Alexandersmap

    Category: Writing

    • The Muse

      There’s a ghost in my head. A story that won’t go away. Compelling and screaming to be written. The boy in the story died over 300 years ago, and he didn’t live much of a life at all. A life of lost freedom and sadness. But his story is screaming out for someone to tell the world about him.

      So the muse taps my shoulder, asking when I’m going to get around to it. Threatening to leave me and take the boy elsewhere. And I feel the guilt of ignoring the call of the dead boy for the obligations of the living. Your story must be told… but not just yet. And the muse grows restless.

      I suppose I could just write about him in the blog. It would serve to tell his story. But I’ve held on to his life as the kernel of a novel that could grow around him. It seems selfish when I write that, holding a ghost boy hostage while I procrastinate on writing his story. Yet here we are.

      The confession serves as a concession to the muse. I’ll get to the boy, one of these days. I’ll write his story as best I can. This year? Yes, absolutely. This year. Just after I finish these other things…

      And the muse grows more restless.

    • The Practice

      “We are what we pretend to be, so we must be careful about what we pretend to be.” – Kurt Vonnegut

      “The practice of art isn’t to make a living. It’s to make your soul grow.” – Kurt Vonnegut

      This blogging business can be a grind if you think about it the wrong way. I try not to think about it the wrong way. Still, it pops up in my head in certain moments. What the hell am I writing for? I don’t actively accumulate followers and don’t chase likes. Nor will this site be monetized. So what’s the point?

      The writing is a discipline; a routine of consequence. A practice of art carrying me towards who I fancy myself to be, and I chase it down relentlessly every day. And though I wonder sometimes at what the point of it all really is, I already know the answer. It’s simply to write.

      Kurt Vonnegut was one of those people whom I’d have around that dinner table, along with a cast of characters larger than life through their practice of being what they pretended to be… and thus became. Then again, I hang out with them all the time through their contribution. Or at least the character I think them to be. For they were just people like us, who chipped away at their work until they built something of consequence.

      And there’s that word again: consequence. What are we building in our daily work? Followers, or our souls? I may not ever meet my great-grandchildren if they should ever debut in the world, but I fancy them someday knowing something about me from the way I stack words together… just… so.

      The crew of SV Delos (Brian and Karin) had a live stream conversation on Mother’s Day. For those who don’t know, they sail around the world and post videos on YouTube. They’ve been cranking out videos for years, first as a way to share experiences with family and friends and later as an income stream as it became apparent that plenty of people were interested in what they were doing. Watching their 300+ videos helped me get through the void of travel-less lockdown during the pandemic.

      One thing Brian said caught my ear. He spoke about people who keep working on their boats, project after project, waiting for things to be perfect for them to set out on their own passage. And of course that day never comes because nothing is ever perfect. The point being to just go when things are ready enough.

      On a much smaller scale, blogging is the same sort of passage that Delos is on. You chip away at it, maybe picking up a follower or two along the way (thank you) and see where the passage takes you. And maybe that’s enough. Then again, maybe there’s more.

    • Poems and Cat Puke

      The clouds have left the sky,
      The wind hath left the sea,
      The half-moon up on high
      Shrinketh her face of dree

      She lightens on the comb
      Of leaden waves, that roar
      And thrust their hurried foam
      Up on the dusky shore.

      Behind the western bars
      The shrouded day retreats,
      And unperceived the stars
      Steal to their sovran seats.

      And whiter grows the foam,
      The small moon lightens more;
      And as I turn me home,
      My shadow walks before.
      – Robert Bridges, Dusky Shore

      There’s a moment when expectations meet reality. Certainly we all expected more out of 2020 than we got, and I can say the same about this morning’s blog. It started with a poem – Dusky Shore, as you see. It became cleanup in aisle 5.

      I’ve toyed with Bridges’ famous poem for some time, undecided about whether to dance with the classic romantic lines, or leave well enough alone. It has all the ingredients sprinkled together just so – the moon and the sea, post sunset dusky bliss and a turn towards home… but it still misses the mark for me. And I’m not sure why.

      I believe it’s in the way the words are stacked just so. It feels like he’s playing to the audience a bit to me, instead of mining his soul. But still the words are lovely in the way that a Thomas Kinkade painting is. Pretty, I suppose, but not really my style.

      As I walked down the stairs contemplating this poem and whether to go there, I came across the apocalyptic mounds of yellowish cat puke on the area rug that announced my quaint dalliance with Dusky Shore was going to take a back seat for the moment. As the designated early bird in a house full of night owls, I’m faced with such moments more than I care to remember. You either pretend not to see it or grab the paper towels and deal with it. I’ve learned it’s best to tackle the demons head-on and get on with your life. There’s nothing more demonic than cat puke on an area rug.

