Category: Writing

  • Every Setting Sun

    “Let every dawn of morning be to you as the beginning of life, and every setting sun be to you as its close.” – John Ruskin, The Two Paths

    You see the difference in the days now. September brings that perceptible tilt of the earth, shrinking daylight hours and with it a persistent tightening up of that time between sunrise and sunset. Soon the trees will react and the world will turn a kaleidoscope of colors. In the northern hemisphere we’ve turned the corner from the laziness of summer and you can feel the quiet insistence of the harvest season upon us.

    There’s work to do, meaningful work, and it must begin in earnest while there’s time. It’s funny how September does that. Deeply engrained in our souls, this feeling of bringing all your work to a satisfactory conclusion. A harvest. Like the setting sun you can feel when one chapter is ending, with a bold suggestion that something new might begin. But we’re fools to focus on that which isn’t promised to us.

    Sunsets are lovely, but you earn the sunrise. And when you greet the day your thoughts turn naturally to what you might do with it. Life is best lived in the urgency between sunrise and sunset. When the sun sets this evening, what will we have harvested in these brief hours? For the days grow shorter with every setting sun.

  • Work and Love

    “The wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass; And he alone is great who turns the voice of the wind into a song made sweeter by his own loving. Work is love made visible.” – Kahlil Gibran, The Prophet

    Today is Labor Day in the United States, a day of rest for many (not all), and an opportunity to reflect on this thing called work. If you’re doing work you love, then Gibran’s words will resonate. If you’re doing work that grinds your soul to dust, you might think his words are ridiculous. But to live a fulfilling life, shouldn’t that which we labor in be loved?

    Piecing words together isn’t hard labor, but any writer knows that it’s work. Paradoxically, if writing every day is work, it must reverberate with love to be enjoyable for the reader. The jury is still out on this writer.

    In my working life I’ve done everything from sweeping up broken glass to managing salespeople in a Fortune 500 company. I took as much care removing every sliver of glass from the ground as I did managing the emotional response to a quarterly review. Work is love made visible, otherwise it’s self-immolation.

    So on this rare day of rest in our hustling culture, what do we celebrate? A break from the grind or a moment to recharge before leaping back into the joy of a meaningful career? Especially now, somewhere between a pandemic and normal, work should be celebrated for where it brings us in our lives, and for what we may give back to others.

    What can we be great at? Shouldn’t we put our heart and soul into that which transcends work? To rise above the daily grind to joyful, purposeful labor seems the only path to a full life.

  • What We Create, What We Leave Unfinished

    We create ourselves by our choices. – Søren Kierkegaard

    In my house there are a hundred half-done poems.
    Each of us leaves an unfinished life.

    – Mary Oliver, Thinking of Swirler

    It’s an oddity in my character, admittedly, that I linger with poetry and well up with emotion over words. After a particularly stunning pink swirling sky at sunrise I could think of nothing better to do with my morning coffee than pair it with Mary Oliver. Life is a series of choices, one quietly laid upon the other, carrying us to eternity. I’ll regret many, but not this one.

    What will we create in our time here? What will we leave unfinished? These are the questions of a lifetime, and the questions of each day.

    I’ve mentally cast aside this blog dozens of times, but each morning I wake up and write anyway. It isn’t the writing that challenges and mocks me, it’s measuring up to the words. Knowing what’s unfinished, knowing the choices that make up a lifetime. Waking up with a chance to measure up once again.

  • The Thing We Ought to Be

    “The ideal life, the life of completion, haunts us all; we feel the thing we ought to be beating beneath the thing we are. We are haunted by an ideal life, and it is because we have within us the beginning and the possibility of it” – Phillips Brooks

    It sneaks up on you now and then, this feeling. It’s a nagging call for action, Thoreau described it as quiet desperation, a feeling that you’re living below your dreams and see no path to reach them. But he would also remind us that it’s okay to build these castles in the air, just build the foundations underneath them.

    What do we make of ourselves when we know what we ought to be?

    How we reconcile this in our own lives is how we determine for ourselves whether we lived a successful life on our deathbed. But let’s not get ahead of ourselves. When you pause in a quiet moment in the day and reflect on where you are and where you’re going, do you like the answer?

