Alexandersmap

    Category: Music

    • Can’t See the Open Road

      Mellow is the man who knows what he’s been missing
      Many, many men can’t see the open road
      — Led Zeppelin, Over the Hills and Far Away

      Huddled in a group at an Irish pub, four men scheming for the future: one free of obligations and ready to roam, one surfing the peak of his career and working to cash in before it crashes, one just riding the swell and hoping this time—this time— he’d caught the right wave, and me, a would-be writer and wanderer observing the human condition. I’m surfing my own wave, of course, but don’t we all dream of coming about, hoisting the main and sailing away instead?

      “We labour at our daily work more ardently and thoughtlessly than is necessary to sustain our life because it is even more necessary not to have leisure to stop and think. Haste is universal because everyone is in flight from himself.” ― Friedrich Nietzsche, Untimely Meditations

      Nowadays we can all see what we’ve been missing in YouTube videos, Instagram and Facebook posts, or wherever you choose to live vicariously through the lens of others. My own favorite footage often involves drones flying above stunning landscapes, as if I were flying myself. And don’t we all wish to fly?

      But the question is, do we wish to fly away from something or towards something? For life is short and we can’t waste our precious time running away from ourselves. Yet so many do, in distraction and debauchery and debate. It’s easy to run away, but impossible to really get away from that nagging discontent.

      Old friend Henry David Thoreau pointed out that “the mass of men lead lives of quiet desperation.” He would also say that, “So thoroughly and sincerely are we compelled to live, reverencing our life, and denying the possibility of change. This is the only way, we say; but there are as many ways as there can be drawn radii from one centre. All change is a miracle to contemplate; but it is a miracle which is taking place every instant.”

      In other words, life is change, everything is changing around us even as we debate what we ought to do with ourselves. Which brings me back to a constant refrain: We must decide what to be and go be it. And be content with that which we leave behind.

    • This Will Be Our Year

      Now we’re there and we’ve only just begun
      This will be our year
      Took a long time to come
      — The Zombies, This Will Be Our Year

      Normally I take time to assess the best memories or the favorite stuff accumulated to wrap up a previous year in the final days leading into the new year. This year, other than listing a collection of books read, I am far more inclined to put 2021 to rest and get on with living. I imagine I’m not the only one in that respect.

      So how do you set the table for a great year? We’ve covered some of this already, deciding what to be and go be it is a good attitude to begin with. To realize it, you’ve got to act on it. Book the trip, block off the vacation time, commit to the athletic event, reserve the campsite or the trail hut and you’re halfway there. In some ways you’re forcing your own hand. Or you can look at it as making a commitment to your future self. It’s a high agency way of taking your life in your own hands and not just going with the flow of random events.

      Booking it naturally starts a countdown to arriving at the moment you do it. A to-do list immediately accumulates. Want to run a marathon or hike the Presidential Traverse in the White Mountains? You’d best get in shape before you set off, buddy. The world doesn’t need another unprepared fanatic hitting the starting line. Commit and begin the incremental climb to fitness so you can actually finish what you most want to start.

      Is it that simple? Of course not, but you’re far more likely to do it if you place a financial and time stake in the ground and then give yourself just enough runway to take off. You can’t commit to something so far off that you lose focus on the goal, but it can’t be so short that you aren’t ready when you arrive. Plan, then execute on that plan in a carefully measured number of workouts, vacation days, or paychecks. Use time and money to help you arrive, not as an excuse for not going at all. We become what we prioritize.

      The big moments await your commitment. Put a stake in the ground at the end of the runway and gather some momentum. It’s time to soar.

    • Destinations Are Where We Begin Again

      Ships go sailing
      Far across the sea
      Trusting starlight
      To get where they need to be
      — Josh Groban, Believe

      A challenging couple of years brings us back to Christmas morning 2021. We know it’s not over just yet, this pandemic, but we have optimism for the year ahead. Tempered by other challenges in the world, other realities at home. Life isn’t easy, it was only framed that way by our support system of family and friends and community. Generous spirits that touch our lives at just the right time. Helping us navigate the stormiest of seas. Relationships make life worthwhile. Belief in ourself begins to develop in our tightest circles, and carries us to destinations we never imagined when we began.

      May you have the opportunity to spend time with those who love you most today. Merry Christmas.