      I wonder about Robert Bridges, turning from the white foamy sea towards home, shadow walking before. As he opened the door to his humble home, what greeted him? For all the beauty of the prose, every now and then a little cat puke intrudes upon your Rosebud Cottage. It may be unwelcome, but it teaches you a bit about who you are when the moment of bliss is interrupted.

    • Quicksand and Tasks of Consequence

      “Bad writing is almost always a love poem addressed by the self to the self.” Toby Litt

      “The more books we read, the clearer it becomes that the true function of a writer is to produce a masterpiece and that no other task is of any consequence.” – Cyril Connolly

      The time we spend, these moments slipping through the hourglass, are either consequential or quicksand. And so the tasks filling those moments are loaded with questions – is this the right use of this brief moment in time or might there be a better place to spend the grains of sand? Is this a task of consequence, or is it a love poem to the self, mere folly?

      You know when you’ve stepped in quicksand. Maybe not immediately, but soon enough you recognize the stickiness of a habit and the sinking feeling that you’re not making any forward progress. Quicksand is tricky stuff. The one thing you don’t want to do when you’re in it is flail in place.

      Writing a blog every day might not be a masterpiece, but is it folly? The act of writing is pouring your grains of sand into a jumble of words and placing them just so. With a picture in your mind of what they might be if you could just get it right.

      The ultimate measure of tasks is whether you’re flailing in place or going somewhere consequential. What might you otherwise be doing with those grains of sand? The answer isn’t what are you doing now. Not really. It’s what are you becoming? That is what really matters. For what will your masterpiece be, in the end?

      Work towards that.

    • The Lindy Effect

      A few years ago Nassim Nicholas Taleb described a phenomenon known as the Lindy Effect in his book Antifragile. Soon after you started hearing about it in other work, referenced in blog posts, magazine articles and even its own Wikipedia page. I tend to shy away from uber-trendy topics, but I’ve thought a lot about this Lindy Effect since reading about it in Taleb’s book.

      “I follow the Lindy effect as a guide in selecting what to read: books that have been around for ten years will be around for ten more; books that have been around for two millennia should be around for quite a bit of time, and so forth.” – Nassim Nicholas Taleb, Antifragile

      Lindy’s was a famous deli in New York where comedians and actors would gather and discuss such things as the durability of a Broadway show. The observation is that if something survives for a period of time longer than the norm, it implies that it will survive at least that long into the future. The Lindy Effect only applies to non-perishable items, so you and I and that orange on the counter don’t count. But that picture you take or that book you write or the product you release to the market do count. The implication is that you might build something that outlasts you by a long stretch.

      Henry David Thoreau died just eight years after publishing Walden, but the book lives on to this day. When it was originally published it was hardly noticed. Yet today it’s been read by millions. When Ansel Adams took the photograph “Monolith, the Face of Half Dome” in 1927 he was creating something that still captures the imagination of people around the world almost 100 years later. It was the picture that built his legacy and helped preserve Yosemite.

      Ernest Hemingway published his first classic, The Sun Also Rises, in October of 1926, six months before Adams took that photograph. Hemingway had a burning desire to be a great writer, and to publish great and lasting work. Many people point to the last lines of the novel for the way it captures the relationship between the two central characters. You might also see the final line as a hopeful wish from Hemingway that this book might fly:

      “Oh Jake,” Brett said, “We could have had such a damned good time together.”
      Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly, pressing Brett against me.
      Yes,” I said. “Isn’t it pretty to think so?”
      – Ernest Hemingway, The Sun Also Rises

      I’ve noticed a small trend in this blog where 6-10 specific blog posts seem to get views all the time, while the other 1000+ have their moment in the spotlight and fade away over time. Millions of books and paintings and pictures similarly fade away over time, but some stand up forever as legendary. Making art may have a formula, but creating its stickiness remains a mystery to most of us.

      Ironically, Lindy’s, the delicatessen that gave birth to the concept of building something that might last forever, closed forever in 2017. For businesses are perishable too. Yet its name lives on. Maybe, like Thoreau or Adams or Hemingway, that is as it should be.

    • Leaning Into Revelatory Writing

      “I feel it’s important for me to be completely honest in what I write about. To me artists fall into two categories, they are revelatory or obfuscatory. There are artists that want to create an image of themselves, that isn’t really them, but it’s part of the product, the brand and stuff like that. So whenever they are in the context of performance… they adopt this persona. And the words that they write are from this persona not from themselves… I have always been a revelatory artist. I am most interested in writing about the things that I actually think about rather than trying to think about what someone wants to hear and write about that.” – Todd Rundgren, from The Moment podcast interview

      There are days when I’d rather have published anonymously. There’s something liberating about the free pass granted to the anonymous – you see it in Tweet and troll comments I suppose, where people feel they can say anything that comes to mind. But, deep down, can you really respect the anonymous? I don’t believe so. We respect those who put themselves out on a limb.

