Category: Culture

  • Plymouth’s National Monument to the Forefathers

    Plymouth, Massachusetts might not be the oldest European settlement in the United States, but you can safely say it’s where England got its foothold in America. They might have landed in Provincetown first, hit a few places along the Cape Cod coast as they looked for a better place to settle, and maybe they would have been better off if they’d landed in what would become Boston or Providence, but they landed here. And the great floodgates of immigration began, changing this continent forever.

    That narrative of settlement and conquest is… complicated. But you can make a good case that the Mayflower Pilgrims’ pilgrimage was driven by religious freedom and a desire for peaceful coexistence with the Native American population. They happened to settle in a place where the native population had recently been decimated by disease, making for a bit more elbow room to root themselves in the place, but let’s stay on point. That first generation tried to fulfill the mission as best they could.

    To honor those noble intentions, and to put a spotlight on the best virtues that we humans aspire to, the Pilgrim Society of Plymouth conceived of a huge statue that would dominate Plymouth Harbor. The original monument was supposed to be 150 feet tall and right on the water. Reason eventually took over and they moved the monument to the top of a small hill with a commanding view of the harbor, then shortened it to 81 feet.

    The National Monument to the Forefathers is believed to be the tallest granite statue in the world. There is impressive detail in the carvings and a sense of Victorian optimism about what we aspire to be throughout. The cornerstone was laid in 1850 and the monument completed in 1889. That’s a lifetime for someone in the middle of the 19th century. Throw in the Civil War and violent conflict with Native Americans as the country was settled ever westward and those ideals were challenged even as the monument was being built.

    Today the National Monument to the Forefathers stands in dignified silence, 132 years after the dedication ceremony and a year after the 400th anniversary of the settlement of Plymouth by those Mayflower Pilgrims. That big party got cancelled last year with the pandemic, the narrative of living up to the best of virtues is more challenging than ever as we Americans sort out just who we want to be, but the monument stands. Still waiting for us to measure up.

  • Promises to Keep, Promises Kept

    Whose woods these are I think I know.
    His house is in the village though;
    He will not see me stopping here
    To watch his woods fill up with snow.

    My little horse must think it queer
    To stop without a farmhouse near
    Between the woods and frozen lake
    The darkest evening of the year.

    He gives his harness bells a shake
    To ask if there is some mistake.
    The only other sound’s the sweep
    Of easy wind and downy flake.

    The woods are lovely, dark and deep,
    But I have promises to keep,
    And miles to go before I sleep,
    And miles to go before I sleep.”
    — Robert Frost, Stopping by Woods on a Snowy Evening

    You can’t really live in New Hampshire without hearing the echo of Robert Frost in every stand of trees or old stone fence. I could drive to his old farm in fifteen minutes give or take, should I be inclined to. Some days I’m inclined to. But like so many things, not nearly enough.

    I woke up in the middle of the night with this poem running through my head. It’s been awhile since it’s lingered there, or if it had it didn’t bother to wake me from my slumber. Maybe it’s the cold days and the pleasant thought of woods silently filling with snow that seized my attention. But no, I should think it was the many promises to keep that are waking me in the middle of the night.

    That’s it: promises to keep. Big projects due this week that occupy my mind, and things left undone in my life that nag at me, so much more than the things done in my life that I don’t give myself enough credit for. It’s funny how the promises to keep are so much louder in our heads than the promises kept. We are our own worst critics, aren’t we? But after running through the promises I broke to myself that kept me awake I began listing the ones I kept, and eventually drifted back to sleep.

    To borrow from another Frost poem written in nearby woods, that made all the difference.

