Alexandersmap

    Category: Art

    • Diligent Awareness (Life as a Poem)

      “The aim of life is to live, and to live means to be aware joyously, drunkenly, serenely, divinely aware. In this state of god-like awareness one sings; in this realm the world exists as poem.”
      ― Henry Miller, The Wisdom of the Heart

      “Imagine that you’re unwell and in a foul mood, and they’re taking you through some lovely countryside. The landscape is beautiful but you’re not in the mood to see anything. A few days later you pass the same place and you say, “Good heavens, where was I that I didn’t notice all of this?” Everything becomes beautiful when you change.” — Anthony De Mello, Awareness: The Perils and Opportunities of Reality

      It’s easy to say we should live with awareness, but harder in practice. This business of living demands attention, or rather, distracts our attention from much of the things we’d be focused on if we weren’t so damned busy with that other thing. We forget, sometimes, that life is merely what we pay attention to and everything becomes beautiful when we change. Most of us won’t change or become fully aware, but isn’t it pretty to think so?

      Most don’t want to change, they want to live with what they have, while wishing for more, and do it again tomorrow. When someone does we wonder at their boldness, but don’t connect the dots to doing it ourselves. If we are what we repeatedly do (Aristotle), then doing something completely different strikes at our very identity. No wonder so many refuse to cross that line in the sand.

      “How many people do you know who are obsessed with their work, who are type A or have stress related diseases and who can’t slow down? They can’t slow down because they use their routine to distract themselves, to reduce life to only its practical considerations. And they do this to avoid recalling how uncertain they are about why they live.” ― James Redfield, The Celestine Prophecy

      The thing is, awareness isn’t about turning our lives upside down, it’s being fully present in the moment. Being open to everything that surrounds us, not just those practical considerations. We aren’t quitting our jobs and living like a hermit in a hot tent when we’re aware, we’re simply inviting more of the universe into our present moment. It seems if we want a more fulfilling life then we ought to fill more of our life with beautiful things.

      I was once a closed young man who thought of poetry as frivolous. Something was missing within me that took years to fill. When you close yourself up the world simply cannot find its way in to fill you. Over time my awareness pendulum has swung wide open. Not coincidently, I write more, listen more, seek more and linger more with the world. When we realize the world exists as a poem, we’re more inclined to dance with its verse.

      “Butterflies don’t write books, neither do lilies or violets. Which doesn’t mean they don’t know, in their own way, what they are. That they don’t know they are alive—that they don’t feel, that action upon which all consciousness sits, lightly or heavily.” — Mary Oliver, Upstream

      We expand into the world we create for ourselves through diligent awareness. Knowing what we are, and who we are, is the job of a lifetime. When we open ourselves to everything, we discover more, and we live a bigger life.

    • Sharing Moments, After

      “I’ve never taken a photograph of someone and created a persona, I’ve just discovered what was already there.” ― Anthony Farrimond

      I’ve been known to take a few pictures in my time. As with writing, it helps me focus on the things around me in a way I might not otherwise. I have friends that send me pictures of sunsets that they’re not putting on social media as a reminder that I tend to put a lot of such pictures on social media. I celebrate the ribbing, for it means I’m doing my part to share a bit of beauty and positivity in a world full of people inclined to share ugly and negative. That’s not us, friends. We’re here to light the world during our shift.

      During occasions when family and friends come together, my attention shifts from pictures of nature’s beauty to the beautiful souls around me. There’s a fine line between being a part of the party and being apart from the party, and I try to stay in the moment while capturing some of it. Stopping a conversation for a picture can be disruptive, but if done well it might enhance and draw people together. When done well it captures the illusive and fragile moments we have together. Looking back on pictures from the last few years, it’s striking how many people are no longer with us. We can’t control fate, but we can capture moments before it intervenes.

      At a Christmas Eve party just last night I was talking to someone about some of the settings in an iPhone. They shared a few tips that I immediately started trying. In portrait mode you can tap on someone’s face and everything in the background blurs, highlighting the face or faces you’ve chosen to focus on. It’s a nice trick that brings a measure of professional photography to the amateur. Perhaps my favorite thing about it is that focus. As in an intimate conversation, you’re drawn completely into the world of the person you’re focused on. In such moments we capture something more than the moment, we capture a glimpse into their soul.