      We all balance the character we want to present to the world with who we actually are. As you get a bit wiser you stop worrying about becoming a character and you just become yourself (and some of us are real characters). Artists either play for the hits or mine deep for the gold. Now and then you get both in the same work.

      If you’re lucky and a bit brave, you reach a point where you just write for the love of discovery and revelation. Joyful bits of magic stumbled upon and written about, one post at a time. Some frivolous, some tedious, but now and then you scrub the words together just so and something sparkles. Sometimes you’re the only one that sees the glimmer, other times it bounces around the room like laser light on a disco ball.

      You know when you’ve put it all out there, just as you know when you’ve held back a bit of yourself. I’ve written a few posts where I clearly obfuscated and see it immediately when I look back on it. I think most people see it too. Deep down we all know when someone is holding back or playing to the audience. Fluff writing designed for clicks and likes and whatnot.

      Rundgren reminds me that there’s more to do. You want your work to crackle and spark imagination and wonder? Go deeper. Leaning into revelatory writing is a leap into the the chasm. But where else would you rather be?

    • Like Stone Nestles on Stone

      “Poetry is language against which we have no defenses.” – David Whyte

      I’ve been spending a bit of time with David Whyte lately, catching up on words I ought to have read long ago but wasn’t ready to hear. I was a different person then, more closed to the world despite the outward bravado. You learn who you are through the windy path of words flowing from you onto the page. And then you set them free to find an audience ready for that particular jumble of words to add to their own foundation.

      Let the words join
      one to another
      the way stone nestles on stone,
      the way water just leaves
      and goes to the sea,
      the way your promise
      breathes and belongs
      with every other promise
      the world has ever made.

      Now, leave them to go on,
      let your words
      carry their own life,
      without you, let the promise
      go with the river.
      Have faith. Walk away.
      – David Whyte, To Break a Promise (Cúnga Fheichin)

      For me releasing the words into the wild is a form of building my own foundation. Each place visited, each poem immersed in, and each mountain climbed is like stone nestled on stone joined together just so as a work very much in progress. Building a life out of adventurous conspiracies and schemes, written down and sent on their way out into the world for you to see.

      “The act of writing anything worthwhile always takes place at that strange and sometimes disturbing crossroads where aloneness and intimacy meet… This break of the boundary between what we think is a self and what we think is other than our self is where the rich vein of beauty and insight become a reward in and of itself, and where the words suddenly seem to belong to everyone.” – David Whyte, from the forward of Essentials

      Experience and words create that thing that is other than our selves. It’s the building of that puzzle that is our self one piece at a time. What seems a chaotic pile on the table slowly forms into a picture of who we are. The funny thing about a puzzle is you finish and throw it all back in the box and build another picture. You can’t build another part of your identity until you clear the table of the old one.

      So which is it? Are words and experience stacked together like a stone wall or foundation, laid to be resilient, or like a puzzle built very much the same way but temporary in nature? That’s one of those forest for the trees questions, isn’t it? The universe views the stacked stones and the stack of words the way it views those jigsaw puzzles on the table. Everything is temporal. Words are like carbon, momentarily ours and one day something else entirely.

      I believe we ought to keep stacking words and building new puzzles, but to do it for the joy of the process. To set those words free to fly on their own. Scattered throughout the world to land where they may. To that meeting place between aloneness and intimacy.

    • Reaching Beyond Yourself

      Just beyond
      yourself.

      It’s where
      you need
      to be.

      Half a step
      into
      self-forgetting
      and the rest
      restored
      by what
      you’ll meet.
      – David Whyte, Just Beyond Yourself

      Reaching beyond yourself can be frustrating, humbling and sometimes humiliating. The ego wants to be in a happier place, warmly wrapped up in comfortable self-talk and stretching just far enough… but not too far. But that’s not where the growth is. That’s not where you’ll find your limits.

      If there’s a phrase that seems to be common amongst the overachieving set in this world, it’s “leaning in”. You don’t lean in when you’re just standing there – you’ll fall right over. You lean in when you encounter some resistance. Resistance appears when we challenge other people’s ideas about what is far enough beyond themselves, but more often than not it’s our own ideas on the matter. Why challenge the status quo? Where you are is pretty good, right?

