Alexandersmap

    Category: Music

    • Forever is Our Today

      But touch my tears with your lips
      Touch my world with your fingertips
      And we can have forever
      And we can love forever
      Forever is our today
      – Queen, Who Wants to Live Forever

      This idea of living forever is tantalizing, isn’t it? It fuels our fascination with vampires and elves and superheroes, but I’m not sure it’s in our best interest to be immortal. We waste so much time already. Maybe time running out is a gift. as Jason Isbell wrote in his magical song I quoted last week. It does tend to focus us on the urgency of the moment, doesn’t it?

      There are advancements in science that offer legitimate hope for extending life 2-3 times longer than our current lifespan. Swap out a bit of DNA code for something better and become almost invincible. To cure all ills and live a healthy vibrant 150-200 years seems like pure fantasy, but there are people like Peter Diamandis with his company Human Longevity actively pursuing this now. Which makes you wonder, to what end?

      Will longevity become like plastic surgery for the truly vain, with constant adjustments and tweaks to our genetic code based on the latest blood work? Probably. Who wants to live forever? Plenty of people. And the wealthy have the means to chase it. If you want to be in the genetic engineering game you’d better be adept at accumulating wealth before the bill comes due.

      Will our pursuit of immortality lead humanity down unethical paths? There’s no doubt. Hostile governments are likely already working on superhuman soldiers with incredible strength and no fear. 60 Minutes recently aired a segment about foreign governments accumulating information about your DNA. We’re really just at the early stages of exponential growth in genetic engineering. Ethical questions abound.

      “It is naïve to imagine that we might simply hit the brakes and stop the scientific projects that are upgrading Homo sapiens into a different kind of being. For these projects are inextricably meshed together with the Gilgamesh Project… since we might soon be able to engineer our desires too, the real question facing us is not ‘What do we want to become?’, but ‘What do we want to want?’ Those who are not spooked by this question probably haven’t given it enough thought… Is there anything more dangerous than dissatisfied and irresponsible gods who don’t know what they want? – Yuval Noah Harari, Sapiens

      Pretty heavy ethical questions right there. But fair to ask. What is the mission anyway? Perfection? Dominance? Immortality? To what end? There are plenty of selfish, irresponsible people who demonstrate every day that we can’t just trust people to do the right thing. If Sapiens detailed anything in fine detail, it’s that humanity has shoved aside questions about ethics and fairness at almost every step in our existence.

      So where does that leave you and me? There’s the shared wealth of knowledge we can lean on as science sifts through what works and what doesn’t. We all know to exercise more and eat more blueberries and kale. Are we really chasing immortality or just a healthier, more vibrant life in the time that we have? Better surpasses longer on the priority list, I should think. Why would anyone want to extend a miserable life indefinitely? To hold out for just one more Fast & Furious movie to see how it all turns out?

      What do we want to want? Yikes. Forever seems pretty attractive, but personally, I’d like to master today. Forego the maddening crush of distractions pulling you towards perfect smiles and perfect abs and the perfect family and just be incrementally better than yesterday. A good start would be to be fitter and sharper through good decisions and a little discipline. String enough good days together and maybe you have just enough life in the end. Immortality is folly. But we can have today.

    • To Be Touched by Everything I’ve Found

      One obvious problem with long drives is that it eats into reading time. You can solve this with audio books, of course, but then what of podcasts? As a heavy consumer of both, what do you choose? And this is where time becomes our enemy.

      Long drives require epic podcast episodes, and there’s nothing more epic than Hardcore History with Dan Carlin. For the last year I’ve been saving long stretches of travel to complete Supernova of the East, which is like all of Carlin’s podcasts: devastating edge of your seat listening. You want a little perspective as you crawl along in traffic over the Tappan Zee Bridge? Listen to the details of the Battle of Okinawa as Carlin spins his magic.

      What do you do when you’ve finished a series like Supernova of the East and you need to step back into the better side of humanity? Music helps. Lately I’ve been mixing classic rock and what today is known as “Americana” music (personally, I just call it music). Specifically, diving into old Crosby, Stills, Nash & Young tunes and new Jason Isbell and the 400 Unit compilations. Looking for poetry set to music? You can’t go wrong with either. As a lover of words piled together just so, Isbell does to your brain cells what a complex Cabernet does to your taste buds.

      The best I can do
      Is to let myself trust that you know
      Who’ll be strong enough to carry your heart
      – Jason Isbell and the 400 Unit, Letting You Go

      When you get to a hotel room in some remote place and you’ve caught up on all those emails and administrative work, what next? Drink? Watch television? Or dive back into the books that have tapping you on the shoulder for attention? There’s a place for every form of entertainment, but in most of my travels the hotel television never gets turned on. But the Kindle app does.