    The haunting is a call to action.

  • Follow the Trail and Scatter Light

    Man dreams one day to fly
    A man takes a rocket ship into the sky
    He lives on a star that’s dying in the night
    And follows in the trail, the scatter of light
    – U2, In A Little While

    There are moments in an album or a book or an evening when you recognize the magic. Emotion wells up in you, stirring and amplifying feelings, sending you to another place. A higher place, maybe, or a darker place should the moment direct you that way. I keep climbing to higher places, hoping the view is better. Hoping I’ll become better in the process. And some of it ends up here in this blog.

    U2 hit me a few times over with All That You Can’t Leave Behind. Opening with the hit, dropping in a mournful homage to Michael Hutchence and then the heart pounding Elevation. This was the U2 I’d missed in their experimental days of the late 90’s. These were songs that stuck with you. Ear worms if you will. And then they hit you with Walk On, which grabbed me by the throat waiting for a flight from LA to Boston. When Bono starts singing “Home, hard to know where it is if you’ve never had one” while sleepily waiting for a red eye flight home… well, I’ll never hear the song the same again.

    For all that, the second half of the album is admittedly weaker. And for me, In A Little While became the unconscious end. For it was this song that got that emotion welling, that stirred and amplified those feelings. When Bono sings “Slow down my bleeding heart” I’m right with him, and I know it hit others the same way. That’s the power of a moment.

    Bono stated at one of the concerts U2 recorded that Joey Ramone’s family told him In A Little While was the song that he listened to in hospice, which changed the song for Bono, the guy who wrote it, from a hung over dolt going home at the end of the night to something bigger. Something more meaningful. I never heard the song as anything but soul-stirring, which just goes to show, art might begin with the artist, but it becomes whatever the audience wants it to be.

    I think about that as I write. About reaching moments of emotional connection in my writing. About crafting something of depth and substance, something that amplifies that nugget of desire or fear or love in your soul. Surely I’m a work in progress, but still climbing. Following the trail and scattering light. Still dreaming of flying.

  • Telling Stories

    “The true beauty of a story is not in its apparent conclusion but in the alteration in the mind of the reader that has occurred along the way.” – George Saunders, A Swim in a Pond in the Rain

    The more I live, the more I see the connection between success in any pursuit and the connection you make with your audience. And this connection is directly related to the gravitational pull of our stories. When I was a shy kid I’d avoid telling stories because it put me squarely in the center of attention. I no longer worry about being the storyteller, because I’ve realized over time that the attention isn’t really on me at all, but on the story I’m telling.

    Think about the last time you were listening to a powerful story. You were pulled in, compelled, maybe even fascinated. Each of us wants this kind of connection. Each of us wants a story to resonate. Each of us wants to be part of something. And when you have this level of audience engagement you’re halfway there. Just don’t let them down.

    It goes without saying that this applies to writing as much as it does to a speech or conversation with someone. When you start stacking that pile of words together, who are you doing it for? Yourself? Nobody likes to listen to someone talking to themselves. No, craft your story for someone in your mind. Decide who the audience is and craft something that creates connection and transforms and shapes ideas.

    Humans are either connected or driven apart through the stories we tell ourselves. Stories of religious and political views, ethnicity, sports and a hundred others. The best story tellers sprinkle a magic spell over the audience, drawing them in and making them a part of it. And that’s where the beauty is in a story. And a beautiful reason to master the art of telling it and then use it for good.

  • Towards Exciting Things

    “That’s the whole secret: to do things that excite you.” – Ray Bradbury

    Truth be told, there are many things we do every day that aren’t exciting, yet we keep on doing them anyway. This is the attractive rut of doing the same thing: familiar and predictable and comfortable. But does it stir the soul?

    If we agree that life is short, shouldn’t we pursue that which excites us? I know, we’ve all gotta make a living, but that doesn’t mean we shouldn’t find the fun in both work and living. And if life is short, why waste years of it doing things that bore you to tears? Shake yourself out of the rut and dive into the deep work. The meaningful and enlightening. The exciting stuff.

