will go. And where we might go.

  • What is Precious

    What is precious
    inside us does not
    care to be known
    by the mind
    in ways that diminish
    its presence.
    -David Whyte, The Winter of Listening

    A storm pivots around New England, sideways rain one minute, bright sunshine the next. Cold wind pushing the swirling mix about, demanding attention. I step outside and look for the rainbow that must be out there somewhere. Nothing but icy rain greets me. I quickly abort the mission and hustle back inside.

    Some days rainbows appear out of seemingly nowhere. Some days conditions diminish the very possibility. Likewise, bold ideas come to us when we’re quietly resolved and ready to hear them. Our most precious and colorful thoughts are sometimes evasive. Maybe it just isn’t their time. Or maybe it isn’t ours.

    When the student is ready the master will appear. If we are open to hearing the call. If we open our minds to possibility. The funny thing about rainbows is that they always appear directly opposite of the sun.

  • Good Fences

    There where it is we do not need the wall:
    He is all pine and I am apple orchard.
    My apple trees will never get across
    And eat the cones under his pines, I tell him.
    He only says, ‘Good fences make good neighbors.’
    Spring is the mischief in me, and I wonder
    If I could put a notion in his head:
    ‘Why do they make good neighbors? Isn’t it
    Where there are cows? But here there are no cows.
    Before I built a wall I’d ask to know
    What I was walling in or walling out,
    And to whom I was like to give offense.
    – Robert Frost, Mending Wall

    It happened once, and it seemed awkward at the time. The neighbor walked between his fence and my fence to retrieve golf balls he’d been chipping beyond his fence. He quietly picked them up, we waved at each other and the moment ended. Except that it didn’t really end. The neighbor now works from home in a pandemic on conference calls all day, head set on, chipping golf balls back and forth in his yard. And so this scene is repeated several times a day.

    You might be wondering why there are two fences up. Well, that’s a good question with a reasonable answer. The folks that originally put up the neighbor’s fence put it up four feet inside the property line, and had it curved slightly to follow the tree line. A few years later we got a black lab who liked to explore the neighborhood on his terms. We installed a black chain link fence around the perimeter of our yard to discourage this, thinking it blended in with the woods beyond. The dog was mostly contained, the trees between the fences obscured the unusual nature of two fences running parallel to each other. Mission accomplished! Who thinks of Arnold Palmer straying into your personal space at moments like that?

    Fast forward fifteen years and the brush and small trees are cleared out. The neighbors have changed over twice. The dog has since passed. All that remains is the cold reality of a pair of fences quietly marking time. And the frequent moments of the golfer gathering his golf balls while on his conference calls on the edge of our back yard. A back yard that for twenty years offered the illusion of privacy with the woods beyond.

    It’s my own fault, really. I mentioned in passing one day that the land between was his, and Kilroy has since taken great pains to stake his claim to it with errant golf balls and purposeful walks to scoop them up. It seems passive aggressive to me, like running a lawn tractor in your driveway when your neighbor is having a birthday party. Wait, that’s him too…

    If this seems like a justification for building a taller fence, well, it may be. Wouldn’t that be something, two privacy fences running parallel to each other along the yard? Frost’s old neighbor would say good fences make good neighbors. And Frost would rightly question, just what are we walling in and walling out?

  • Like Stone Nestles on Stone

    “Poetry is language against which we have no defenses.” – David Whyte

    I’ve been spending a bit of time with David Whyte lately, catching up on words I ought to have read long ago but wasn’t ready to hear. I was a different person then, more closed to the world despite the outward bravado. You learn who you are through the windy path of words flowing from you onto the page. And then you set them free to find an audience ready for that particular jumble of words to add to their own foundation.

    Let the words join
    one to another
    the way stone nestles on stone,
    the way water just leaves
    and goes to the sea,
    the way your promise
    breathes and belongs
    with every other promise
    the world has ever made.

    Now, leave them to go on,
    let your words
    carry their own life,
    without you, let the promise
    go with the river.
    Have faith. Walk away.
    – David Whyte, To Break a Promise (Cúnga Fheichin)

    For me releasing the words into the wild is a form of building my own foundation. Each place visited, each poem immersed in, and each mountain climbed is like stone nestled on stone joined together just so as a work very much in progress. Building a life out of adventurous conspiracies and schemes, written down and sent on their way out into the world for you to see.

    “The act of writing anything worthwhile always takes place at that strange and sometimes disturbing crossroads where aloneness and intimacy meet… This break of the boundary between what we think is a self and what we think is other than our self is where the rich vein of beauty and insight become a reward in and of itself, and where the words suddenly seem to belong to everyone.” – David Whyte, from the forward of Essentials

    Experience and words create that thing that is other than our selves. It’s the building of that puzzle that is our self one piece at a time. What seems a chaotic pile on the table slowly forms into a picture of who we are. The funny thing about a puzzle is you finish and throw it all back in the box and build another picture. You can’t build another part of your identity until you clear the table of the old one.