      After some consistent prodding by a friend of mine, I’m finally finishing Sapiens by Yusef Noah Harari. I know, what took me so long? Honestly it just kept slipping down the pile as other books jumped ahead. Regrettable, but life is about tradeoffs. What we choose to dance with in our brief time makes all the difference in how we see the world. Now that I’ve almost wrapped it up, I see what all the fuss is about.

      “Even today, with all our advanced technologies, more than 90 per cent of the calories that feed humanity come from the handful of plants that our ancestors domesticated between 9500 and 3500 BC – wheat, rice, maize (called ‘corn’ in the US), potatoes, millet and barley. No noteworthy plant or animal has been domesticated in the last 2,000 years. If our minds are those of hunter-gatherers, our cuisine is that of ancient farmers.” – Yusef Noah Harari, Sapiens

      Speaking of that stack of books, I put aside a couple of other books to focus on completing Sapiens. One in particular, The Blind Watchmaker, is a heavier lift than Sapiens, but compliments it well. I’ve referenced it before in the blog, and look forward to moving it to the virtual “done” pile. Combined, these two books have shaken my perspective of the world and how we got here.

      “If you have a mental picture of X and you find it implausible that the human eye could have arisen directly from it, this simply means that you have chosen the wrong X.” – Richard Dawkins, The Blind Watchmaker

      Inevitably I need to sprinkle in page-turner fiction, poetry and sharp left turn material to shake off reality until I can catch my breath again. Journey to Ixtlan by Carlos Castaneda was a definite left turn for me, an interesting read that got me thinking about mysticism and craving more time in the desert Southwest.

      “You can do better. There is one simple thing wrong with you—you think you have plenty of time.” – Carlos Castaneda, Journey to Ixtlan

      The Sea in You: Twenty Poems of Requited and Unrequited Love by David Whyte is a lovely collection of poems by one of our living masters. Whyte stirs words together with the best of them and catches my imagination with his alchemy. I’ll surely spend more time with Whyte in this blog in the near future.

      “be weathered by what comes to you, like the way you
      too
      have travelled from so far away to be here, once
      reluctant
      and now as solid and as here and as willing
      to be touched as everything you have found.”
      – David Whyte, The Sea in You: Twenty Poems of Requited and Unrequited Love

      We collect bits of wisdom and memorable nuggets in our consumption. Does this make us better conversationalists or a faster draw on Jeopardy? Most likely, but there’s something more to it than that. To revisit the old cliche, we are the average of the five people we spend the most time with. What we consume either amplifies our biases or challenges them. I choose to be challenged, and find myself slowly stretching and building a better mind, with greater perspective, through what I listen to, watch and read.

      In short, to be touched by everything I’ve found.

    • One Day

      If we were vampires and death was a joke
      We’d go out on the sidewalk and smoke
      And laugh at all the lovers and their plans
      I wouldn’t feel the need to hold your hand
      Maybe time running out is a gift
      I’ll work hard ’til the end of my shift
      And give you every second I can find
      And hope it isn’t me who’s left behind

      It’s knowing that this can’t go on forever
      Likely one of us will have to spend some days alone
      Maybe we’ll get forty years together
      But one day I’ll be gone
      Or one day you’ll be gone
      – Jason Isbell, If We Were Vampires

      A song like this makes you question yourself. Points a finger into your chest and lets you know that you’re too cavalier with moments. Too willing to take it all for granted and dance with the days as if they’ll always be here. Moments stack up like old photos in a shoebox and it’s easy to believe that there will be another. Because there always has been for as long as we can remember.

      We’re fascinated with immortality because we can’t have it. For ourselves, or for those we care about the most in this brief dance. But we cheat the days looking out to the end. The moments are here, staring at us and waiting for us to put the phone down and look us in the eye. Here we are, in this moment so briefly.

      Maybe time running out is a gift. If we might see it running. If we might use it wisely. Not one day, but now.

    • Myths and Pretty Stories

      “Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.” – Yuval Noah Harari, Sapiens: A Brief History of Humankind

      We all build pretty stories, latch on to myths that align us with a currency, political party, and what we chase in our short time on earth. Since I reached “responsible” adulthood I’ve been servant to my pyramid in New Hampshire, my second pyramid, thank you. I’ve done my part to keep both the economy and humankind going by getting married and having two children, a boy and a girl, to keep the party going after I someday check out.