  • George Harrison in Four Songs

    George Harrison passed away twenty years ago today, on the 29th of November, 2001. So soon after 9/11 it made the moment feel like the universe was piling on a bit, for George—the quiet Beatle—was the one I identified with the most. In these last twenty years I’ve come to appreciate his work even more. So on this anniversary of his passing, here are four of many extraordinary songs from George Harrison’s solo career:

    Give Me Love (Give Me Peace On Earth)
    Give me hope
    Help me cope, with this heavy load
    Trying to, touch and reach you with
    Heart and soul
    … My lord


    A regular on every upbeat, joyful playlist I create, this song makes you feel glad to be alive. And that’s not unusual with George Harrison songs, for he made the most of his time on this Earth. You can easily say he was the most spiritual Beatle, trying to find meaning in this crazy world we live in and turning that search into songs of celebration and fellowship. My Sweet Lord is another example of this spiritualism exploration, and the two often end up on the same playlists.

    Behind That Locked Door
    Why are you still crying?
    Your pain is now through

    Please forget those teardrops
    Let me take them for you
    The love you are blessed with
    This world’s waiting for
    So let out your heart please, please
    From behind that locked door


    I’ve heard that George Harrison had a collection of ukuleles and loved playing them. This is a beautiful song for that particular instrument, and you feel George drawing a smile out of you even on your darkest days. Such a quietly delightful invitation out of your protective shell and back into the world.

    What Is Life
    Tell me, what is my life without your love?
    Tell me, who am I without you by my side?


    Sure, you can interpret this song a couple of ways. Is the relationship between two people in love or between a person and God? You might even consider that this was the first album released after The Beatles broke up, and it can mean something else entirely for you. It’s whatever you want it to mean, and it sticks in your brain for the catchiness and clever lyrics.

    All Those Years Ago
    We’re living in a bad dream
    They’ve forgotten all about mankind
    And you were the one they backed up to the wall
    All those years ago
    You were the one who imagined it all
    All those years ago


    George’s song about John Lennon, written after he was murdered in New York, celebrates the bond between the two lifelong friends even as it pointedly dismisses those who profited by knocking them and others down. These lyrics still stand out as we deal with a rise in nationalism, racism, and profiteering as the world struggles to reverse climate change and bring about positive and inclusive social change. John would have been a loud voice in the conversation today, and I suspect George would have been right there shoulder-to-shoulder with him. As he was all those years ago.

  • Thoughts on Get Back

    You and I have memories
    Longer than the road that stretches out ahead
    – John Lennon/Paul McCartney, Two of Us

    Watching close to eight hours of the creative process as The Beatles hash through two album’s worth of material in the Disney+ series Get Back was fascinating and informative. Fascinating as a lifetime Beatles fan watching these four guys work through songs you know by heart from the first basic notes to the arrival at magical songs that became so essential to your own life’s soundtrack. Let It Be and Abbey Road songs developed before your eyes and ears. Informative as you see four guys on the edge of breaking up, still pushing through with the work.

    They knew who they were. The Beatles were the biggest band in the world, the biggest band that ever was, and they recognized that what they released mattered a great deal. That must in turn be both an enormous burden and a cattle prod to get to it already. But then you had this other dynamic at work, with each of them building their own lives, four egos growing increasingly independent of each other. Paul deeply involved and at his peak creatively, pushing for more contribution from the rest of the Beatles. John nonchalant and locked in on the ever-present Yoko. George rising to a higher level and chafing at John and especially Paul’s perceived dismissiveness. Ringo showing up early, ready to go, watching things falling apart and trying to be the glue that kept it together just long enough.

    And then they started playing music preparing for their live rooftop concert. Originally it was going to be an indoor affair, maybe even some exotic location, but they wouldn’t have anything to do with that. They were tired and weren’t going to leave the country for a show, nor were they going to do the same old thing they’d done before. There was a captured moment when they told Paul about the rooftop idea and his eyes lit up, “That’s it!” all over his face.

    Growing up with The Beatles larger than life, you tend to stick each of these four young men into a bucket, representing something in your mind. But each turned out to be much more than you thought they were. Get Back reminds you of this. They were just four guys with a special chemistry that became a force of nature. And you see that as they jam together, mastering the new songs and plucking old ones out to play. Playing music together is when they rose to be The Beatles again. And the room filled with joy.