    So which is it? Are words and experience stacked together like a stone wall or foundation, laid to be resilient, or like a puzzle built very much the same way but temporary in nature? That’s one of those forest for the trees questions, isn’t it? The universe views the stacked stones and the stack of words the way it views those jigsaw puzzles on the table. Everything is temporal. Words are like carbon, momentarily ours and one day something else entirely.

    I believe we ought to keep stacking words and building new puzzles, but to do it for the joy of the process. To set those words free to fly on their own. Scattered throughout the world to land where they may. To that meeting place between aloneness and intimacy.

  • Reaching Beyond Yourself

    Just beyond
    yourself.

    It’s where
    you need
    to be.

    Half a step
    into
    self-forgetting
    and the rest
    restored
    by what
    you’ll meet.
    – David Whyte, Just Beyond Yourself

    Reaching beyond yourself can be frustrating, humbling and sometimes humiliating. The ego wants to be in a happier place, warmly wrapped up in comfortable self-talk and stretching just far enough… but not too far. But that’s not where the growth is. That’s not where you’ll find your limits.

    If there’s a phrase that seems to be common amongst the overachieving set in this world, it’s “leaning in”. You don’t lean in when you’re just standing there – you’ll fall right over. You lean in when you encounter some resistance. Resistance appears when we challenge other people’s ideas about what is far enough beyond themselves, but more often than not it’s our own ideas on the matter. Why challenge the status quo? Where you are is pretty good, right?

    This will be posted on a Monday morning. Monday’s serve as a threshold of sorts – an entry into another work week. And another day we’re all blessed with the gift of living on the planet. Leaning in to the work ahead, the task at hand, will soon fill us with plenty of resistance to lean in on. But are you leaning in the right direction or simply being pushed a certain way? Just where do you need to be anyway?

    Setting your course implies moving beyond your current location – moving beyond yourself. Moving beyond implies self-forgetting who you once were and meeting your new self as you progress towards this new place. How many successful people tackle imposter syndrome? All but the most narcissistic and delusional. It’s normal to question where you’re going.

    Most of us rarely think in terms of self-forgetting, but we encounter it all the time. How many jobs seem to dead-end because your coworkers thought of you as whatever you were when you began working with them instead of what you would become? Sometimes you have to leave a company or an industry to get beyond the stalled beliefs others have of who you are to grow. But what of our own self-beliefs?

    Becoming whatever you’ll be, just beyond yourself, begins with leaning in to the resistance inside yourself and moving in that direction you know in your gut you ought to be moving in. The wonder lies in the transformation of who you believe you are as you move beyond that resistance. A move into something entirely different. Towards your new self.

  • A Walk in Dense Fog

    The dense fog presses up against the glass, tapping on the window lightly, wanting to come inside. Or calling me outside. I listen and layer up for a walk to the bay. I know it’s out there, if only from memory. And walk slowly to the water.

    The fog comes
    on little cat feet.
    It sits looking
    over harbor and city
    on silent haunches
    and then moves on.
    Carl Sandburg, Fog

    The birds carry on their morning song, but not so many today. Early still. What does 98% humidity sound like? It sounds like it looks; muted and disorienting. I close my eyes and let my bearings reset. I’m the only human outside this morning. Or possibly one of thousands – who can tell in the gray billowing dance?

    Down by the water, surprising wave action on a still morning. The bay is restless, like a sleeping child with a fever. Fog blurs hard lines. Instead I focus on what it amplifies. The lapping sounds of the waves slapping on the beach. A loon hidden from view out there somewhere calling its kind. Reaching me.

    Walking up from the shore, the sweet smell of dune grass requests a moment of my time. I gladly linger and thank the grass for the invitation. The air feels different as you walk away from the beach. The waves recede, birdsong grows and the world brightens. Dawn is approaching even as the fog asserts its hold on the world.

    Much later, fog lifting, you see the details fill in. I admit I liked the ambiguity of the fog just a bit more. If only for a momentary change in perspective. And, ironically, the clarity it brought. Swirling in the darkness by the bay.

  • Living That Last Word

    See with every turning day,
    how each season wants to make a child
    of you again, wants you to become
    a seeker after rainfall and birdsong,
    watch now, how it weathers you to a

    testing
    in the tried and true, tells you
    with each falling leaf, to leave and slip

    away,
    even from that branch that held you,
    to go when you need to, to be courageous,
    to be like that last word you’d want to say
    before you leave the world.

    – David Whyte, Coleman’s Bed

    We all move through the world at our pace, seeing things as our mind opens our eyes to them. I could never have read this poem ten years ago and seen it the way I do today. I wonder at who I might be in another ten years, should I be so bold as to expect the time.

    We all transform over time and place, in each conversation and with every realization. We get consumed with thoughts of whether we do enough or become enough, we reach a point where we gently push such self-talk away or let it eat us alive. But the question isn’t whether we’ve done enough at all. It’s simply, have we lived enough?

    When you’re lying on your death bed someday 50 years from now or maybe tonight, what will your last word in this earth be? What are the last thoughts racing through your fading mind? Will you smile in your last breath or will a tear form in your eye? That person in that last moment wants you to be courageous today.

  • What Shape Waits in the Seed of You?

