Category: Art

  • Faces on the Wall

    Whenever I visit an art museum, I work to appreciate what the artist was saying with their work. As with everything meaningful, we feel art as much as we see it. But there will always be some art that just doesn’t reach us.

    When I come across art that I don’t feel, I concede that either the muse wasn’t trying to reach me through that artist or perhaps that artist missed the opportunity to connect. Either way I move on to find art that I may feel immensely. Tempus fugit: time flies, and life is too short to linger with art that doesn’t connect.

    I may linger with impressionistic landscapes or cubism or neoclassicism, but I know that the art that will usually stop me in my tracks is simply a portrait. I’m drawn to faces on the wall just as I am with faces in a crowd. Human connection across space and time is my empathic jam. Does that make me less sophisticated than the lover of modern art? Frankly my dear, I don’t give a damn. We must ignore those who would shame us for what we love.

    Rembrandt Laughing, self-portrait
    Portrait of Suzanne Le Peletier de Saint-Fargeau, Jacques-Louis David
    Child Braiding a Crown, William-Adolphe Bouguereau
    Isaac Fuller, self-portrait
    Raphael breaking the fourth wall, Raphael Rooms
    The Dean’s Roll Call, Thomas Eakins
  • Making Magic

    “But all the magic I have known
    I’ve had to make myself.”

    — Shel Silverstein, Where the Sidewalk Ends

    We all find our way in this world. The question is, our way to what? Some live a life of servitude framed in family expectations or social status. Some are brought up believing that nothing matters anyway, so why try? Some are so focused on transcending where they started that they are forever climbing, ignoring anything that doesn’t bring them ever-closer to the top. And some walk through life looking to capture the magic of the moment as they present themselves. We are what we focus on. Give me magic.

    Living a life where we are forever collecting moments of magic may seem a frivolous waste of time to the climbers. The non-believers will wonder what the point of it all is when life is nothing but despair and worry to them. We can only work to help them see what was dancing in front of them all along.

    Magic is spun out of art and words arranged just so. Hope and love and beauty are spun of magic. Generosity and purpose are woven of magical fibers. Magic is in the interaction between fellow travelers on life’s journey. Magic is manufactured out of parts and pieces and collaboration. Magic is getting out of the way to watch our children grow into exceptional humans. Magic is daring to notice. Magic is daring to do, despite all the naysayers who believe that magic is childish nonsense.

    As with anything in this brief moment of consciousness, magic offers a spark of insight and wonder to illuminate the darkness and show others what is hiding in plain sight. To make magic is to help others to see beyond the anger and fear and misery that a singular focus on non-magical things brings to the world. This blog post may be nothing but a jumble of words, heavily sprinkled with the one, or a catalyst for awareness. It’s not for me to say which it might be.

  • Unwritten

    I’m just back from another trip and found myself deep in the follow-up of a busy life put on pause while I was away. There’s follow-up that simply needs to happen, for we are forever pushing the flywheel in our lives to sustain whatever momentum we’ve created thus far. In this way, a trip simply ends with a few pictures on social media, a few stories and whatever memories we hold on to. Then on to the next.

    But I think about what remains unwritten from these trips. So many stories I’ve told myself I’d write but for a little more time and focus. They fall away like our days, drifting into what might have beens. For every yes in our lives there are so many no’s shouting in our ear. To live up to our potential we simply have to develop the skill of filtering out the no’s in favor of our compelling yes. Call me a work in progress on this front.

    Creative work isn’t the same as a career climb. It’s project-based work, not simply a series of 9 to 5 days strung out over a career. Projects don’t work normal business hours, and they don’t stop whispering in our ear when those things that don’t want to take no for an answer shout louder and louder for attention. But whispers have a way of being drowned out in the din if we’re not focused enough on them.

    To have any kind of success with our essential few, we must grow into the kind of person who sticks with a yes. We must come to terms with what we will do in our lives, and what will remain unwritten. Like a marriage, we must learn to listen more than we talk with our projects, that we may know where the muse is leading us. Surely, we ignore either at our peril. Still, do we wonder enough, is this project the right yes, or was it the one we just said no to?

  • The Work Itself

    Is it time for the next project
    because the clock or calendar
    say it’s time,
    or because the work itself
    says it’s time?
    — Rick Rubin, The Creative Act: A Way of Being

    I have people in my life who think it’s eery when I can hear someone pull into the driveway when everyone else in the room hears nothing. Yet I struggle to hear people in a crowded room. It’s a different kind of hearing, I believe. The former is more about feeling or sensing a change. The latter is picking out one voice in a crowd and completely hearing that person.