      I’m not a great photographer (I know too many great photographers to claim such mastery for myself), but I take enough pictures that I get a few good ones worth sharing. The way I look at it, that picture is a time machine, shared after the moment, carrying life force from one moment to another. That after moment might be turning the image around to show those you’ve just taken a picture of what it looks like, or it might be our great-grandchildren feeling the love through the eyes of a long-lost ancestor. This is the nature of photography, it tends to outlast us.

      As the photographer in such moments, as with writing, one hopes for mastery, but accepts the best we can deliver in the present. Don’t we owe it to each other to capture our best moments together? Having captured an image, it becomes a gift for others in moments after.

    • Delicate Things

      “Why shouldn’t we, so generally addicted to the gigantic, at last have some small works of art, some short poems, short pieces of music […], some intimate, low-voiced, and delicate things in our mostly huge and roaring, glaring world?” — Elizabeth Bishop

      For all the big plans we make, most of our life is lived in routine. This blog is most often fueled by an early rise and a freshly ground cup of coffee. But when routine fails me and I really need to focus on writing or some other work, I put on my noise-cancelling headphones and play the same song on repeat until I’ve completed whatever it was that was getting overwhelmed by the gigantic. No surprise for readers that for me, that song is Wild Theme by Mark Knopfler. You can go right ahead and put it on my playlist when I pass.

      I’ve paired that song with a Scotch whiskey nosing glass filled with sand from Camusdarach Beach, sitting just out of reach of a certain curious cat who loves nothing more than knocking delicate things off of solid places. That beach is one of the stars of another work of art, Local Hero, that elicits eye rolls whenever I mention it to family and friends.

      I still have a water bottle filled with a bit of Walden Pond from a few weeks ago. I’m somewhere between boiling it for a cup of tea and pouring it in the pool, that I might have a bit of Walden around me every time I go for a swim. This might seem odd to the masses, and I respect that, but isn’t it just as odd to fixate on the lives of the Royal Family or to get a Mickey Mouse tattoo? Everyone has something that holds on to them through it all.

      A sprinkling of adventure does a soul good, but so too does the collection of delicate things that quietly surround us and makes us whole. These prove to be more important to us in our daily lives than the bucket list moments. That quiet inventory of art, music, prose and poetry lifts us up when we need them most, keeping us from drowning in the angry sea of everyday.

    • Listen Carefully, Spend Wisely

      Colm Doherty: I just have this tremendous sense of time slipping away from me, Pádraic. And I think I need to spend the time I have left thinking and composing. Just trying not to listen to any more of the dull things that you have to say for yourself.
      Pádraic Súlleabhain: Are you dying?
      Colm Doherty: No, I’m not dying.
      Pádraic Súlleabhain: But then you’ve loads of time.
      Colm Doherty: For chatting?
      Pádraic Súlleabhain: Aye.
      Colm Doherty: For aimless chatting?
      Pádraic Súlleabhain: Not for aimless chatting. For good, normal chatting.
      Colm Doherty: So, we’ll keep aimlessly chatting, and me life’ll keep dwindling. And in twelve years, I’ll die with nothing to show for it, bar the chats I’ve had with a limited man, is that it?
      — Martin McDonagh, The Banshees of Inisherin

      There’s a darkness in this film that is borne of desperation. The characters react to the bleak reality of their lives in different ways. Colm and Pádraic’s sister, Siobhan Súilleabháin, desperately seek something beyond their relentlessly trivial existence. Pádraic sees nothing at all wrong with living out his days one exactly the same as the one before. And this raises the central question of the film, one we all faced at the height of the pandemic: what are we actually doing with our time? Is this all there is for us, or might we create something meaningful that lives beyond us before we pass? These are questions many of us wrestle with, while others contentedly choose more of the same. We each reconcile our brief dance with the world in our own way.

      These questions are timeless, even if we aren’t. Indeed, this temporary shelf life drives us to find answers. Our old friend Thoreau famously observed in the beginning pages of Walden that “the mass of men live lives of quiet desperation”. We bear the weight of these questions still, amplified by that realization that time is slipping away. Memento mori, friends. Carpe diem.

      The thing is, we shouldn’t despair at the thought. There ought to be freedom in that realization. We have an opportunity to amplify our living, and make it resonate in our time. We have the opportunity to create something that lives beyond ourselves, something that ripples. Alternatively, we might simply live. Neither choice is wrong, unless we’re quietly telling ourselves it is. The answer for each of us is to listen carefully, and spend wisely.