      Sapiens challenges long-standing assumptions we have about our place in the world: how we got here, what we believe, what we’ve destroyed in the process of getting here and what is being destroyed now as a result of the myths and pretty stories we collectively tell ourselves. And that’s the part that I’ve been thinking about lately. We’ve all seen what collective belief in a myth can do on September 11, 2001 and on January 6, 2021. There’s a very dark side of humanity that emerges when subscribing to certain myths. And there’s a swell of resistance that rises up when confronted with myths that don’t fit our own view of the world.

      It may come as no surprise to any reader of this blog that I’m a romanticist, chasing experiences in this short life. And yet like many of my fellow romanticists I’ve also built a pyramid. And keep adding smaller pyramids around it to make this life more… comfortable? Luxurious? Sure. But every myth has a price, and to function in this society your story needs to align with the larger story of paying mortgages and car payments and working to fund it all.

      We humans are complicated, aren’t we? Life is about the pretty stories we tell ourselves. About where we are and where we’re going. We all tell ourselves and others these stories. I tell myself that I’m chasing washboard abs, but still managed to have a third taco last night. Now I’m planning a long walk and yard work to make up for the three tacos. Washboard abs are just another pretty story I tell myself if I don’t align my habits with the larger goal.

      As an American I grew up believing certain things about our Rights as citizens. We buy into the belief that all men and women are created equal. Over time you learn this is a myth, we aren’t at all equal. Some are dealt tougher hands than others. Some drink the Kool-Aid of scarcity and fear and react to that with aggression and hate. In sharp contrast, may of us subscribe to something bigger. A belief in each other and a better future.

      “Well, big wheels roll through fields where sunlight streams
      Oh, meet me in a land of hope and dreams”
      – Bruce Springsteen, Land of Hope and Dreams

      Inevitably there’s friction and chafing when one person’s myths run into another’s opposing myths. We live in a dangerous time, and a lot depends on how the pendulum swings during our watch. Like Springsteen I’m an eternal optimist, but recognize that’s just the way we frame our pretty stories. Like washboard abs and too many tacos, sometimes pretty stories and reality don’t align and you’ve got to recognize that and commit to changing the story.

      We all have to work for the pyramids we are building towards the sky. It’s fair to question whether we’re building the right pyramid in the first place. Isn’t it?

    • Dancing in our Seats

      “To dance is to be out of yourself. Larger, more beautiful, more powerful… This is power, it is glory on earth and it is yours for the taking” – Agnes De Mille

      “It’s the heart afraid of breaking that never learns to dance.” – Xiaolu Guo

      Out for dinner with my bride on a Friday night,
      the place packed like it used to be
      before pandemics
      and not a mask in sight
      Obviously everyone is vaccinated…
      right?

      I know, that poem needs a lot of work, but this isn’t a post about the poem, but the moment. A packed tavern, literally hundreds of people jammed into the building for a wedding down the hall, trickling over to celebrate in the tavern. A mile from our home and looking around we don’t know a soul in there. Even the waitstaff is entirely new. So forget social bubbles, the place was bursting.

      And, it seems, if we are to compare COVID to the Spanish Flu from a century ago, we’ve entered the roaring 20’s phase of our collective story about the pandemic. And honestly, there’s a big part of me that’s ready to dance again. We’ve done our part, socially isolating, getting vaccinated, and trusting the science. At what point do you just get out there and start living again?

      My bride and I are sitting at a hightop table in the back corner of the tavern, having drinks and dinner. Laughter and conversation all around us. And the music pumping through the sound system is the hits of the disco era. One hit wonders and big boogie groove things pulsing through the crowd. And I see my bride transform into the kid I fell in love with, twinkle in her eye and dancing in her seat song after song. And I dance a bit myself, just a bit, and smile in the moment.

      We’re out, and outside ourselves. If this place had a dance floor we’d have been on it. Without one we dance in our seats, waiting for our meals and another round. And life ever so slowly begins to be a celebration of all its possibilities. Glory on earth, once again.

