“For the shepherd the poet is too facile, too easily satiated. The poet would say ‘there was… they were…’ But the shepherd says ‘he lives, he is, he does…’ The poet is always a thousand years too late—and blind to boot. The shepherd is eternal, an earth-bound spirit, a renunciator. On these hillsides forever and ever there will be the shepherd with his flock: he will survive everything including the tradition of all that ever was.” — Henry Miller, The Colossus of Maroussi

“Describe your sorrows and desires, passing thoughts and the belief in some sort of beauty — describe all these with loving, quiet, humble sincerity, and use, to express yourself, the things in your environment, the images from your dreams, and the objects of your memory. If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches; for to the creator there is no poverty and no poor indifferent place.”
— Rainer Maria Rilke, Letters to a Young Poet

We know great poetry, because it feels as eternal as that earth-bound shepherd. We know bad poetry because it clings to us like tree sap, cursed in it’s stickiness. A bad line of poetry haunts us for a lifetime. Great poetry feels revelatory as we discover some truth about ourselves that seems so obvious after stumbling over it. In the entirety of this blog, I’ve written one poem about a kitten who once thought she was a dog (she’s since become decidedly cat-like). I aspire to write like a poet but I save poetry for those who dare more greatly. You know who you are, and thank you for your audacity.

For most of my life I’ve fancied myself a shepherd; tending my flock, trying not to step in it and eternally minding the weather. Aspirations of poetry are saved for moments of brevity in writing. Poetry for me is the last holdover of a time when I told myself I wasn’t good enough to be a writer, choosing history instead, where looking backwards seemed safer than facing the truth in the present.

The thing is, Miller and Rilke were both on to something. The worst shepherds have their heads up in the clouds, paying no attention to the needs of the flock. The worst poets likewise dance in flowery prose, searching for clever instead of truth. Great poetry is earth-bound, with a bit of dirt and manure smudges showing the truth of the matter. We must live in the immediacy of the flock and write as if the wolves were just over the rise.