Alexandersmap

    Category: Music

    • RCA Studio B

      Elvis used to book his studio time from 6 PM until 7 AM Monday morning at RCA’s Studio B in Nashville and just crank out the songs. After one of these sessions he walked outside to a waiting Army Jeep to report for draft service. You walk into that studio today and it looks a lot like it did then. Same floor and walls, same light fixtures that Elvis requested (“mood lighting”), and same piano Elvis played. The room reverberates Elvis, and it’s fair to say he was the biggest of a long list of performers who have recorded in this studio for the last 6 decades since Roy Acuff built the studio in 1956. . When you walk in there’s a “Wall of Elvis” hits recorded in this studio. Young Elvis was prolific, working hard and building the legend. That wall shows some of his work.

      There’s a certain sound in this room that carries across everyone who’s recorded here. Its an echoing richness to the songs that is very distinctive in songs recorded in Studio B. That sound became known as the “Nashville Sound”. Listen to Jim Reeves (“Welcome To My World“), Dolly Patton’s “I Will Always Love You“, Floyd Cramer’s “Last Date“, The Everly Brothers’ “All I Have To Do Is Dream” and Roy Orbison’s “Only The Lonely (Know The Way I Feel)” are all examples of that sound, all recorded right there in that room.

      The best story I heard about the room was Elvis’ recording of “Are You Lonesome Tonight“. As with all recordings then, it was a single track – you either got it right or you didn’t. The song was recorded in the dark, with all the musicians playing and harmonizing by the glow of a single red light. Towards the very end of the recording Elvis bumped his head on the microphone stand. If you listen to the song you’ll hear the click right at the end of the song. They left it in then and it remains to this day.

      As a music lover it was a bit surreal to be in that room as they played a few of the songs recorded right in the very place. You feel like you’re in a time warp in a way, the walls embrace the sounds and you and in a way you are timeless with that song. Some of the instruments haven’t left that room since they were used in the recordings. I felt a bit like I did when I stood in The Cavern in Liverpool; this was where it all happened. I often write about the ghosts of history whispering in your ear when you visit a place of significance. RCA Studio B is surely a place of significance, but the whispers here are heard around the globe in that Nashville Sound, deep and rich with a little hiss from the recording tape. Magic.

      Elvis’s piano, still in Studio B and still being used today

    • It’s Only Rock & Roll (But I Like It)

      The Rock & Roll Hall of Fame is located in Cleveland, Ohio. As a music fan I’ve wanted to check this out for years, but I was rarely in Cleveland and when I was the HOF was inconveniently closed. It seems the HOF keeps banker’s hours, which is ironic given the lifestyles of the inductees. But there was hope: Wednesday’s they stay open until 9 PM, making it possible to visit for people who have day jobs!

      I stayed in a hotel downtown and walked down to the HOF. Cold wind off the lake reminded me of where I was and I zipped the last inch of collar up. As you walk closer rock music is playing on stacks of speakers that serve as sculpture while doubling as a magnet for something more. As you get closer the glass pyramid of the HOF rises up before you out of a sea of concrete. Big, bold red letters beg, Long Live Rock and I know I’ve arrived.

      Inside, you’re met by greeters who direct you down to the lowest level, the base of the pyramid, to purchase a ticket and dive right in. And suddenly you’re in it. The base is the foundation, and you see the blues and country artists who built rock & roll, but also the cities that played such a huge part in its spread and growth. Motown, Philadelphia, San Francisco, Liverpool… and yes, Cleveland. The museum is immersive, and you can spend a lot of time in each section or breeze through it. The experience is there for you if you want it.

      If you’ve been to a Hard Rock Café you’ve experienced a bit of the HOF’s vibe. Music plays as you look at a guitar that John Lennon played, or Eric Clapton played… or Jimi Hendrix played. There are plenty of musical instruments on display and I found them interesting, but the magic was in the outfits they wore, and the videos of the artists explaining how they created a song or rif while you’re looking at the instrument they created it on right in front of you. If most artists were smaller than you’d expect, Jimi Hendrix was a big dude. His outfits indicate his size, and you know he must have been even more powerful live onstage than the old videos show.

      As you climb the pyramid there are places to play instruments, places to reflect on the names of the inductees, and hidden surprises as you work your way up the pyramid. So what’s at the top? More rock & roll, more instruments and a surprising amount of elbow room. Sure, it was a Wednesday night in January, not a time you’d expect throngs of Rock & roll fans to pour into the Hall of Fame, but a lot more room to wander than I expected.

      One thing that didn’t surprise me; the exit leads you right through the gift shop. But what a gift shop! It was sprawling, featuring the usual assortment of clothing, collectibles and shot glasses, and something more, an actual record store where you could buy vinyl records or compact disks. And that’s where it all began for me back as a kid, sifting through records, looking at the covers and wondering what magic was inside. That’s the rock and roll experience that started it for me, and the experience that capped off my visit to the Rock & Roll Hall of Fame.