    • Adding Extra to Ordinary

      “A master is in control. A master has a system. A master turns the ordinary into the sacred.”
      – Ryan Holiday

      “The primary math of the real world is one and one equals two. The layman (as, often, do I) swings that every day. He goes to the job, does his work, pays his bills and comes home. One plus one equals two. It keeps the world spinning. But artists, musicians, con men, poets, mystics and such are paid to turn that math on its head, to rub two sticks together and bring forth fire. Everybody performs this alchemy somewhere in their life, but it’s hard to hold on to and easy to forget. People don’t come to rock shows to learn something. They come to be reminded of something they already know and feel deep down in their gut. That when the world is at its best, when we are at our best, when life feels fullest, one and one equals three. It’s the essential equation of love, art, rock ’n’ roll and rock ’n’ roll bands. It’s the reason the universe will never be fully comprehensible, love will continue to be ecstatic, confounding, and true rock ’n’ roll will never die.” – Bruce Springsteen, Born to Run

      I’m beginning to understand the art of weaving magic. I am by no means a master, but each turn in the blog, each tangle with words in other work I’m developing, leads me closer to the sacred. The blog is my apprenticeship, never fully realized because I ship the work daily whether the magic is sprinkled on yet or not. This is a turn of the ordinary, and a march towards something more.

      Routines infer ordinary. We have our habits and generally stick with them, and we feel out of sorts when the routine is broken by happenstance or travel. But routines are where you find the magic, hidden deeply in layers of repetition and persistence. You don’t pull magic out of your ass, you work for it.

      You know it when you see it. Moments crackle with excitement. And one plus one does, for a brief moment, equal three. The greatest artists and performers regularly dance with the extraordinary. But hidden from that brilliant moment of now are the buried hours of falling flat, picking yourself up and trying something else then. You don’t add extra to ordinary without sacrifice.

      I’m well aware of where I am with my own work, and I also know where I’m going. Towards the sacred. Towards three. Towards the incomprehensible and magic and the extraordinary. I hope someday to share that with you.

    • Catching the Wind

      Waking up early I dress straight away and head outside for the Spring performance. Birdsong in spring is like no other time of year, and you must be out there early to catch the peak. Soon the tall pines caught the wind and danced together with it in a song of their own. And the harmonies of birds and breeze and trees sang to me their morning song. April mornings in New Hampshire; playing for a limited time only.

      I thought I might read a favorite Mary Oliver poem, and read ten times the one. Some days every word grabs you and shakes you to the core. Other days the words aren’t for you. I apologized to Ms. Oliver for not having my mind on the lesson and gently put poetry aside for another time.

      And turn to music. Wild Theme, Symphony No. 5, and finally Suite bergamasque: Clare de lune. Like poetry you know when it’s the right moment for a song. And so this morning Debussey and I walked about the quiet house while the world slept. But soon the restlessness returned.

      “The child is in me still… and sometimes not so still.” – Fred Rogers

      Mondays hand us the friction of the weekend meeting the work week. The question of what must be done taps on the shoulder demanding answers. Each passing minute you linger with birds and poets and symphonies amplifies the urgency of the questions. What must be done?

      Listen to the world around you. Accept the day as it comes, but plot your course with clarity of purpose. Find stillness, if you can. If only for just a moment. If you listen, you’ll hear what it’s been telling you all along. Minimize that friction and dance with the world on your own terms. Catch the wind, and fly.

      Of course! the path to heaven
      doesn’t lie down in flat miles.
      It’s in the imagination
      with which you perceive
      this world,
      and the gestures
      with which you honor it.
      – Mary Oliver, The Swan

    • Picking Up the Pieces

      Sometimes it takes darkness and the
      sweet
      confinement of your aloneness
      to learn
      anything and anyone
      that does not bring you alive

      is too small for you.
      – David Whyte, Sweet Darkness

      I woke up in the middle of the night thinking of Todd Rundgren’s Hello It’s Me and hearing it anew in my head. It’s always been a breakup song, that part is easy. But what I didn’t hear, not really hear, is the background singers rising chorus of “think of me” as Rundgren stops singing and the band reaches a crescendo accompanying the singing. At the end all that’s left is the band abruptly stopping, and all that’s left is a quiet, uncertain “think of me“.

      And then I understood grief and loss a bit better than I had before.

      It’s always been there, lingering behind the brave front and the moving on and the figuring things out. The feeling of abandonment in breaking up with someone, or losing someone who had a gravitational pull that compelled you to orbit them for what seemed a blissful forever. That person literally brought you alive and changed you forever. Until the spell was broken in loss. Until your identity was shattered in a moment.

      I heard it in my mother’s voice and in my own anger when a repaired grandfather clock broke apart again, betraying us and our memories in its fragility. I saw it in my wife’s welling eyes when a song that reminds her of her sister comes up on the playlist. I’ve heard it in countless voices over the last year. I’ve seen it in eyes locked in on my own above masks that hide everything but the reality of what is missing. Now and forever.

