Faces on the Wall

Whenever I visit an art museum, I work to appreciate what the artist was saying with their work. As with everything meaningful, we feel art as much as we see it. But there will always be some art that just doesn’t reach us.

When I come across art that I don’t feel, I concede that either the muse wasn’t trying to reach me through that artist or perhaps that artist missed the opportunity to connect. Either way I move on to find art that I may feel immensely. Tempus fugit: time flies, and life is too short to linger with art that doesn’t connect.

I may linger with impressionistic landscapes or cubism or neoclassicism, but I know that the art that will usually stop me in my tracks is simply a portrait. I’m drawn to faces on the wall just as I am with faces in a crowd. Human connection across space and time is my empathic jam. Does that make me less sophisticated than the lover of modern art? Frankly my dear, I don’t give a damn. We must ignore those who would shame us for what we love.

Rembrandt Laughing, self-portrait
Portrait of Suzanne Le Peletier de Saint-Fargeau, Jacques-Louis David
Child Braiding a Crown, William-Adolphe Bouguereau
Isaac Fuller, self-portrait
Raphael breaking the fourth wall, Raphael Rooms
The Dean’s Roll Call, Thomas Eakins

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