    • Coffeehouse Self

      The commute started early this morning, with an early meeting conspiring with noise in my head about getting on the other side of the rush hour traffic that would surely build with every minute. Nothing stresses my commuter self more than being late for an appointment with miles of traffic ahead of me. I don’t like commuter self all that much, and avoid his company when I can.

      Traffic going into Boston is a wonder, but not wonderful; starting much earlier than you’d think possible, lingers past when you’d expect it to end, then reverses direction almost immediately to wreak havoc on your soul when you head home. You either skate your lane, distract yourself with music and podcasts or you let it get to you. I’ve gotten better at letting it go, but it’s a weakness in my character and I feel commuter self creep back into the car more than I’d like. So I play the active avoidance game when I can, and podcast the heck out of the worst of it. I once turned down a great job with a big promotion and raise because I didn’t want to crush my soul with the two hour 40 mile commute. I don’t regret the decision.

      This morning I time-travelled to Boston, found a café and sit writing this blog while others are stop-and-going on the highways I just left. Coffeehouse music is playing, counteracting the effect of the caffeine and the adrenaline of hundreds of cars and trucks I spent the last hour with. My coffee sits steaming on a distressed wood table and The Lumineers and Jason Mraz are playing just loud enough that I can barely hear the diesel engines and honking horns out there. The regulars talk amongst themselves but the place is still full of empty. There was no logical reason to leave as early as I did, with 90 minutes of time to spare. But I like the company of coffeehouse self more than commuter self, and that was enough for me.

    • A Decade Of Music

      The last ten years have flown by (as decades tend to do), and looking back on the music that made the biggest impact on me from 2010 to 2019 is certainly challenging.  If there was a theme to the last decade for me, it was travel to faraway places.  And  when you travel you need a great soundtrack.  Here are ten songs that made my decade of long drives, flights and walks a lot better:

      Dawes – When My Time Comes
      Wilco – You And I
      Head And The Heart – Down in the Valley
      Jason Mraz – 93 Million Miles
      The Avett Brothers – No Hard Feelings
      Bruce Springsteen – Land of Hope and Dreams
      U2 – The Little Things That Give You Away
      Arcade Fire – The Suburbs
      Lord Huron – Ends of the Earth
      Muse – Madness

      A nod to The Lumineers, Michael Kiwanuka, Adele, Half.Alive, Twenty One Pilots, Cold War Kids, Portugal, the Man, The Zac Brown Band, Ray Lamontagne and Blind Pilot.  In a different mood I might have chosen a song by any of you.  But that’s music for you.

    • Season’s Greetings

      “And so this is Christmas
      And what have we done
      Another year over
      A new one just begun”
      – John Lennon, Happy Xmas (War Is Over)

      Lennon always breaks through the crush of Christmas songs this time of year, challenging and reminding me that yes, another year is indeed over and what have you done?  And in 2019 it turns out I’ve done a lot, but we humans are never really satisfied are we?  So much left to do, and 2020 is just around the corner.  But today I’ll pause and reflect and be grateful.  Peace be with you.

    • Four Songs for Late Night Walks and Long Drives

      “Lay your blouse across the chair
      Let fall the flowers
      From your hair
      And kiss me
      With that country mouth
      So plain
      Outside the rain is tapping
      On the leaves
      To me it sounds like
      They’re applauding us
      The quiet love
      We’ve made
      Will I always feel this way
      So empty
      So estranged?” – Ray Lamontagne, Empty

      Some songs stay with you forever.  Empty is one of those songs.  I’ve had it playing in my head off and on for 13 or 14 years now. But it’s on the list of songs I usually save for myself, not on playlists at parties or around the fire. Empty is a song that catches you in the throat so thoroughly that you’re reluctant to share it.

      Some songs are for late night walks and long drives, and some are for the masses.  Here are a few more songs I mostly keep for myself on those lonely stretches of highway… until now anyway:

      “When there’s nowhere else to run
      Is there room for one more son
      One more son
      If you can hold on
      If you can hold on, hold on” – The Killers, All These Things That I Have Done

      I first heard this song on a borrowed CD from a friend.  I kept that CD way longer than I should have, and think about that person when I hear this album.  And it’s a complete album worthy of listening to from beginning to end many times over, but this song remains the one that stays with me years later.  Good dose of pep talk with some soaring music, and who doesn’t need some of that?

