Category: Art

  • It’s Probably Magic

    “The appearance of things changes according to the emotions; and thus we see magic and beauty in them, while the magic and beauty are really in ourselves.” ― Kahlil Gibran, The Broken Wings

    Who said that every wish
    Would be heard and answered
    When wished on the morning star
    Somebody thought of that
    And someone believed it
    And look what it’s done so far
    — Paul Williams and Kenneth Ascher, Rainbow Connection

    It took several days, but the bluebirds and cardinals finally found the feeders again. They’ve been elsewhere lately as the feeders came in for the summer. With a bit of short day trickery I’ve moved the feeders closer to the house, that we might see flashes of color and motion during stick season. Attracting beauty is often a matter of simply meeting it halfway. We must do the work to realize it.

    Lately I’m bursting at the seams with magic. I’ve been filled with the stuff from reading a few gorgeous books in a row, meeting with some magical people I haven’t seen in some time, and in conversations with one remarkable woman that I see most every day. Some days you look around and see that life can be truly magical if we just open ourselves to experiencing it.

    Now don’t believe for a moment that I’m not aware of the million tragedies unfolding around us in dark corners around the world. A heart can only break so many times over the foolishness, madness and anger of humanity. To carry on in this world at all we must find and shine a light within ourselves. That light may in turn offer hope for others navigating their own stormy seas.

    Sometimes it feels like so many bad people never seem to get the comeuppance they deserve. But we don’t know what their shriveled up souls are invoking upon them in quiet moments. It’s best to focus on finding the light within ourselves, aware of the darkness but never allowing ourselves to be lost in it. We aren’t here simply to be witnesses to the behavior of others, but to contribute our own verse, if only to tip the scales back to beautiful.

    We come to realize that we’re purpose built for reflection. We shine back on the world what the world gives to us, but this works in reverse too. When we bring light to the world, it comes back to us in spades. When we bring darkness, karma catches up eventually. This is the eternal hope of the universe, that any of this matters, and the person we are gets what we deserve. That belief is deceiving, of course, for so much of the good things in life seem so far out of reach when we always want something more.

    The thing about magic is that it’s found in the leap between what we believed was possible and what we encounter. Sure, sometimes we find it in sleight of hand trickery, but it also applies when we encounter the person we are becoming and the larger work that we are creating. There’s magic in art, and in performance, and when we rise to meet our essential role it’s a beautiful encounter indeed.

    Now I’m no magician, and the jury is still out on the work that I produce in this world, but I love to dabble in light and song and a bit of magic now and then. Life isn’t meant to be a spiral into the abyss, but a climb to possibility and contribution. We play our part in our time, and show the way for those ready to see the magic of becoming for themselves. This isn’t wishful thinking, but purposeful transcendence from the norm. Simply put, we attract what we believe. We know that it’s probably not magic, but surely it can be magical.

  • The Vanishing Act

    “All morning I lay down sentences, erase them, and try new ones. Soon enough when things go well, the world around me dwindles: the sky out the window, the furious calm of the big umbrella pine ten feet away, the smell of dust falling onto the hot bulb of the lamp. That’s the miracle of writing—when the room, your body, and even time itself cooperate in a vanishing act. Gone are the trucks rumbling outside, the sharp edge of the desk beneath my wrists, the unpaid electric bill back in Idaho. It might seem lonesome but it’s not: soon enough characters drift out of the walls, quiet and watchful, some more distinct than others, waiting to see what will happen to them. And writers come, too. Sometimes every fiction writer I’ve ever admired is there, from Flaubert to Melville to Wharton, all the books I’ve loved, all the novels I’ve wished I were talented enough to write.” — Anthony Doerr, Four Seasons in Rome

    Doerr wrote this while helping to raise toddler twins in a vibrant and new place completely unlike the place where he normally wrote—Rome as you may infer from the title. I can relate to this, as a restless pup bounces about behind me, chewing on seemingly everything I once held dear. Puppies are a wonder, and fill the room with joyous energy. That doesn’t make them helpful for concentration and immersion into a place where I might meet the work at hand.

    There is a time and a place for everything. A good part of Doerr’s lovely book is about the experience of being lost in an impossible, chaotic world of new parenthood and a new city. A new puppy may feel both impossible and chaotic, but really it’s simply managing our own time in lieu of the commitments made to that outside of ourselves. I simply give the pup an ice cube to work on and meet my writing somewhere closer to where I was before. Temporary relief, to be sure, but relief nonetheless.

    The thing is, the writing is flowing well, despite any distractions I bring in to my world. So well that I feel compelled to open up the spigot and let it flow more freely. The darkness of late October mornings releases this compulsion. Perhaps it’s an underlying fear of missing out when the skies lighten up, but pre-dawn seems to be magic time for the muse in my mad world.