    They had memories that were longer than the road that stretched out ahead. Together for over 14 years at that point, they were about to break up and go their separate ways, still competing and trying to one-up each other for years to come. But John would be dead in just less than 12 years. This was their famous final scene as a band, something the viewer knows all along. We find ourselves wishing they’d snap out of it and focus on the work a bit more. Squeeze just a little more brilliance out of their time together. But in the end celebrating what they did give us.

    And maybe turning a bit of the spotlight back on yourself, recognizing that you could be producing more too. For if there’s a lesson in Get Back, it’s that even the most brilliant magic starts off as an awkward tune in your head. Put yourself into the work and see what grows from it.

  • Live & Learn

    “There are three kinds of men. The one that learns by reading. The few who learn by observation. The rest of them have to pee on the electric fence for themselves.” – Will Rogers

    Don’t look now, but we’re approaching the last month of the year. What has this year taught us? That we’re more resilient than we thought? Or more fragile? It’s both, isn’t it? And while we’re at it, we’re capable of more than we thought and far too distracted to maximize our potential. Global issues seem too complex to solve so we focus on rich people flying into space instead.

    We humans get a lot wrong on our quick dash across time, but we usually get just enough right to keep ourselves on track. That is the promise the new day brings, this sense of optimism that comes with not screwing up too much so far, and believing it will be so again today. The lot of us are collectively peeing on the electric fence and learning some shocking lessons. So far the voltage on that electric fence has only been set to stun.

    Instead of kicking the can down the road into next year, what if we rolled up our sleeves and tackled our biggest challenges now? Spin up a bit of positive momentum towards our collective future with applied effort now. Imagine the lessons we might learn about ourselves if we focused on doing what desperately needs to get done?

  • Give a Lift

    “You can’t actually pull yourself up by your bootstraps. Ultimately you are lifted by those around you.” – Derek Sivers

    It’s that time of the year when people are more open in expressing gratitude and displaying generosity. It’s a great time to take stock of who helps you the most and to express appreciation for that lift of the bootstraps they give you. And to look around and see who needs our help the most in lifting themselves up. The last couple of years haven’t been a cake walk, and there’s more people who need help than ever before.

    Give a lift to those in need. Lend an ear, or your time, or sure, sometimes a few bucks to help someone when so many are on the edge. You never know who needs you the most until you step in at just the right moment. As crazy as the concept might seem sometimes, we’re all in this together.

  • The Trick In the Compass

    “It is a fault to wish to be understood before we have made ourselves clear to ourselves.” — Simone Weil

    The quote above is making the rounds on Twitter again, stirred up first by Maria Popova and recently by Tim Ferriss. When the student is ready the teacher will appear, it is said, and whatever brought the quote back to my attention, I was ready to receive it. Maybe you are too.

    The last time I consulted my compass, I was sitting in a parking lot in front of a sporting goods store, hearing the truth. He told me to stop writing about death so much, but accepted my answer that stoicism isn’t a preoccupation with death, it’s a reminder to live with urgency. It would be the last conversation we’d ever have, and I wonder at the exchange even now.

    The trick in the compass is that it doesn’t show true north, it shows magnetic north. The difference between the two is called the magnetic inclination. Magnetic north, simplified, changes with the molten core of the Earth. Its more fluid, if you will. We change in just such a way. Just like the compass, we must adjust our heading based on how far from true north our core has shifted our magnetic north. No wonder so many find themselves off course.

    Making ourselves clear to ourselves is a journey. It requires walking many miles, the consumption of vast amounts of poetry and prose, a good friend or mentor alongside, and certainly, a whole lot of writing. But mostly it requires stumbling over hard truths, picking yourself up and setting yourself back on the path.

  • Where Are You Parking Yourself?

