Category: Writing

  • Developing Identity

    At what point on the line of consistent routine does a habit accelerate from a regular part of your life to a major part of your identity? Put another way, if we are what we repeatedly do, at what moment does what we do become us? It may be that moment when you can’t imagine doing anything else but this habit now and forever. But I think it’s a notch beyond that: when others see you as that character you’ve developed into and that habit is reinforced and self-perpetuates.

    Consider a friend who has only been consistently hiking for maybe ten years. Her identity developed around hiking and she’s gained hundreds of followers on her InstaGram account because people associate an activity they want to do more of with her. Or consider my bride, who has run consistently since she was a teenager. Half the town knows her as that lady that’s always out running. Heck, I sometimes think of her as that lady too. Consistent routine develops identity. Identity becomes the essence of who we are.

    But both of these women began with a first awkward step out into the unknown. Both learned what worked for them and what definitely was not going to work. The essence of who we are is derived from what is essential for us. The rest is marketing. You either inform the world of who you’ve become or wait for them to see it for themselves.

    Like a river carving its deepest channel on its truest route, what we say yes and no to as we favor our chosen path becomes the deepest part of our channel. In a river oxbows gather silt and are eventually cut off altogether in favor of the channel. Likewise, some things that were so very much a part of our identity peter out and die from lack of attention. I once fancied myself a sailor, yet I don’t currently have a boat. A friend also fancied himself a sailor and purposefully accelerated and reinforced that identity by trading up to bigger and bigger boats and forgoing career advancement for a log book full of hopes and dreams realized. Who’s the sailor?

    I’m about to click publish on this blog, as I’ve done every day for a few years running now. Does that make me a writer? The answer is what you want it to be. Decide what to be and go be it. And then inform the world (and yourself) with your consistency.

  • The Rhizome Remains

    “We do not know how life is going to turn out. Therefore the story has no beginning, and the end can only be vaguely hinted at. The life of man is a dubious experiment. It is a tremendous phenomenon only in numerical terms. Individually, it is so fleeting, so insufficient, that it is literally a miracle that anything can exist and develop at all. I was impressed by that fact long ago, as a young medical student, and it seemed to me miraculous that I should not have been prematurely annihilated. Life has always seemed to me like a plant that lives on its rhizome. Its true life is invisible, hidden in the rhizome. The part that appears above ground lasts only a single summer. Then it withers away — an ephemeral apparition.
    When we think of the unending growth and decay of life and civilizations, we cannot escape the impression of absolute nullity. Yet I have never lost a sense of something that lives and endures beneath the eternal flux. What we see is blossom, which passes. The rhizome remains. In the end the only events in my life worth telling are those when the imperishable world erupted into this transitory one. That is why I speak chiefly of inner experiences, amongst which I include my dreams and visions. These form the prima materia of my scientific work.”

    Carl Jung, Memories, Dreams, Reflections

    Our lifespan is but the bloom that eventually withers away, yet the rhizome remains in our spirit and the work we leave behind for others. Think of the traits we see carry from generation to generation. Think of the art and music that resonates long after the composer has withered away. We have people that stay with us for the rest of our days; we can see the twinkle in their eye, we can hear their laughter. Life is Jung’s ephemeral apparition, but as we feel of those who have transcended this world, the physical manifestation of our being isn’t all there is of us.

    Our season is very short, but rooted below the surface we’re anchored to eternity. And this, when you think about it, offers a bit of hope in this ridiculous game of living. For we come and go in our season, but our rhizome remains. There’s a sense of permanence in that, as we make the most of our impermanent time in bloom. We shine in our time and offer what we might to those who carry on.

    The present season, anchored to eternity
  • Plans

    What is an intention when compared to a plan? —Amor Towles, A Gentleman in Moscow

    What you intend to do is meaningless.

    What you actually do is everything.

    What requires a why for fuel in its darkest hours.

    What flounders without a plan.

    Habits carry plans to their completion.

    Plan your habits wisely, then follow through as if your life depended on it.

    Doesn’t it?

  • The Battle Inside

    “The greatest battle of all is with yourself—your weaknesses, your emotions, your lack of resolution in seeing things through to the end. You must declare unceasing war on yourself.”
    — Robert Greene

    We all have our moment-to-moment skirmishes with ourselves. We fight through our worst traits or we succumb to them. It’s easy to let things slip, easy to settle for good enough, easy to wrap up early or scroll through Twitter or your social media feed instead of focusing on what must be done in the moment.