    For most of us, exciting is reserved for vacations and weekends. I should think a healthy dose of exciting ought to be injected into each day. Too bold an ask? What are we here for if not to feel the thrill of stepping beyond your comfort zone? Too old? When are you going to get younger than now? If not now, when? If we’re going to slowly fade, why not use our brightest days moving towards exciting things?

    Really, this shouldn’t be that much of a secret.

  • What Dies With You?

    “Imagine if you will being on your death bed – And standing around your bed – the ghosts of the ideas, the dreams, the abilities, the talents given to you by life.

    And that you for whatever reason, you never acted on those ideas, you never pursued that dream, you never used those talents, we never saw your leadership, you never used your voice, you never wrote that book.

    And there they are standing around your bed looking at you with large angry eyes saying we came to you, and only you could have given us life! Now we must die with you forever.

    The question is – if you die today what ideas, what dreams, what abilities, what talents, what gifts, would die with you? ” – Les Brown

    You may have heard a version of this in a Denzel Washington commencement speech with something like 40 million views, but the framework for this story is older than that, and as far as I can tell, Les Brown was the first to tell it. And honestly, his version flows better than Denzel’s, and thus quotes better.

    I’ve been thinking about this lately myself. Whether to keep blogging or focus on the bigger writing I want to do. Whether to travel and explore to the level I want to or defer until some undefined, unlikely time in the future. Asking myself, what do you finish when you don’t have an infinite lifetime?

    Questions demand answers. Most of us distract ourselves from thinking about these things. Our lives are filled with white noise and busywork, but eventually we need to reckon with our ghosts.

    What dreams, abilities, talents and gifts will die with you? We can’t do everything in life, but surely we can do more. So what will you bring to life before you go?

  • Editing Our Short [Life] Story

    “Stuart Cornfeld once told me that in a good screenplay, every structural unit needs to do two things: (1) be entertaining in its own right and (2) advance the story in a non-trivial way. We will henceforth refer to this as ‘the Cornfeld Principle.” – George Saunders, A Swim in a Pond in the Rain

    I don’t recall who recommended Saunder’s book to me. It was most certainly a podcast or blog somewhere along the way. On the face of it the book seems a bit academic, but it’s a delightful class in writing well using Russian short stories as the vehicle for instruction. If that sounds boring, I understand, but Saunders makes the stories come alive while informing us on the craft of building a story.

    Which brings me to this observation on writing a screenplay by Stuart Cornfeld. Who can argue each point when it comes to building a story? Yet so many fall flat in one or both element. And what of building a life? Shouldn’t a life be built around joy and purpose? There’s a balance there between fully enjoying this short life and making something of our short time here, isn’t there? What do we keep in our stories and what do we eliminate? This Cornfeld Principle offers a simple template, even if the application isn’t always so simple in practice.

    Stuart Cornfeld passed away last year. He’s best known for collaborations with Ben Stiller, including a joy nugget, The Secret Life of Walter Mitty. I don’t know much about him other than his work, but it’s clear he brought a bit of happiness to the world in his brief go at life.

    Shouldn’t we all aspire to a similar contribution? As we write our oh-so-brief life stories day-to-day, don’t we owe it to ourselves to make it both interesting and non-trivial? Whether our story becomes a page-turner of a life or a satisfying epic is up to us. Edit well.

  • To Untie the Knot

    Seek that wisdom
    that will untie your knot
    Seek that path
    that demands your whole being
    Leave that which is not, but appears
    to be
    Seek that which is, but is
    not apparent
    – Rumi

    This entire blog is a work in progress. The output is the measure of the man, but the process itself is the progress. To write daily is a challenge, and I’ve had moments when I want to just stop altogether and use this time for something else. But I recognize the knot within myself that needs to be untied, and writing every day seems to be the path to get me there.

    You learn a lot about yourself in the process of daily work, and keenly come to know that which you don’t like about yourself along with the things you celebrate. But isn’t that the point? We all persist and clear our individual hurdles, and maybe turn in new directions now and then. Writers just document it for the rest of the world to see.

    This knot isn’t quite untied. But I’ll keep working at it. Thanks for sticking with me.