    “The road to success is dotted with many tempting parking spaces.” – Will Rogers

    Even if you’re on the right track, you’ll get run over if you just sit there.” – Will Rogers

    A great humorist will kick you in the ass while they make you laugh. You could fill a blog with Will Rogers quotes, and really, I just might someday. But not today. Today I’m thinking about these two quotes of his that pair well together. For who doesn’t contemplate their path to success, and ponder whether they might have stopped a few steps short of a higher peak?

    Last year, wanting to see the starry dome and catch the first glimpse of sunrise from the east coast of the United States, my daughter and I drove to the summit of Cadillac Mountain in Acadia National Park in Maine. It was 3 AM, and there were already people up there watching the celestial show above, but there was plenty of elbow room and more than enough time to find a spot to park ourselves for the big event. We chose a spot next to a large boulder about 200 feet down from the summit parking lot. Over the next two hours a couple of hundred people walked past us to spots further away. When the sun finally rose, I could see that they’d chosen a place more spectacular than the one we’d chosen. And we regretted not going further when we could have.

    No matter where we are currently parked, it’s just a pause along the way unless we choose to make it our grave. As we dance with the extraordinary that inspires greatness within us, we’ll be tempted along the way to live with good enough. Shake it off and push on. There’s so much more to experience in life just beyond where we currently find ourselves.

  • Up to the Nostrils

    “I think you should always do shit that scares you. You just always have to do stuff that scares you. Just wander right off into the water right up to where just your nostrils are out of it. And then just try and live there.” – Brandi Carlile, on The Howard Stern Show

    How deep are you in the body of water you presently find yourself? How can you wade in deeper? How can you challenge yourself more than you are right now? Are you afraid of drowning? Or simply afraid of getting a little wet?

    Stern is a brilliant interviewer, and when he has someone as extraordinary as Brandi Carlile on his show, someone who rises to the occasion because she’s not afraid to wade in up to the nostrils, the conversation is compelling. Because there’s something drawn out of that conversation that transcends the people talking, they draw something out of you too. You find yourself questioning just how deeply you’ve been willing to wade into that water yourself. In that question is the answer for what you’ve got to do next, should you have the courage to do so.

    What comes next? Where do we go from here? What do you have to give up within yourself to get try to live in that place where you’re just on the edge of drowning? For that is the place where you transcend the ordinary.

    We forget, in our fear of wading in so deeply, that we don’t have to drown. We might just learn to swim in deeper waters. We might just thrive when we find that scary stuff isn’t all that scary after all. Go deeper.

  • Writing to Schubert

    How many hours
    do I sit here
    aching to do


    what I do not do
    when, suddenly,
    he throws a single note


    higher than the others
    so that I feel
    the green field of hope,


    and then, descending,
    all this world’s sorrow,
    so deadly, so beautiful.
    – Mary Oliver, Schubert

    Today is the anniversary of the death of Franz Schubert, who passed away at the shockingly young age of 31 on the 19th of November 1828. It’s shocking because of how much he accomplished in such a short span of time. Not so shocking when you consider the state of modern medicine at the time: he was treated with mercury to cure what was believed to be syphilis. I’m grateful for a lot of things in my life — being born at a time where medical treatment is a bit less hit or miss is right up there on my list. But having better treatment options guarantees nothing. We still must produce while we can.

    The inspiration with Schubert is in the mastery he had reached in his last few years. It’s something we can draw from in our own creative lives, as Mary Oliver clearly did, and I regret not leveraging his soundtrack more often myself. But then again it all comes to us at different times, doesn’t it? We all reach that point of creative inspiration when we wake up and finally see the truth. If Schubert offers any warning from his grave, it’s that we shouldn’t wait. Memento Mori.

    Schubert’s brief and brilliant life informs: we can do a lot in a relatively brief amount of time. And surely, there’s still time to do it today. But maybe not tomorrow. Carpe diem. Now get to work.