    What does all this mean? Maybe that I’d be a great therapist but a lousy waiter. Or maybe simply that I ought to get my ears checked one of these days. We must learn what our strengths are, but also our weaknesses.

    When we do work that doesn’t matter to us, we feel the grind. Time drags and it all feels meaningless. Even work that once felt exciting changes as we change. We drift from the purpose that brought us there. In that drift, we often find ourselves asking, “Where do we go from here?’ The answer is whispering, but we don’t always hear it.

    When we are wrapped up in work that matters, we sense the path we’re on is the right one. We are attuned to our creative voice or muse as it whispers to us. Sensing it’s what we were meant to do in this moment, transcending time and place. Flow happens. And if we’re lucky, so does that elusive byproduct, magic.

  • A Wee Bit of Stubborn Attention

    “People think it’s about self-indulgence or selfishness or something like that. But it isn’t really. It’s about, where is your attention? Where does your attention want to be? … in a world where everything is trying to claim your attention to sell you something or to get you to vote for something or to believe in something, what your attention wants to do is important. And it just is constantly bombarded by other demands.
    Hold on. What is it I liked? What is the thing that really mattered to me? … you really ought to be the shepherd of your own attention. You can’t let that be stolen from you. I think that one of the primary qualities of the artist is stubbornness. And that is what stubbornness is about. It’s about refusing to have your attention stolen.” — Brian Eno, Inside Brian Eno’s Studio | Zane Lowe Interview

    There’s a lot to be distracted about at the moment. Perhaps that is one reason this interview with Brian Eno resonated so well with me. But there’s always distraction—a lifetime of it swirling around us at all times, with the promise of much more to come. This planet has become very distracting indeed. We still ought to do something with the time we have.

    What is that thing? Why is it hiding behind the chorus of obligations and distraction we call a life? Drag it out on stage and let’s hear what kind of voice that thing has. Too shy for a spotlight? We must remember that nothing else matters in our days than bringing that voice to the forefront (I gotta have more cowbell!). It’s now or never for our essential work.

    Doesn’t everything die at last, and too soon?
    Tell me, what is it you plan to do
    with your one wild and precious life?
    —Mary Oliver, The Summer Day

    There are a few ways to hear that voice. We may try to amplify it, by placing ourselves in an environment where the voice is prioritized above all, or, if that’s not enough, we can remove all the other noise, that we may finally hear what that timid voice is whispering to us. But there’s another way, and that’s to find a chorus that works with our voice to find a truth that we might not have found otherwise. In such moments, the choir soars to new heights.

    Whatever our path to creative expression, our time grows short. We ought to do what we can with what we have. That begins with being a little selfish with our attention. Sure, we may let the world speak to us, for it’s not shy with its demands, but really, what was that thing that really mattered most to us? Why not give that a voice today? If only to discover where a wee bit of stubborn attention may bring us.

  • Up and Away

    “I think the misconception people have about artists is that artists walk around with sort of unrealized things in their head. And the process of being an artist is making those become real. But I don’t really know any artist that works that way. You might have an idea of where you want to start, but the process of making something is the process of starting to understand it as well… You find your way through making it.”— Brian Eno, Inside Brian Eno’s Studio | Zane Lowe Interview

    I can feel every artist nodding in understanding when Eno said these words. I certainly felt the truth in it within my own work. Every day I sit to write and get swept up and away by the process of finding something to say. The work takes me where it will. My job is simply to show up and to stay politely focused. Eno emphasized his thoughts on this process by referencing the famous Picasso quote about it during this interview:

    “Inspiration exists, but it has to find you working.” — Pablo Picasso

    It’s a relief to step into Eno’s studio in such a loud, jarring time in our collective history. Doesn’t the world need more thoughtful immersion in art? Now more than ever. And that’s where we come in, friend. We are here to do the work, however it comes to us, and to find out just how far we might go.

    This all transcends art, of course. We’re all just channeling life through our work, whatever that work is. Inspiration sweeps us up and away in a state of flow to someplace we hardly imagined when we began. And when the work is done, we have a quiet moment of realization with it where we discover what we have created before releasing it to the wild and beginning again.