    There are times when the work seems to flow, as every productive person has experienced in their work, and times when I know the muse has thrown up her hands and abandoned me for more dedicated writers. Until we commit to something fully, we’re just skating the line between attention and distraction. The vanishing act is elusive, wished-for but often not earned. It’s on the other side of comfort and distraction, awaiting only the fully-committed. I’ve learned to say a silent plea to myself each morning: may it be me this day.

  • Break Up the Habitual

    “We need habit to get through a day, to get to work, to feed our children. But habit is dangerous too. The act of seeing can quickly become unconscious and automatic. The eyes see something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles and I think Shawna. But did I take the time to see my wife?
    ... The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack.
    … I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought to be a love letter to the world.
    Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.”

    — Anthony Doerr, Four Seasons in Rome

    A long quote, but honestly I could plug the entire chapter of this delightful book in here and call it a day. This is a song I know well. We are creatures of habit, and a good habit will save us as much as a bad habit may be our ruin, but this often puts us on autopilot with our senses. There’s a fine line between being fully aware and being overwhelmed. A bit of focus on the task at hand is just as essential as being aware of everything around us. Situation awareness can quite literally save the day for us, but awareness of every situation can make us completely useless.

    Still, so many of us miss the details for the routine. How much of a drive do we ever remember? What of the miracle of commercial flight? Most people simply resign themselves to the screen in front of them for the duration, never glancing out the window at the world of wonder just outside. What of home? Do we ever immerse ourselves in something we once gazed at lovingly, like that picture we once cherished and now barely see? How many marriages end in just such a way?

    We know the Latin phrase: “tempus fugit carpe diem” (time flies so seize the day). Seizing isn’t just an action statement to go out and do bold things, though surely that’s a big part of it. It also means being fully aware of the world around us while we’re living this day. Well before the Romans began creating such memorable phrases, that old Greek sage Seneca had his own take on this, saying “As each day arises, welcome it as the very best day of all, and make it your own possession. We must seize what flees.” Indeed we must.

    Doerr seized his day moving to Rome for a year, grabbing the opportunity of a lifetime just as he and his wife were navigating the challenge of raising newborn twins. That’s quite a one-two punch to anyone’s routine. His call to leave the familiar comes from his own experience in doing just so. But even under such extreme change in his and his wife’s lifestyle, he found routine he had to break through to find full awareness. What of us?

    “Rise free from care before the dawn, and seek adventures.” – Henry David Thoreau

    At a party of the weekend I was introduced to someone as “a blogger” and was asked what I write about. I write about everything, I explained, but didn’t go much deeper out of… habit. We rise to meet our moments or we simply go through them. Writing is a form of heightened awareness of the moment. So is photography, for that matter. I tend to be the unofficial photographer at family events and during travel because I see opportunities either to capture or create the moment. In the end, moments are all we have.

    This blog is a call to arms for myself as much as it is a collection of observations and thoughts. Tempus fugit, sir, so carpe diem. Pay attention to the moment, friend, but do note the days gone by on this journey too. We waste so much of it, don’t we? We must be aware, and be productive with our days while we have them. Make each day new all over again.

  • The Cover of October Skies

    Well, it’s a marvelous night for a moondance
    With the stars up above in your eyes
    A fantabulous night to make romance
    ‘Neath the cover of October skies
    And all the leaves on the trees are falling
    To the sound of the breezes that blow
    You know I’m tryin’ to please to the calling
    Of your heartstrings that play soft and low
    You know the night’s magic seems to whisper and hush
    You know the soft moonlight seems to shine in your blush
    Can I just have one more moondance with you, my love?

    — Van Morrison, Moondance

    It’s no coincidence that we are drawn outdoors in October. In New Hampshire, the foliage is strikingly beautiful on some trees this year, while others have barely begun to turn. Strange what a year of near-constant rain can do to a tree’s inclination to dress up for the party. But the show must go on nonetheless, stragglers will inevitably catch up in their time. For it’s all about the shrinking days now. If leaves are the flowers of autumn, then they’re more like the blossoms of a fruit tree, announcing their time in the sun is over with a brilliant dance in the breeze on their return to the earth. Don’t we owe it to them to bear witness?

    I dwell in such things. I have a photographers eye and a philosopher’s mind, and though perhaps neither may ever be fully realized in production each sneaks out now and again. We each aspire to mastery, don’t we? Mostly I hear the call to bring the beautiful to light. It falls on people like us to keep reminding the world that it’s worth paying attention to the magic now and then in our own shrinking days.

