“There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive.
This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad in a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight.”
— Jack London, The Call of the Wild
I witnessed the ecstasy on the face of a two year old mutt with mascara eyes turned shrewd hunter. My carefully-planted garden was no match for the hunter, nor was the fence—designed to keep rabbits out but not the chipmunks, and not the joyful leap of youthful hunter, straining after the food that was alive. And so I scolded her without success. I barred entry only to have her run to the other side. And finally I brought her in, if only as a reprieve until the fence could be raised.
The ecstasy isn’t something we’re aware of nearly enough when we’re riding that high. When we’re in peak form it feels like it will always will be so, if we ponder such things at all. Nowadays I hunt for moments in the zone, where I may perform at my personal peak, striving for arete even as I understand how evasive that level of personal excellence will always be. The writing offers a taste of that hunter’s zeal, and sometimes work offers it too. And I realized, placing fence pieces atop the garden fence between paragraphs of a blog post, that the garden has offered its own version of complete forgetfulness. At least before it was shredded by youthful vigor.