    • Cultivating Discernment

      “The task of the craftsman is not to generate the meaning, but rather to cultivate in himself the skill for discerning the meanings that are already there.” — Hubert Dreyfus, All Things Shining

      “Just as we don’t spend a lot of time worrying about how all those poets out there are going to monetize their poetry, the same is true for most bloggers.” — Seth Godin

      At some point, several years ago, I was finally convinced to just begin writing a blog. At some point, not very long after that moment, I finally understood that the best reason to write a blog was to cultivate the art of writing better and the art of discernment. The two go hand-in-hand, and combined make us more engaged and active participants in living.

      The habit stuck, the streak continues, the writing may even be improving, but if there’s anything that has improved exponentially in these years of posting it’s honing that art of discernment. We learn to observe nuance and craft something of it. And then? Do it again the next day.

      There are very successful bloggers out there who have developed a large base of followers, subscribers and subsequently, advertisers. This is not one of those blogs. This is an act of discernment, cultivated daily. I suppose that in itself may be successful enough.

    • Our Best Work

      “I want to see your best work. I’m not interested in your new work.” — Jerry Seinfeld

      A couple of days ago I read a newsletter that contradicted Seinfeld’s quote about. The writer premise was that one should accumulate readers, and the best way to do that was to always have the newest and freshest content up top. There’s merit in this, I suppose, if your newest and freshest content is your best work. In a perfect world where we continue to evolve and grow as artists, this might be true. I don’t live in a perfect world, do you?

      Based on average likes per day, my greatest hits collection plays far better than most of my current work. I’m not exactly Joan Didion or The Beatles, we surely agree, but they too had work after their greatest hits that didn’t peak as high. It’s natural for us to have peaks and valleys in our creative work, while climbing ever higher. Some peaks we’ve previously attained rise above where we currently are. This is either an albatross or a simply a milestone. I haven’t broken 6 minutes on a 2000 meter erg piece since my early 20’s, but that doesn’t stop me from rowing. It should be the same for our creative work, don’t you think?

      The thing is, we all want to see our best work emerge from whatever it is we’re working on. We aren’t here to waste time, we’re here to do something with our time. That something ought to measure up to the greatness we aspire to. When it does, it tells some small percentage of the world, but mostly ourselves that we’ve done something bigger than we previously thought possible. That becomes something to build on, whether we reach it again or not.

      When we accumulate a body of work, some of it will naturally rise to the top. The aspiration, it seems, is to reach a higher plane, where consistent greatness resides. But don’t trust me on this one, for I’m merely a work in progress. Best to find out for yourself and let me know.

    • This Is the Way

      “I believe that above the entire human race is one super-angel, crying “Evolve! Evolve!” Angels are like muses. They know stuff we don’t. They want to help us. They’re on the other side of a pane of glass, shouting to get our attention. But we can’t hear them. We’re too distracted by our own nonsense. Ah, but when we begin….we get out of our own way and allow the angels to come in and do their job. They can speak to us now and it makes them happy. It makes God happy. Eternity, as Blake might have told us, has opened a portal into time. And we’re it.”
      — Steven Pressfield, The War of Art

      “Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.” — Steven Pressfield, The War of Art

      Being too distracted by our own nonsense is something we all deal with. It’s like seeing our goal just on the other side of a rushing mountain stream, meandering rock-to-rock looking for a way forward, every step a risk of being swept away. Some choose to just let the current take them where it will. Others seem to get across with ease. We, the would-be writers and artists and craftswomen and men, struggle for tangible forward progress one small step at a time. Swept now and then downstream, we get back on our feet and begin again.

      Pressfield invokes the Muse to see him through. Beginning the work is a bold leap to that first stepping stone. Doing the work every damned day is the next stone and the one after that. We do the work or we get swept away. It’s really no secret at all, is it?

      And yet we all struggle at times to find our meaningful routine. This blog is one routine of many for me, you surely have similar routines yourself. Surely I focus too much on the stream, I’ve used this analogy before but still reconcile myself with the current. I won’t pretend to have it all figured out, but the blog indicates the path I’ve taken. Perhaps it’s folly, this self-absorbed pursuit of becoming something more, but we see the changes in ourselves by tracking our progress. All with an eye forward.