    Seth Godin calls it our Lizard Brain, this thing that prevents us from doing the things we most want to do. Steven Pressfield calls it the Resistance. We’ve all felt it when it comes to following our calling: imposter syndrome, distraction or lack of focus, busywork, putting others first… and on and on.

    Routine breaks through the bullshit. Habits force a reckoning with the truth of the matter. We must get past ourselves and simply start doing what we were called upon to do. The battle inside rages, but it becomes a war of attrition. We either give in to it or we see things through to the end.

    Every moment we take meaningful action towards our calling or we slip backwards or sideways on the path. Becoming is dirty work full of blood, sweat and tears. The largest battles are with ourselves. But don’t we have to fight them? Decide what to be and go be it.

  • The Possibility of Beauty

    “What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.” — Annie Dillard, Pilgrim at Tinker Creek

    Positioning this idea of beauty in the world seems quaint when wars and pandemics flood us with so much ugliness and darkness. What are we to do but find light in the darkest corners? Life is a dance along the edge between chaos and order, and we must know both. But we can’t dwell in either. Still, if we are to become what we focus on the most, why not focus on beauty?

    Writing, like photography, focuses us on what we want to find in the world. We seek out wonder while our opposites wrestle for control and influence. If the world teaches us anything it’s that life is textured and imperfect and more than a little unfair. But it’s still a blessing to be here in it. To celebrate the inexhaustible beauty in this complicated world is a mission of possibility and hope. What we make of it is up to us.

  • The Thing About Busy

    “Being busy is most often used as a guise for avoiding the few critically important but uncomfortable actions.” — Tim Ferriss

    We have a love/hate relationship with busy. We all want for more quiet time, but when we get it we quickly yearn for the energy of hustle and bustle. This is compounded by the story we tell ourselves that those who get ahead are the busiest and hardest-working among us. That might help make you a Partner at one of the “Big Three” consulting firms or the CEO of a Fortune 500 company. But how often do we stop and ask ourselves why in the world we’d ever want that title? It’s a Faustian bargain—a deal with the Devil to have it all now in exchange for your soul.

    Screw that.

    Status doesn’t mean you’re successful at living. It just means you ground out more miles. Do we ever stop to ask what really gets ground in the process? Think about the last conversation you had with a “really busy” person. Was it meaningful or a transaction? Frazzled is a posture that doesn’t highlight one’s positive traits. To be calmly efficient is a choice; just as much of a choice as frazzled. But with better hair.

    We can be successful in life without sacrificing 300,000 heartbeats a week for the profitability of whatever stock symbol we happen to align ourselves with. The thing about busy is it’s a story we tell ourselves as an excuse for not doing what we really want to do. It takes courage to stop hiding behind busy.

    Instead we might choose contemplation and conversation and the deliberation of taking meaningful steps. We might seek experience accumulation and relationship building. We could delight in pregnant pauses. We can give ourselves permission to celebrate deep thinking and active listening and finding the right word without Googling it. We can rejoice in finishing what we once so boldly started but put aside because we’ve been so damned… busy.

  • Let Your Steps Dance Silently

    And if your feet are ever mobile
    Upon this ancient drum, the earth,
    O do not let your precious movements
    Come to naught.
    Let your steps dance silently
    To the rhythm of the Beloved’s Name!

    — Hafiz, A Wild, Holy Band

    It’s easy to slip into dark places in a world where insulin and baby formula cost more per gallon than gasoline or whiskey. It’s easy to slide sideways into despair watching the news or scrolling Twitter. To grow impatient and angry with all that is wrong in the world. For that is what they want of us. To divide and provoke for personal profit seems to be the growth model of the dark side of humanity.

    And yet we might dance across our time on earth as steady unifiers. We might tread softly in beautiful places and leave it as we found it as a quiet gift for those who follow us. In our silently determined way leave a message of hope for generations well beyond us to use as an anchor in their own time. Even in the darkest days we may still shine a light on something others might have missed, and offer a lifeline for those who are drowning in the stream of horror and outrage.

    Surely, we can’t dance lightly across time with a heavy heart, and the world offers plenty of reasons for us to despair. But at the very same moment, while we’re focused so intently on one bit of misery, the universe offers hope and love and a reason to carry on just beyond the corner of our eye. Which do we focus on? For that is what we become.

    We are Pilgrims for hope and love and spirituality. We dance across our time offering a lifeline for those who might otherwise drown in the dark. Don’t mistake the dance as blithe ignorance, but as silent vigilance. We’re here to hold it all together, not to run off the cliff waving our arms and screaming in despair. We’re here to dance with life and in our courage draw others out onto the dance floor with us. To use our dance across our time as an inspiration for others to rise.