    • I Guess I’ll Have to Do It While I’m Here

      And I won’t feel the flowing of the time when I’m gone
      All the pleasures of love will not be mine when I’m gone
      My pen won’t pour a lyric line when I’m gone
      So I guess I’ll have to do it while I’m here.
      – Phil Ochs, When I’m Gone

      It’s that time of year—the mad shift towards Christmas and New Years Eve and all that represents for us. There’s a natural and sometimes confusing triangulation of planning for the future, wrapping up the present and reflecting on what’s done and gone. I’d suggest that listening to this 55 year-old Phil Ochs folk song is a great way to pause and reflect on what might be prioritized from this moment onward.

      Ochs would end up committing suicide a decade after singing this song, with a family friend commenting in a New York Times obituary that “Mainly, the words weren’t coming to him anymore.” We all have our timeline and our perceived value to the world, the demons caught up with Ochs before he could climb back out of the darkness. The word “prescient” is used a lot when When I’m Gone is introduced, usually dropped right before telling people of Ochs suicide, as if it isn’t prescient for all of us.

      That’s the relentless message in this smooth folksy song: Stop waiting and do it while you’re here. For we’ll all be gone soon enough. Plan for the future, as we must, but live now.

    • George Harrison in Four Songs

      George Harrison passed away twenty years ago today, on the 29th of November, 2001. So soon after 9/11 it made the moment feel like the universe was piling on a bit, for George—the quiet Beatle—was the one I identified with the most. In these last twenty years I’ve come to appreciate his work even more. So on this anniversary of his passing, here are four of many extraordinary songs from George Harrison’s solo career:

      Give Me Love (Give Me Peace On Earth)
      Give me hope
      Help me cope, with this heavy load
      Trying to, touch and reach you with
      Heart and soul
      … My lord

      A regular on every upbeat, joyful playlist I create, this song makes you feel glad to be alive. And that’s not unusual with George Harrison songs, for he made the most of his time on this Earth. You can easily say he was the most spiritual Beatle, trying to find meaning in this crazy world we live in and turning that search into songs of celebration and fellowship. My Sweet Lord is another example of this spiritualism exploration, and the two often end up on the same playlists.

      Behind That Locked Door
      Why are you still crying?
      Your pain is now through
      Please forget those teardrops
      Let me take them for you
      The love you are blessed with
      This world’s waiting for
      So let out your heart please, please
      From behind that locked door

      I’ve heard that George Harrison had a collection of ukuleles and loved playing them. This is a beautiful song for that particular instrument, and you feel George drawing a smile out of you even on your darkest days. Such a quietly delightful invitation out of your protective shell and back into the world.

      What Is Life
      Tell me, what is my life without your love?
      Tell me, who am I without you by my side?

      Sure, you can interpret this song a couple of ways. Is the relationship between two people in love or between a person and God? You might even consider that this was the first album released after The Beatles broke up, and it can mean something else entirely for you. It’s whatever you want it to mean, and it sticks in your brain for the catchiness and clever lyrics.

      All Those Years Ago
      We’re living in a bad dream
      They’ve forgotten all about mankind
      And you were the one they backed up to the wall
      All those years ago
      You were the one who imagined it all
      All those years ago

      George’s song about John Lennon, written after he was murdered in New York, celebrates the bond between the two lifelong friends even as it pointedly dismisses those who profited by knocking them and others down. These lyrics still stand out as we deal with a rise in nationalism, racism, and profiteering as the world struggles to reverse climate change and bring about positive and inclusive social change. John would have been a loud voice in the conversation today, and I suspect George would have been right there shoulder-to-shoulder with him. As he was all those years ago.

    • Thoughts on Get Back

      You and I have memories
      Longer than the road that stretches out ahead
      – John Lennon/Paul McCartney, Two of Us

      Watching close to eight hours of the creative process as The Beatles hash through two album’s worth of material in the Disney+ series Get Back was fascinating and informative. Fascinating as a lifetime Beatles fan watching these four guys work through songs you know by heart from the first basic notes to the arrival at magical songs that became so essential to your own life’s soundtrack. Let It Be and Abbey Road songs developed before your eyes and ears. Informative as you see four guys on the edge of breaking up, still pushing through with the work.

      They knew who they were. The Beatles were the biggest band in the world, the biggest band that ever was, and they recognized that what they released mattered a great deal. That must in turn be both an enormous burden and a cattle prod to get to it already. But then you had this other dynamic at work, with each of them building their own lives, four egos growing increasingly independent of each other. Paul deeply involved and at his peak creatively, pushing for more contribution from the rest of the Beatles. John nonchalant and locked in on the ever-present Yoko. George rising to a higher level and chafing at John and especially Paul’s perceived dismissiveness. Ringo showing up early, ready to go, watching things falling apart and trying to be the glue that kept it together just long enough.