      I’ve wanted this for so long
      Now the deed has been done
      We shall rise with the sun
      And spend our time as one – One Eskimo, Amazing

      I had it all planned out to play this song in a quiet moment at the wedding of some friends.  It’s the perfect song, really, for a moment like that at a wedding.  It sneaks up on you as your sort of listening, and I tactfully placed it at a moment when I just knew it would make an impact.  But the computer didn’t recognize the song and played Aerosmith’s song Amazing instead.  Not quite the same – and the moment was gone.  That still bugs me.  But the song remains great, and it was the thought that counted….  right?

      At the moment of surrender
      I’m falling to my knees
      I did not notice the passers by
      And they did not notice me – U2, Moment of Surrender

      I’ve been a huge U2 fan since I was a teenager, but No Line On The Horizon took a bit longer to grab me than others did.  Longer as in maybe ten listens instead of three.  But this album holds on longer than some of the other albums in their catalog.  Moment of Surrender was recorded in one take as I understand it, and it’s stunning.  Sure, I play the incredible and vibrant songs like Breathe and Magnificent and Stand Up Comedy at parties all the time, but this one I keep for myself.  Breathe remains my favorite song on this album, but Moment of Surrender is a close second.

    • Walking In Their Footsteps

      There’s a moment 7:24 into the James Corden Carpool Karaoke with Sir Paul McCartney when James remarks, “If my grandad were here right now he’d get an absolute kick out of this” and McCartney replies, “He is.” That moment grabs me by the throat each time I’ve watched it. After a trip to Liverpool a couple of weeks ago, I’ve revisited the episode on YouTube a few more times for the “I was right there” time warp it offers. Which is closely related to the “They were right there” experience of walking in their footsteps on that day.

      We’re all souls marking our time on this planet, eventually our time ends and we’re remembered in moments like Corden’s. Generations later we’re just a small ripple, echoes that show in the traits of future generations, the equivalent in personality to having the same color eyes or the same shape to the earlobes. I can only hope my children carry my better traits to the future, and leave the more annoying stuff behind. But whatever will be will be.

      As I write this my friend the Carolina Wren is singing her morning song outside. We’re well into November and I thought she’d have migrated south by now. But it seems she wanted to stick around a bit longer, brightening up the days with her songs. It’s a sound I wasn’t familiar with until she arrived just this year, but one I won’t ever forget now. It’s funny how little things like that mean so much over time. Which makes me wonder, how will we be remembered?

    • Day Tripping With the Beatles

      When you grow up a Beatles fan you learn all the names. Not John, Paul, George and Ringo (that goes without saying), but Penny Lane and Strawberry Fields and The Cavern Club and Elenor Rigby and all the rest. Those names are in Liverpool. And that’s where I found myself yesterday.

      Some people go to Disney World for their dreams to come true. I have a hard time wrapping my head around that. But walking in the footsteps of those who came before? Standing in a spot where a legend was literally born? Yes, please. And Liverpool delivers.

      There’s much more to this city than The Beatles, and I’d love to write about my experiences with all of the museums and exploring the waterfront more. But we had a seven hour window to work with, and a lifetime of assumptions to work through. So it was all about The Fab Four on this trip. If I were to go again, and I hope I do, I’d stay for at least a long weekend for a more immersive Liverpool experience. There’s just so much to see you’ll need the time.

      If you’re a Beatles fan with limited time, I’d recommend the itinerary we created on the fly. Go to The Beatles Story for an immersive self-paced walk through the lives of John, Paul, George and Ringo (that’s the accepted order of names, it messes up everything to jumble them). Wear the headsets and listen to the stories and music, it’s a great launching point for a day with The Beatles.

      Right down the street is the boarding spot for the Magical Mystery Tour, a fabulously fun tour on a bright yellow coach bus. Highly informative stories about what you’re seeing or, importantly, about to see sprinkled with Beatles songs that had many on the bus singing along. That “about to see” part is key, because when driving up a street it’s helpful to know what to look for. Our guide was excellent and prepped us for the turn onto Penny Lane and the drive-by of Elenor Rigby’s grave so we were collectively ready for the moment. Just enough stops for pictures along the way to satiate the Beatles fan checklist without losing momentum. I’ve done a few bus tours in my day, most do the job of informing on the fly well, some not so well. This one is exceptional.

      The tour ended down the street from The Cavern Club, and included a ticket to get in. Perfect way to end the day? Not so fast; there was still one more thing to do before the sun set. My daughter and I walked briskly down to the waterfront for a picture with Ringo, Paul, George and John (See? Doesn’t flow the same). Liverpool is well aware of the positive contribution their four lads have made on the city and erected statues of each of them together looking west. There are other statues of them individually sprinkled in the city but I’m partial to the band together.

      To cap off a Fab day we made our way back to The Cavern Club, deep down several the flights of stairs to the place where they took off. And this place didn’t disappoint. Great music playing on that stage we all know. The arched Cavern walls enclose you, immersive and reflective all at once. You’re literally there, wrapped up in that place you would see in black and white images, now a living monument to the past and a vibrant and exciting bar. The Cavern Club has a pulse, and it’s strong. I had no idea this place deep underground would be the highlight of my day, but it surely was. I’d go again any time at all.