      The point is to listen to those angels crying out for us to evolve. Break through the Resistance and cross the chasm between our ears. Listen and see! Forget the current and just take the next step across. For this is the way.

    • Imagining What’s Next

      “Life is a blank canvas, and you need to throw all the paint on it you can.” ― Danny Kaye

      We’ve all seen enough musicians creating songs out of thin air to know there’s something to the process of fiddling around. We’ve seen cooking shows where a jumble of random ingredients are turned into an incredible plate. We’ve all seen improvisation where the cast builds from whatever cue they were left with and creates magic with it. This figuring it out with what we’ve got as we do it is part of the creative process, yet we don’t always give ourselves the same license to do just that. We simply never begin.

      Some days you look at the blank canvas and go blank yourself. Some days you can throw everything you’ve got in yourself at it. The trick is to just begin. and be open enough to let what’s next flow out of you. We shouldn’t get so caught up in the imaging what’s next part. We ought to just start, awkwardly perhaps, but still a start. And do it with gusto. We forget we can paint over mistakes. We can delete entire scenes. We can move on and start anew. Life demands only the start. The next can change as we do.

      Beginning with the finished work in mind may seem the logical starting point, like setting your destination into the GPS. But a creative life doesn’t always work that way. When we face the blank canvas in art and writing and building a new life a step away from our old life, sometimes simply working with whatever ingredients we have in our personal pantry and figuring it out as we go along is our way past blank. Do the work enough and we may just realize that blankness is nothing but a point of progression towards what’s next.

    • To Become Writing

      “Maybe the true purpose of my life is for my body, my sensations and my thoughts to become writing, in other words, something intelligible and universal, causing my existence to merge into the lives and heads of other people.“ — Annie Ernaux

      Annie Ernaux, the Nobel Prize winner in this, her 82nd year on the planet, touches upon something every avid reader and writer feels: we transcend ourselves through words, merging into the lives of others. Sometimes those other lives are sitting across the table from us, where stolen glances search for progress and acceptance. But mostly, written words travel through time and space far better than we humans do, reaching people we’ll never meet, just as we’ll never meet those whose words merge into us. This is where the magic begins.

      To become our writing is a deliberate act of transcendence, drafted one word at a time. It’s a bold act of betraying our previous identity, left on the shelf for others to discover or completely ignore, for as long as there are books and shelves to put them on. As a reader, don’t we delight in this quiet invitation into someone’s soul?

      I write this knowing there’s a stack of books within arms reach just sitting there, marking time, waiting for me to return to them. We’re torn between two lovers, reading and writing, and must make time for each to reach our potential with either. We must live to take these words and make them our own, if only for a little while before we release them to merge with another. For existence is both transactional and transcendent. Words record, and carry on without us through others.

    • Mastering Our Moments of Truth

      “Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is…and force the viewer to see the pretty girl she used to be…and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart…no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn’t matter to you and me; we were never meant to be admired-but it does to them.” ― Robert Heinlein, Stranger in a Strange Land

      We might never achieve the mastery of a Rodin in our art, but surely it’s something to aspire to. We might also aspire to it in this bold act of living. For living with and for others is itself an art, mastered by some, clumsily attempted by most. Everyone wants to be seen and heard and appreciated in the moment they encounter another person. How many disappoint in that moment of truth?

      I aspire to craft a sentence like Heinlein’s in each post. Maybe I will attain that level of craftsmanship on the next one, or the one after that. Time will inform the reader of such things, but making a go of it day-after-day is what matters most on our journey to becoming. Art isn’t the same as aging, for aging subtracts some vitality from the physical self, while days are accretive in art.

      At a party recently, I was reminiscing with a woman about her mother, who passed away a couple of years ago, shattering my belief that she would live forever. When she was alive she and I had a thing for each other, she being 40 years my senior, but young at heart. From the day I first met her I treated her as the vibrant woman I saw in her eyes, and she treated me as her would-be suitor, doomed to fail but welcome to try. This performance went on for almost three decades before she passed, and still makes me smile today.

      We may not become a Rodin or Heinlein in our art. But living offers other opportunities for mastery. Life is about the connections we make with people along the way, one after the other, in our time here. To master that is truly a gift.