      And then they started playing music preparing for their live rooftop concert. Originally it was going to be an indoor affair, maybe even some exotic location, but they wouldn’t have anything to do with that. They were tired and weren’t going to leave the country for a show, nor were they going to do the same old thing they’d done before. There was a captured moment when they told Paul about the rooftop idea and his eyes lit up, “That’s it!” all over his face.

      Growing up with The Beatles larger than life, you tend to stick each of these four young men into a bucket, representing something in your mind. But each turned out to be much more than you thought they were. Get Back reminds you of this. They were just four guys with a special chemistry that became a force of nature. And you see that as they jam together, mastering the new songs and plucking old ones out to play. Playing music together is when they rose to be The Beatles again. And the room filled with joy.

      They had memories that were longer than the road that stretched out ahead. Together for over 14 years at that point, they were about to break up and go their separate ways, still competing and trying to one-up each other for years to come. But John would be dead in just less than 12 years. This was their famous final scene as a band, something the viewer knows all along. We find ourselves wishing they’d snap out of it and focus on the work a bit more. Squeeze just a little more brilliance out of their time together. But in the end celebrating what they did give us.

      And maybe turning a bit of the spotlight back on yourself, recognizing that you could be producing more too. For if there’s a lesson in Get Back, it’s that even the most brilliant magic starts off as an awkward tune in your head. Put yourself into the work and see what grows from it.

    • Getting to Deeper Work

      “In an age of network tools… knowledge workers increasingly replace deep work with the shallow alternative—constantly sending and receiving e-mail messages like human network routers, with frequent breaks for quick hits of distraction. Larger efforts that would be well served by deep thinking, such as forming a new business strategy or writing an important grant application, get fragmented into distracted dashes that produce muted quality…. Spend enough time in a state of frenetic shallowness and you permanently reduce your capacity to perform deep work.” – Cal Newport, Deep Work: Rules for Focused Success in a Distracted World

      I think the reason I get up early is to think, uninterrupted. And when I am interrupted, by other early risers or by something as simple as the cat meowing for food my own deep thinking is disrupted, often to a point where I have to put away the work and find a way to reset myself. The beautiful thing about posting a blog every day is I’m forced to find a way through the shallow pool I find myself swimming in back to deeper waters, distractions be damned. But the work never feels the same.

      Noise-cancelling headphones help a lot. When I go deep I’ll play the same song on repeat until I’m done with whatever project I’m committed to finishing. For me, two songs work particularly well for this, Mark Knopfler’s Wild Theme (no surprise if you know what my favorite movie is) and Claude Debussy’s Clair de lune because they both quietly soar and have no lyrics to draw me out of my focused state. After years of this trick, playing one of these songs becomes Pavlovian in snapping my mind to attention.

      Long walks in nature help reset the mind when you find yourself in frenetic shallowness, and I have my go-to spots for this too. Walking helps you sort out the puzzle pieces in your subconscious mind, putting all the pieces on the table and shuffling them one step at a time. If the walk goes well you sort things out just enough. But sometimes I find myself dwelling on another puzzle altogether, and realize the distraction wasn’t swimming shallow at all but this elephant in the room that you’ve got to remove before you can properly focus on the original project. Long walks help sift the pieces enough for you to see what you’ve been staring at all along.

      Another trick of the trade that countless brilliant minds subscribe to is strict daily application of Julia Cameron’s Morning Pages. Write whatever comes out of your mind onto the page for three pages in a gushing stream of consciousness until you’ve gotten all the noise out of yourself, and then shift to creative output. I’ve tried this a few times but find myself frustrated by the time spent on Morning Pages that I could be spending on the work itself. The fault isn’t in the process but in my commitment to it. Enough people swear by it that it must work, and to go deeper I might have to recommit to this process myself.

      “The way to live is to create.
      Die Empty.
      Get every idea out of your head and into reality.”
      – Derek Sivers,       How to Live

      Whatever gets you there, deeper work is where we mine the very best of ourselves. Eliminate as many distractions as possible, retreat to your proverbial cabin in the woods and do the work. While there’s still time.