      Son sometimes it may seem dark
      But the absence of the light is a necessary part
      Just know, that you’re never alone
      You can always come back home
      – Jason Mraz, 93 Million Miles

      I grieve for the grief of others while holding my own close to the vest, where it leaks out in unguarded moments. Forever moving on, without really getting away from the missing part. Now and then it catches you in a broken grandfather clock and you know you can’t pick up all the pieces. All you can do is try to put it together again as best you can.

      And know that you’re never alone.

    • Leaning Into Revelatory Writing

      “I feel it’s important for me to be completely honest in what I write about. To me artists fall into two categories, they are revelatory or obfuscatory. There are artists that want to create an image of themselves, that isn’t really them, but it’s part of the product, the brand and stuff like that. So whenever they are in the context of performance… they adopt this persona. And the words that they write are from this persona not from themselves… I have always been a revelatory artist. I am most interested in writing about the things that I actually think about rather than trying to think about what someone wants to hear and write about that.” – Todd Rundgren, from The Moment podcast interview

      There are days when I’d rather have published anonymously. There’s something liberating about the free pass granted to the anonymous – you see it in Tweet and troll comments I suppose, where people feel they can say anything that comes to mind. But, deep down, can you really respect the anonymous? I don’t believe so. We respect those who put themselves out on a limb.

      We all balance the character we want to present to the world with who we actually are. As you get a bit wiser you stop worrying about becoming a character and you just become yourself (and some of us are real characters). Artists either play for the hits or mine deep for the gold. Now and then you get both in the same work.

      If you’re lucky and a bit brave, you reach a point where you just write for the love of discovery and revelation. Joyful bits of magic stumbled upon and written about, one post at a time. Some frivolous, some tedious, but now and then you scrub the words together just so and something sparkles. Sometimes you’re the only one that sees the glimmer, other times it bounces around the room like laser light on a disco ball.

      You know when you’ve put it all out there, just as you know when you’ve held back a bit of yourself. I’ve written a few posts where I clearly obfuscated and see it immediately when I look back on it. I think most people see it too. Deep down we all know when someone is holding back or playing to the audience. Fluff writing designed for clicks and likes and whatnot.

      Rundgren reminds me that there’s more to do. You want your work to crackle and spark imagination and wonder? Go deeper. Leaning into revelatory writing is a leap into the the chasm. But where else would you rather be?

    • Considering the Music of 1973

      Oh, give me the beat, boys, and free my soul
      I want to get lost in your rock ‘n’ roll
      And drift away

      Dobie Gray didn’t write Drift Away, Mentor Williams wrote it. But Dobie made it an international hit. The right mix of sing along, stirring lyrics and his silky soulful voice made it magical. I go about with life, forgetting about a song like this for a time, and then hear it on the radio or shuffled on a playlist of songs and it washes over me all over again, bringing me back to the first memories of hearing it. Dobie’s version was released in 1973, by all measures a very good year for music, with some of the greatest songs ever written released that year.

      Consider these ten 1973 classics:
      Give Me Love (Give Me Peace On Earth)
      Ramblin Man
      Let’s Get It On
      Just You ‘N’ Me
      Angie
      Money
      Bad, Bad Leroy Brown
      Over the Hills and Far Away
      Jet
      Love, Reign o’er Me

      And that’s just scratching the surface. Big albums were released in 1973, including Dark Side of the Moon, Band on the Run, Goodbye Yellow Brick Road, Houses of the Holy and Quadrophenia. Individual songs were brilliant, but this was the peak era of albums, when the entire record was a work of art gift-wrapped in an album cover to cherish. Radio latched on to songs and made them hits, but the fans were eagerly listening to deep cuts on the best albums and finding gold.

      The world itself was upside down in 1973, with Watergate beginning to boil up, the Paris Peace Agreement to get the United States out of Vietnam, inflation running amuck, and our parents dressing us in some crazy multicolor outfits. But hey, at least we had the music. And if you were a kid growing up in the early 70’s you were immersed in some of the greatest music ever created.

      1973 was a stacked year in a string of stacked years for rock and roll. Scan the music released in any year from 1965 to 1975 and you can create a heck of a playlist. These were the golden years for rock ‘n’ roll, when each release, and each year, tried to raise the bar. Popular music tried to stay hip and part of the action, and sometimes a song would rise up and become that classic for the ages. If we’ve learned anything over the years, it’s that popular doesn’t always equal good, and there were some really bad songs hitting the charts in each of those years too, but those tend to drift away, don’t they? As with life, we tend to remember the best things. Like great songs. You know a melody can move me…