      This will be posted on a Monday morning. Monday’s serve as a threshold of sorts – an entry into another work week. And another day we’re all blessed with the gift of living on the planet. Leaning in to the work ahead, the task at hand, will soon fill us with plenty of resistance to lean in on. But are you leaning in the right direction or simply being pushed a certain way? Just where do you need to be anyway?

      Setting your course implies moving beyond your current location – moving beyond yourself. Moving beyond implies self-forgetting who you once were and meeting your new self as you progress towards this new place. How many successful people tackle imposter syndrome? All but the most narcissistic and delusional. It’s normal to question where you’re going.

      Most of us rarely think in terms of self-forgetting, but we encounter it all the time. How many jobs seem to dead-end because your coworkers thought of you as whatever you were when you began working with them instead of what you would become? Sometimes you have to leave a company or an industry to get beyond the stalled beliefs others have of who you are to grow. But what of our own self-beliefs?

      Becoming whatever you’ll be, just beyond yourself, begins with leaning in to the resistance inside yourself and moving in that direction you know in your gut you ought to be moving in. The wonder lies in the transformation of who you believe you are as you move beyond that resistance. A move into something entirely different. Towards your new self.

    • What Shape Waits in the Seed of You?

      Now, looking through the slanting light of the morning window
      toward the mountain presence of everything that can be
      what urgency calls you to your one love?
      What shape waits in the seed of you
      to grow and spread its branches
      against a future sky?
      Is it waiting in the fertile sea?
      In the trees beyond the house?
      In the life you can imagine for yourself?
      In the open and lovely white page on the writing desk?
      – David Whyte      , ‘What to Remember When Waking‘

      We get lost in the person we told ourselves we’d be today when we were someone else yesterday. To-do lists and created obligations conspire to hold you to what your scheduled to be. There’s a future you being created in that schedule that should make you burst out of bed with excitement. But waiting a beat or two to listen to the calling informs.

      I’ve mentioned before that I do a one line per day entry at the end of the day. I sometimes wake up thinking about it, contemplating how I might make the line worthy of the ink. Worthy of the day crossed off the short list of days we have on this earth.

      Morning writing forces the hand, you might say. It forces you to reconcile the whispers before getting to those other things. I highly recommend it for anyone looking to figure out what that voice is actually saying in your ear. And when you hear it, what then? Does it chafe against that which you’ve planned for yourself?

      The beginning of the day sets our course based on the conditions and circumstances we find ourselves in. We know where we’d like to go, but must reconcile it with our current reality. With our previous expectations for ourselves, set on the calendar. The question is whether we’ve left ourselves the room to grow into that future sky. The answer, like the question, lingers in that quiet, solitary moment.

    • A Hole in the Ground

      Walking through the woods of Hampstead, New Hampshire we found an old mine quietly marking time. A modest hole in the ground, really, with scattered bits of Mica all around. To call it a mine seems a bit of a stretch when compared to the big mining operations elsewhere in the world. But it called to me, knowing I’d been looking for it, and seemed to sparkle in the sun for the attention.

      Mica is also known as Isinglass. From a resource perspective, Mica is sheet silicates used in everything from glass making to fashion to a key ingredient in gypsum. It has some heat-resistant qualities and is non-conductive, which makes it useful. But it’s very expensive to mine and labor intensive, so most of the mining now is done in India. For anyone complaining about their work, I’d point to Mica mining as one of many professions that might be a bit tougher.

      In New Hampshire you see flakes of Mica everywhere but the meaningful sheets (or “books”) were harder to find. When they did find it, they’d root it out by blasting and drilling carefully around the sheets. Keeping the sheets intact was the labor-intensive trick.

      There’s a semi-famous mine in Grafton called the Ruggle’s Mine, now closed, that used to be a tourist attraction. Visitors could carry out whatever rock that met their fancy. The mountain where it was mined was called Isinglass Mountain. You can find it on a topographical map but good luck finding that on the list of New Hampshire’s 1,786 mountains. Does a mountain lose prominence when people dig holes in it?

      Back in the woods, I wondered about this old hole in the ground, once a Mica mine, now a landing place for leaves and pine cones. There’s little history around it, probably because it really isn’t any bigger than a cellar hole. But it’s in my nature to wonder about such things. Not so much for the hole but the people who labored in it. I imagine they’re buried somewhere in town, filling their own holes in the ground. What was their story?

      Holes in the ground aren’t nearly as flashy as waterfalls and mountaintops. I can’t blame anyone who skimmed the first paragraph of this post and thought, “not for me”. But there’s a story there in the ground, marking time like the rest of us. And I wonder, what would it take to dig it out? For without a story it’s just another hole in the ground.

      Mica Mine hole in Hampstead, NH