    To reach our potential we must be attentive to every detail, and we must put ourselves in the mix. On a crisp Sunday afternoon I spent time at a four-year-old’s birthday party, gingerly holding her infant second cousin like a football, to celebrate the next generation tasked with realizing a brighter future. I spent time at a quiet graveyard, reminding those who couldn’t quite realize a full life of their own that they aren’t forgotten. That they did enough. The two sides of the spectrum dancing under the cover of the same brilliant October sky. Some leaves shine golden in their time, some have arrived back to earth. We are the witnesses to each, biding our time on a quest for mastery.

  • Saluting the Ghost Ship

    “I’ll never know, and neither will you, of the life you don’t choose. We’ll only know that whatever that sister life was, it was important and beautiful and not ours. It was the ghost ship that didn’t carry us. There’s nothing to do but salute it from the shore.” ― Cheryl Strayed, Tiny Beautiful Things: Advice on Love and Life from Dear Sugar

    I sometimes dwell in the things that haven’t carried me. Places I might have gone, or lived in, surrounded by people I might have known, as the person I might have become. There’s nothing productive in what-might-have-been’s, unless we use them to set our current sail. This life is just fine, thank you, but the world will always whisper: “Vienna waits for you”, whatever your personal Vienna happens to be.

    Strayed puts this beautifully—these are but ghost ships that didn’t carry us. Sister lives we didn’t live. I know that I’ll never hike the Appalachian Trail or live on a sailboat in some remote fiord in Norway in winter, but that ghost of a me that will never be still drift into my mind in quiet moments now and then. Except they aren’t always quiet. Sometimes I’ll jokingly state that we’re selling everything and buying a boat, or a camper van, or just jetting off to the Vienna that haunts me that day. The people in my life know my ghost ships and roll their eyes, carrying on maintaining the ship we’re on in the real world. And so do I.

    I blame the artist in me. Creative types create alternative worlds all the time. Not Walter Mitty dreams, for we aren’t daydreamers in that way, but whispers of what may be just over the horizon of our current world, or an idealized version of ourselves as the protagonist. I ought to write more fiction, just to release these would-be characters into the world they crave to be in.

    Watching the crescent moon dance with Venus and Regulus in the early morning sky stirred up the ghost ship once again. Looking westward, Jupiter was dipping towards the west. It was magic time, when the universe whispers to the few cherished souls who awaken to be part of it that life is full of possibility. We may choose and love the ship we’re on for this passage while admiring the ones that slip away to the horizon. Some things will never be in this lifetime, but ’tis a beautiful life we’ve built for ourselves nonetheless, don’t you think?

  • Squeaky Toys

    You learn quickly that you simply cannot write as effectively when a puppy has a squeaky toy in close proximity to you (anywhere you can hear it counts). So you redirect that puppy towards another toy that doesn’t squeak, at least for that time when you’re writing. This process works equally well with mobile phones and television news. There’s always another notification, just as there’s always more breaking news. The most unproductive people in the world are those addicted to some form of squeaky toy.

    But not us friend. We sequester ourselves in solitude. We get up early for the quiet it brings. We seek calm for the deep thoughts it brings. And we await the combined rewards of inspired creativity and greater insight. If we so choose, squeaky toys may be the reward for having done the work, not the distraction from it.

    I write this knowing the world is far more complicated and enraged today than it was a few days ago (when it was pretty complicated and enraged already). We cannot control the universe, only how we process our place in it. In order to do this, we must find a quiet place within ourselves to think and do what must be contemplated and acted upon.

    The thing is, the world will still be there in all its madness, barely noticing that we missed anything at all. Think of it as the loud talker in the room that doesn’t give you a second to respond. It only wants to hear itself talk. Sometimes the only thing to do is leave the room for awhile. The question we must always ask ourselves is, what is our verse? Can that be found in a room full of squeaks?

  • Make it Poetry

    “The poet doesn’t invent. He listens.” — Jean Cocteau

    The thing about listening is we sometimes hear things contrary to the way we’ve always done things. Do we follow this path or stick with the tried and true? What’s so true about the tried anyway?

    The muse isn’t the author, it’s the voice of countless generations of poets and writers, philosophers and gurus who precede the author, channeled into insight. We derive from the act of listening and act upon it. There’s a lot of action in that statement. A great artist creates something meaningful and profound from what they’ve observed, which requires action and a healthy dose of boldness. Listening is passive until it serves as a catalyst for something more.

    We must begin. Simply if necessary. A timid step forward is nonetheless a step forward. We must progress in our work. We must be out in the world to know the world. We must accumulate knowledge and experience and then do something with it, or it becomes trivial. I think back on the accumulated knowledge I picked up in school and laugh to myself at how much was actually utilized in real life. The real game in school was the human dynamic flowing around the structured learning. Doesn’t it remain so still?