  • To Shine, in Verse


    Let’s go, my poet,
    let’s dawn
    and sing
    in a gray tattered world.
    I shall pour forth my sun,
    and you—your own,
    in verse.”

    Vladimir Mayakovsky, An Extraordinary Adventure Which Befell Vladimir Mayakovsky In A Summer Cottage

    We look at the world through our own lens. It’s relatively easy to be optimistic about the future when you aren’t facing a violent end, or the relentless oppression of an authoritarian government. Bullies tend to sap the creativity out of most poets and artists. But every now and then you run into one that stands up to the bully, puts their work out there and lets it speak for itself despite it all.

    Mayakovsky published this charming little poem about having tea with the sun in 1920. I visit it now not to celebrate the void of positive leadership in Russia since then, but rather the resilience of the poet in the face of darkness. Mayakovsky would eventually succumb to that darkness, committing suicide a decade or so after writing this dance with light. Humans aren’t meant to live in darkness. We must find a source of energy and hope to carry on.

    We choose to focus on the positive in this world, not because we’re delusional, but because the only hope for our collective future is in optimism and love. Mayakovsky’s poem ends with a radiance that illuminates us still. It offers an example to press on with our work, to fight for what is right and true. For not everything in the world slips into darkness. We still might shine.

    Always to shine,
    to shine everywhere,
    to the very deeps of the last days,
    to shine—
    and to hell with everything else!
    That is my motto—
    and the sun’s!

  • Outward Expression

    “I feel as if my life had grown more outward when I can express it.”
    ― Henry David Thoreau,
    A Week on the Concord and Merrimack Rivers

    There’s a tricky thing in writing—deep introspection is conveyed through outward expression. When you read a lot you stumble on some deeply damaged characters who had the courage to put it all out there on paper for others to see. I’ve mined myself similarly, but I don’t have the deep scars that others seem to have. Blame it on a good family growing up, but the fuel for the writing isn’t to draw out the pain of the past but rather to tap into the experience and intense gratitude of being alive at this time. That doesn’t mean there aren’t scars, how does anyone live an unsheltered life without scars? That which you once were is a memory that haunts you or spurs you towards becoming a better person. I’ve long ago buried the character I hated in myself, though he keeps trying to crawl out of his grave.

    Decide what to be and go be it.

    There’s a feeling that comes over you when you decide what to be. It’s like a magnet that pulls you in the direction you want to go in. My sailor and hiker friends know this, for it relentlessly pulls them towards their True North. I smile when someone questions why someone would put all their eggs in one basket. If you haven’t found your basket you can’t possibly know why others do what they do.

    “I don’t want to swim in a roped off sea.” — Jimmy Buffett, Cowboy in the Jungle

    We all have our calling. Do we listen to it or to the helpful guidance of others? When you find that direction, killing time on other things feels like you’re strangling yourself. Urgency and purpose demand your attention. The only way forward is deliberate action. Growing outward requires we stretch ourselves beyond what we once were, and then to keep doing it over and over again. To reach out towards where we want to be often means pulling away from what we once were.

  • What We Hold On To

    “You once told me that the human eye is god’s loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn’t even know there’s another one, just like it, an inch away, just as hungry, as empty. Opening the front door to the first snowfall of my life, you whispered, ‘Look.’”Ocean Vuong, On Earth We’re Briefly Gorgeous

    We write to express ourselves, don’t we? But also to see. For the writer observes the world. Otherwise what do we hold on to, in the end? Memories and the occasional catchy phrases. For a moment to last we must create. I think all artists work to share a vision with the world. Their work naturally exists after the vision the artist is sharing, and thus becomes a way to retain that which would have otherwise disappeared.

    A photographer snaps a picture that represents an instant in time. Immediately it becomes a historical document of what once was. It becomes a way of holding on to the past. We can all play this game of looking at pictures and remembering moments that had otherwise slipped to the recesses of our minds. People and objects that once were but are now just memories and memorabilia. All art drives a similar stake in the ground, capturing that moment in the artist’s life expressed in their creation. Art captures us as we once were.

    What do we hold on to? What do we let go of? Some moments are forever locked in amber, some drift away immediately. What we experience and what we hold on to are never the same thing. Think about the things we’ve all experienced over the last few years. We can’t agree on what we all saw, how could we possibly agree on how to capture this moment?

    Art is always subject to interpretation. It captures a moment through the perspective of the artist, and is received by the audience with their perspective in their moment. Life, and art, are indeed fleeting. The world passes through us, and we all disappear into the past together. All we can hold on to is the moment. But the artist tries to share it.