    • Whispers in the Woods

      Have you ever wandered lonely through the woods?
      And everything there feels just as it should
      You’re part of the life there
      You’re part of something good
      If you’ve ever wandered lonely through the woods
      – Brandi Carlile, Phillip and John Hanseroth, Have You Ever

      It’s hunting season in New England, and bright orange is the color of choice for those who dare wander into the woods. Admittedly I haven’t been wandering in the local woods all that much lately, for reasons both valid and delusional, but mostly because I got out of the habit of placing myself there. You know when you’ve been gone too long, you feel it in your bones. I’d been gone too long and finally did something about it.

      Walking through the bare trees of New England in late Autumn, smelling the fallen leaves in the cool, damp air, delivers a unique sense of place not achieved in a world of concrete and steel. Inevitably you think of those who wandered these woods before you, whether yesterday or a thousand years ago, the woods hold their hopes and dreams and secrets just as firmly as they’ll hold your own.

      There are whispers in the forest, easily heard in solitude. They’re reflections of our greatest hopes and fears. Yes, some fear the woods, hearing ghosts, fairies or dark spirits. I think we mostly hear our own inner voice, caught in the wind and reflected back to us as naked truth, as cold and bare as the tree trunks and branches.

      In his enduring gift Walden, Thoreau described the “indescribable innocence and beneficence of Nature”. Nature surely gives back far more than it receives from humanity. Shouldn’t we offer something good in return for the gift of nature?

      Readers of this blog know that I chafe at loud talkers, people who play music while hiking, motorized vehicles, and other such encroachments in the woods. It feels blasphemous, disrespectful, and the antithesis of all I go there for. But the trees themselves don’t care, they’ve seen it all before and will again. The intrusion is mine to bear, the trees will still be here, hopefully, long after the rest of us clear out.

      This too shall pass, the wind whispers through the bared forest. The leaves returning to earth underfoot voice their agreement. Here, you’re part of something good. One day we’ll all be ghosts, mere whispers in the wind. But not today. Today we were alive, and the woods felt just as they should.

    • Up to the Nostrils

      “I think you should always do shit that scares you. You just always have to do stuff that scares you. Just wander right off into the water right up to where just your nostrils are out of it. And then just try and live there.” – Brandi Carlile, on The Howard Stern Show

      How deep are you in the body of water you presently find yourself? How can you wade in deeper? How can you challenge yourself more than you are right now? Are you afraid of drowning? Or simply afraid of getting a little wet?

      Stern is a brilliant interviewer, and when he has someone as extraordinary as Brandi Carlile on his show, someone who rises to the occasion because she’s not afraid to wade in up to the nostrils, the conversation is compelling. Because there’s something drawn out of that conversation that transcends the people talking, they draw something out of you too. You find yourself questioning just how deeply you’ve been willing to wade into that water yourself. In that question is the answer for what you’ve got to do next, should you have the courage to do so.

      What comes next? Where do we go from here? What do you have to give up within yourself to get try to live in that place where you’re just on the edge of drowning? For that is the place where you transcend the ordinary.

      We forget, in our fear of wading in so deeply, that we don’t have to drown. We might just learn to swim in deeper waters. We might just thrive when we find that scary stuff isn’t all that scary after all. Go deeper.

    • Writing to Schubert

      How many hours
      do I sit here
      aching to do

      what I do not do
      when, suddenly,
      he throws a single note

      higher than the others
      so that I feel
      the green field of hope,

      and then, descending,
      all this world’s sorrow,
      so deadly, so beautiful.
      – Mary Oliver, Schubert

      Today is the anniversary of the death of Franz Schubert, who passed away at the shockingly young age of 31 on the 19th of November 1828. It’s shocking because of how much he accomplished in such a short span of time. Not so shocking when you consider the state of modern medicine at the time: he was treated with mercury to cure what was believed to be syphilis. I’m grateful for a lot of things in my life — being born at a time where medical treatment is a bit less hit or miss is right up there on my list. But having better treatment options guarantees nothing. We still must produce while we can.

      The inspiration with Schubert is in the mastery he had reached in his last few years. It’s something we can draw from in our own creative lives, as Mary Oliver clearly did, and I regret not leveraging his soundtrack more often myself. But then again it all comes to us at different times, doesn’t it? We all reach that point of creative inspiration when we wake up and finally see the truth. If Schubert offers any warning from his grave, it’s that we shouldn’t wait. Memento Mori.

      Schubert’s brief and brilliant life informs: we can do a lot in a relatively brief amount of time. And surely, there’s still time to do it today. But maybe not tomorrow. Carpe diem. Now get to work.