    Of course, that Cocteau quote applies to so much more than poetry. Take a look around and listen to the world, for it’s telling us plenty. It too should be a catalyst for something more. The trick is to create something better out of that which we observe. Again, we must progress, or it’s trivial. Haven’t we had enough of trivial? Whatever our life’s work, we must make it poetry.

  • The Absolute Self

    “No matter what the art, the most important thing is to establish who you really are. That is, move from the ego-centered self to the absolute self.” — Awa Kenzo, Zen Bow, Zen Arrow

    When I was a teenager I tried my hand at welding in a class. I found it thrilling to take a torch and create something with it. As a novice, my work was pretty basic, but I felt the potential of the craft. Alas, I haven’t picked up a welding torch since then, choosing a pencil and eventually a keyboard for my artistic expression.

    Once, when I was in my mid-twenties, I visited the home of an artist who crafted large sculptures out of commonplace steel he’d acquire at a local junkyard. He used a torch very similar to that I’d tried out a decade before, and for a moment I was startled by the realization that I could tap into that ember of fascination with the craft to become a sculptor myself. And then I remembered all the reasons it was completely impractical at that stage of my life and I released it from my mind as something to pursue.

    Just this summer, I found myself on a small island on a lake talking to another artist who uses a torch (along with a paintbrush) to create his own unique and beautiful art. It reminded me once again of that moment as a young teen, and the choices I’ve made in my pursuits since then. I don’t mourn the choice not to pursue that particular craft, but I’m struck by how it pops up again and again in my life. It feels like unfinished business in a way. Perhaps something to take up one day when I retire (I’m sure that would go over well with my bride if I began hauling old auto parts into the garden to fully express myself).

    The thing is, at each stage of my life that I encountered the craft, my ego told me to take another direction, towards a career, towards respectable ladder-climbing, away from artistic expression. The art, whatever its form, remains incomplete. And so I write every day to put something of myself out there in the world. The portfolio is incomplete, as the artist is a work in progress.

    We are each pursuing our spark of light in this maddening and sometimes dark world. We tend to lean towards the ego-centered self, forgetting the absolute, and yet it keeps popping up in our lives, as if to remind us that there’s still time to establish who we really are. We are each sculpting our identity and who we are becoming. We ought to lean into the absolute, and away from the ego. If only to see where it leads us.

  • Being Hard to Find

    I stepped away from the platform formerly known as Twitter some time ago, losing a familiar information source but gaining meaningful time in my life. The replacement platforms haven’t measured up, but I stay with them anyway. For all the hype about Nest and Mastodon, they haven’t come close to what Twitter was at its peak. But neither has Twitter in its current incarnation. The wisest among us warn against relying on any platform too much. Build your own platform, they say. Right.

    It seems that I’ve become hard to find. Tactically, I’ve been meaning to change this for months. Changing the look and feel of the blog, bringing back email subscriptions, and good heavens; putting the blog on more platforms like Facebook and LinkedIn were all possibilities. All this to make a bigger splash.

    The question we all ask ourselves about this blogging thing is why. Why do this with our precious time instead of something else? Why do we seek out readers? Why write and publish regularly at all? The answer is ours alone. Some of us are promoting our work or art, some are motivated to hone their craft, some are absolutely trying to make money, and others are simply keeping score of where they’ve been in this world. At some point all of these cross your mind. But there’s always a core why.

    I’m just writing and publishing every day until one day I won’t anymore. It may be hard to find at the moment, and possibly always will be, but the core why is represented well: To be curious, to seek to understand, to close the gap between who I was and who I seek to be and to write about this magnificent journey daily.

  • All the Miracles

    “To be alive, to be able to see, to walk, to have houses, music, paintings—it’s all a miracle. I have adopted the technique of living life from miracle to miracle.” — Artur Rubinstein

    We get tired sometimes, and forget about miracles like being born at all, in this time, relatively healthy and of sound mind. We’re blessed, but still find things to complain about, to compare ourselves against, to make us feel less of a miracle than we are. Isn’t that a shame? We ought to dabble in magic and dance in the miracle of where we are, and instead we dwell on the incremental differences between us.

    I went out in the rain for a walk with the puppy. She’s not so much a puppy now, but still curious and a little fearful of the unknown things around her. But she loves the rain tickling her skin and the feeling of cold, wet grass on her belly. We can learn a few things seeing the world through the eyes of the youngest among us. Puppies and toddlers experience the miracle differently than adults do. We know it’s not practical to dwell on every little thing—we’d never get anything done! But what are we really doing anyway?

    Now and then I get tired of things as they are. Routines are made to keep us in line, but are inherently routine. That we take all the miracles around us and dull them down to average is very adult of us. But is it any way to live?