    Now, looking through the slanting light of the morning window
    toward the mountain presence of everything that can be
    what urgency calls you to your one love?
    What shape waits in the seed of you
    to grow and spread its branches
    against a future sky?
    Is it waiting in the fertile sea?
    In the trees beyond the house?
    In the life you can imagine for yourself?
    In the open and lovely white page on the writing desk?
    – David Whyte
    ,What to Remember When Waking

    We get lost in the person we told ourselves we’d be today when we were someone else yesterday. To-do lists and created obligations conspire to hold you to what your scheduled to be. There’s a future you being created in that schedule that should make you burst out of bed with excitement. But waiting a beat or two to listen to the calling informs.

    I’ve mentioned before that I do a one line per day entry at the end of the day. I sometimes wake up thinking about it, contemplating how I might make the line worthy of the ink. Worthy of the day crossed off the short list of days we have on this earth.

    Morning writing forces the hand, you might say. It forces you to reconcile the whispers before getting to those other things. I highly recommend it for anyone looking to figure out what that voice is actually saying in your ear. And when you hear it, what then? Does it chafe against that which you’ve planned for yourself?

    The beginning of the day sets our course based on the conditions and circumstances we find ourselves in. We know where we’d like to go, but must reconcile it with our current reality. With our previous expectations for ourselves, set on the calendar. The question is whether we’ve left ourselves the room to grow into that future sky. The answer, like the question, lingers in that quiet, solitary moment.

  • Freeze and Thaw

    In the dark time of the year.
    Between melting and freezing
    The soul’s sap quivers.
    – T.S. Eliot, Little Gidding

    There are more famous lines from this poem, but this is the time of sap buckets and lines run between maple trees in New England, so forgive me for straying from the popular. For these are the days of freezing and thawing – a confused mix of awakening and nature turning a cold shoulder on us. A reminder that warmer days are coming but we aren’t there just yet.

    And so it is with the vaccine and a pandemic that hasn’t quite finished its business with us, despite casual disregard and letting up of guards. We aren’t quite there, but surely we’re closer. So persevere; for we’ll get through the darkness, together in our isolation.

    Eliot wrote Little Gidding during the darkest days of the Blitz, set it aside in dissatisfaction and returned to it again to publish it during slightly brighter days in 1942. Who would ever think of 1942 as brighter days? Someone who lived through the Blitz of 1940-41 I suppose.

    So who are we to complain about a turn to colder days just as the sun began to warm us once again? Who are we to complain about wearing a mask for just a bit longer? Are we that precious and self-absorbed? Focus on the brighter days ahead, but stay the course in the meantime.

    As the snow and ice retreats for another season, the mud rises to meet our favorite footwear in a cold, gooey grip. The warmest days bring swirls of bugs celebrating their brief dance with life. And we, the comfortable masses, find reasons to complain about the mud and bugs and even the miraculously fast release of vaccines to the world that just seem a bit too slow. For all the joy of thaw, we seem to prefer the angst of freeze.

    Spring is upon us, despite it all. The sap flows with each freeze and thaw, and drips slowly into buckets. Drop by drop, the buckets fill. It’s the only way, really. You can’t very well cut the tree in half to pour out the sap. Not if you hope to have another season anyway. No, progress is slow that way. And offers lessons in patience and perseverance. Of going with the flow and staying the course.

  • Something More

    “The world always seems brighter when you’ve just made something that wasn’t there before.” Neil Gaiman

    This rather cheery quote by Gaiman prompts a challenge of sorts from me. For making something isn’t what makes the world brighter, making something you care about making is what brightens the world. For in the making of something in such a way you honor the world with your contribution.

    As Gaiman rightly points out, we’re lovingly placing something that wasn’t there before out in the world for it to embrace. Will it fly or get lost in the noise? It’s not up to us to decide. It’s up to us to create it and set it free. And then to get back to the business of building another beacon.

    The best of our work becomes accretive rather than reductive. Look around, there’s plenty of people creating hateful, mean-spirited work that divides and diminishes the world. But not us, no: we offer something more. Something that resonates across the table and across time. For the very best work becomes timeless.

    So what makes something timeless? I believe it’s the deep connection between two people that your work represents. Paint placed just so on canvas. Architecture that stirs the heart generations after the last stones were laid. Words that transcend the author or poet and connect one soul to another. This is what brightens the world. This is the shining soul beacon of the artist that keeps hope alive, like a Fresnel lens lights the distance in a turbulent dark sea:

    “If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.” – Henry David Thoreau, Walden

    “Dwell on the beauty of life. Watch the stars, and see yourself running with them.”
    – Marcus Aurelius, Meditations

    “Tell me, what is it you plan to do
    with your one wild and precious life?”
    – Mary Oliver, The Summer Day

    “If you dare nothing, then when the day is over, nothing is all you will have gained.”
    – Neil Gaiman, The Graveyard Book

    “This above all: to thine own self be true,
    And it must follow, as the night the day,
    Thou canst not then be false to any man.”
    – William Shakespeare, Hamlet

    All words across time, offering a path through the darkness in the world. Offering hope and direction and illumination. This is something more. And this is our opportunity too. Great artists are ambassadors to the world, bridge builders to the future, and infinite soul connectors. That’s something to aspire to.