  • Creating Amongst the Foolish

    “Are these sandcastles my triumphs? Of what divine substance are castles that are not sandcastles made?” — Fernando Pessoa, The Book of Disquiet

    “A child knows that the doll is not real, and yet he or she treats it as real, even weeping disconsolately when it breaks. The art of the child is that of making things unreal. Blessèd is that mischievous stage in life, when love is negated by the absence of sex, when reality is negated by play, treating as real things that are not. Let me return to childhood and stay there forever, caring nothing for the values that grown men give to things or for the relationships that grown men establish between them.” — Fernando Pessoa, The Book of Disquiet

    There are many ways to navigate the world. We can feel in control of our fate or feel like it’s all meaningless anyway and float through life without agency. Existentialism vs. nihilism (with an assist from nihilism’s close friend absurdism). Pessoa leaned closer to nihilism and absurdism for my existentialist tastes, but I know that the truth lies somewhere in between our strongest beliefs on either side. So two quotes from Fernando to kick us off.

    We may believe that the world is currently being run by children playing with toys. That the adults have been kicked to the curb and we’re entering a regressive period in our collective history. Looking around, it’s easy to get caught up in the childish absurdity of people in positions of power. We must recognize that they’re building their sandcastles and one day they will all be swept away like the grains of sand that they are. Planet Earth and the universe beyond it will continue indifferently without any of us.

    The existentialist in me believes we ought to carry on discovering our own meaning and purpose anyway. To create beauty in a world craving it, even as the nihilists work to tear down those old castles. Where they favor chaos, we may find deeper meaning in creating order within our own lives, or at least within our own minds. Remember Viktor Frankl:

    “Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom.”

    As I was writing this, I thought I’d see what artificial intelligence would do in this instance. ChatGPT offered an answer so aligned with my way of thinking that I thought I’d simply quote it verbatim. Here it is:

    “An existentialist in a world dominated by nihilists would likely focus on three key things:

    1. Personal Meaning and Authenticity – While nihilists might argue that life is inherently meaningless, an existentialist would counter that meaning is something individuals must create for themselves. They would emphasize living authentically, making choices that reflect personal values rather than succumbing to the indifference of nihilism.
    2. Freedom and Responsibility – Existentialists believe that individuals are free to shape their own lives, but with that freedom comes responsibility. In a nihilistic world where others may see no reason to act ethically or strive for purpose, an existentialist would insist that each person is responsible for defining and upholding their own values.
    3. Engagement and Action – Rather than retreating into despair or apathy (which nihilism can sometimes encourage), an existentialist would advocate for active engagement with life. Whether through art, relationships, or personal projects, they would see action as a means of affirming existence despite the lack of inherent meaning.

    Essentially, where nihilism sees a void, existentialism sees an opportunity to create.”

    The thing is, I don’t believe the world is full of nihilists. I do believe that they’re dominating the conversation now, having ascended to positions of power where they can kick down the castles built by others. It’s best to take the long view in such moments as this. Instead of focusing all of one’s energy on reacting to the castles they’ve kicked down, build a new one, stronger than the one before.

    Remember Whitman’s poem amidst the nihilism and strife of his time:

    Oh me! Oh life! of the questions of these recurring,
    Of the endless trains of the faithless, of cities fill’d with the foolish,
    Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)
    Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew’d,
    Of the poor results of all, of the plodding and sordid crowds I see around me,
    Of the empty and useless years of the rest, with the rest me intertwined,
    The question, O me! so sad, recurring—What good amid these, O me, O life?

    Answer.
    That you are here—that life exists and identity,
    That the powerful play goes on, and you may contribute a verse.

    — Walt Whitman, O Me! O Life!

    Here we are, the existentialists amongst the endless trains of the faithless and foolish. What are we to do in such a world? Create, friend. Create beauty in this maddening world. Carry the torch, that others may find their way too. For this too shall pass. The powerful play will go on.

  • I Can Give In or I Can Try

    San Francisco, New York City
    Strangely silent, strangely empty
    His graffiti filled the subway
    But where’s my brother?
    He could keep you up for hours
    In a town of wilting flowers, yeah, yeah
    I can more or less continue my life
    I can give in or I can try
    Hit the ground running
    Hit the ground running for your life
    — Tim Finn, Hit the Ground Running

    As a proud member of Generation X, the art of Keith Haring was omnipresent in my life. Ironically, Haring was a Baby Boomer, but he really broke out in the 80’s when Gen Xers were looking for something uniquely our own to hold onto. His vibrant graffiti-style art spoke to us, and is still copied by graffiti artists today. Haring’s art was visually representative of the time—and seemingly everywhere. He was an anchor of the era alongside John Hughes movies, MTV and the music videos playing on it. And tragically, Haring was swept up in another anchor of that time: AIDS. He passed away at 31.

    Tim Finn, lead singer of one of those MTV staples; Crowded House, wrote Hit the Ground Running to honor Keith Haring. The song has been one of those tunes that I keep on my own playlists. Headphone or solo driving music, because it’s one of those songs that stands apart a little from the usual fare. I have a lot of those songs, my misfits, that I keep just for myself.

    The song is written from two perspectives—the person who found out they’ve been diagnosed with AIDS and they’re going to wither away and die, and from the perspective of the person who loves that person who is dying and will have to go on without them. And so when you see the lyrics they can mean both:

    I can more or less continue my life
    I can give in or I can try

    Everything in the universe is cyclical. We are all born, live our lives and eventually pass from this world. All we can do is accept that truth and make the most of the time we have. Things can feel hopeless and unfair at times, but these moments too shall pass. We must choose how to live our lives through the best and worst of moments, both to honor the people who made us who we are and the direction we’ve chosen as our own path through it all. We may travel this world with empathy, dignity and persistence and learn to transcend the darkest moments we will inevitably find ourselves in.

  • Moments of Clarity

    no baby, if you’re going to create
    you’re going to create whether you work
    16 hours a day in a coal mine
    or
    you’re going to create in a small room with 3 children
    while you’re on
    welfare,
    you’re going to create with a part of your mind and your
    body blown
    away,
    you’re going to create blind
    crippled
    demented,
    you’re going to create with a cat crawling up your
    back while
    the whole city trembles in earthquake, bombardment,
    flood and fire,

    baby, air and light and time and space
    have nothing to do with it
    and don’t create anything
    except maybe a longer life to find
    new excuses
    for.

    — Charles Bukowski, air and light and time and space

    I heard from the daughter of an industry friend. He doesn’t have long now, she told me, and is spending this time in hospice with family and friends. I reached out knowing this, and to offer a few words that I know will reach him through her. In such situations, we must say it now, or know that it will be never. These moments of clarity are profound when someone reaches the end of their life, but we must remember we’re all just a step behind them ourselves. Memento mori. So for gods sake, carpe diem already!

    We have so many excuses available to us to avoid telling someone how we feel, or to defer exercise and writing and creating beauty in a world insistent on growing darker. But it grows darker precisely because we defer the call of creating. This is our verse, after all, and it could all end today for us. What will we leave behind as our beacon of truth and courage?

    We must put all that energy used to create excuses aside and finally listen to the muse before our opportunity fades away forever. Produce something beautiful. For all the chaos and distraction, there will not be a better time than now. We’re going to create now, or know that it will be never.

  • Don’t Imagine They’ll All Come True

    You’ve got your passion, you’ve got your pride
    but don’t you know that only fools are satisfied?
    Dream on, but don’t imagine they’ll all come true
    When will you realize, Vienna waits for you?
    — Billy Joel, Vienna

    Blame it on the maddening state of the world, or for reaching an age where paths diverge in a person’s life, but I’ve been struggling with uncertainty lately. Make a decision, change my mind and cancel plans, then abruptly pivot back to the original plan again… or not. Really, it’s all a confused mess. And that’s no way to go through one’s days.

    To never be fully satisfied with the plan, and to thus always feeling compelled to modify it, is a blessing and a curse. Forever seeking Kaizen (constant and never-ending improvement) is a path to personal excellence, or to a restless life never fully realized because there’s always going to be something to work on. What works for Toyota ought to work for us, right? But we aren’t corporations, we’re humans. We can’t simply systematize ourselves and expect we’ll arrive at perfection. We must dig deeper and understand where the restlessness is rooted in.

    The answer typically lies in the question: what do we want out of life? That is our direction. Coming to understand it, we may set out in that direction today without trying to change course over and over again. Good habits and a healthy routine automate some important behaviors in our lives like exercise and flossing and writing, serving as gyroscopic stabilizers so we don’t get seasick from rocking back and forth too much with our behavior.

    Some people go to a Vienna coffeehouse simply to enjoy a torte or Buchteln. Some go to lasso a muse. Both can be right. To borrow a lyric from another Billy Joel song, do what’s good for you, or you’re no good for anybody. And to rock abruptly back to Vienna, don’t imagine all your dreams will come true, just focus on the one’s that do.