    • Oh, That Magic Feeling: Abbey Road

      Abbey Road turned 50 years old last week. It’s always been my favorite Beatles album, particularly side two with its magical medley. It grabbed me the year that Lennon was shot and hasn’t let me go since. To be coming into my own as a young Beatles fan and then lose one of them was a gut punch at a time when I hadn’t taken a lot of gut punches yet.

      Abbey Road ages well. From the first notes of Come Together to the surprise bonus track Her Majesty, the album is still an astonishing journey after countless listening. It’s The Beatles throwing it all out there to see what happens, as they’d done for each of their milestone albums since Rubber Soul. It would all end with Abbey Road, their last studio album, and the last song they’d ever collaborate on was Come Together. Surely they had a sense of irony?

      George Harrison, the quiet Beatle, was at his creative peak with two of the best Beatles songs ever, his masterpieces Here Comes The Sun and Something. As a kid I latched onto Harrison as my favorite Beatle. Lennon and McCartney were just too big for me then. Harrison wasn’t flashy, he just got things done. And he surely was doing, er, Something. “Something in the way she moves” would be a line James Taylor would borrow from George for his own song of the same name, a tribute to the giants around him when he was recording at Abbey Road Studios around the same time.

      If the album had great individual songs on side one, side two would become famous for that medley. How many radio DJ’s put the needle down on that medley and ran to the bathroom because they had time? All of them. Because, You Never Give Me Your Money, Sun King, Mean Mr. Mustard, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, The End…. Her Majesty. Boom. Rapid fire, half finished songs blended together into one unified medley. Brilliant percussion from Ringo and Paul’s underrated bass guitar, John and George on guitar… and all of them harmonizing like they’d sing together forever. But this truly was the end.

      One verse in that medley stands out for me the same back as a teenager as it does today, if the meaning has changed over the span of time;

      “Any jobber got the sack

      Monday morning, turning back

      Yellow lorry slow, nowhere to go

      But oh, that magic feeling, nowhere to go

      Oh, that magic feeling

      Nowhere to go, nowhere to go”

      – The Beatles, “You Never Give Me Your Money”

      Surely the idea of nowhere to go meant something to The Beatles, having ground themselves to dust touring and then prolifically cranking out brilliant album after brilliant album. They were exhausted, sick of each other, burdened by business transactions gone wrong, wrestling with creative tensions, and incredibly, still in their twenties. Solo careers were just ahead for all of them, but they came together for this incredible album to give us one last gift. Let It Be would come later, but was recorded prior to Abbey Road. This would be it, but what a way to end.

    • Lost in an Autumn Playlist

      Autumn. Smell the pumpkin and ripe apples and decaying leaves and wood smoke. Late September through Thanksgiving in New England offer vibrancy with the fourth sense fully engaged in the game of being alive. I could live in many places in the world, but these crisp nine weeks are when I appreciate living in New Hampshire most.

      Autumn. Blue jeans and long sleeves, the heat radiating through a mug warming your hands, wiping dew off the chair before sitting down in the backyard writing chair. Blankets pressing you down into the mattress like you’re a panini. Socks. The days grow shorter and cooler, and the wardrobe changes with the tilt of the earth. We’ve been here before, and we grow reacquainted once again with fabric on our extremities. The dance with Autumn inevitably means literally feeling her on your skin.

      Autumn. Yellow and red waves sweep first over the highlands and wetlands, moving southward and finally capturing the strongest holdouts in between. Northern vistas so stunning you can’t help but stare, and apologize profusely for being so rude. I confess my productivity decreases when I travel to Vermont or northern New Hampshire. Like stained glass in a church, the leaves demand your attention.

      Autumn. Sweetness of apples and the omnipresent pumpkin spice. Last of the harvest turned to cider and preserves. Lighter summer fare giving way to richer dishes that warm you inside out. If you haven’t lost those few extra pounds by now you face an uphill battle as caloric intake holds the advantage. Baked goods take the place of salads, rum gives way to scotch, soups and stews and casseroles tempt and delight. The scale be damned.

      Autumn. The fading crickets song grows sadder while the crows caw grows bolder. Soon the red-winged blackbirds and other transients fill the trees with a cacophony of excited conversation. The hiss and pop of an outdoor fire. And always, a playlist of standards for Autumn. There’s a soundtrack for every season, and Autumn is when my playlists grow reflective.  In the spirit of the senses, I’ll limit myself to five standards that set the tone for Autumn in New Hampshire:

      Philosophers Stone by Van Morrison (King of Autumn music)

      The Long Day is Over by Nora Jones

      I Was Brought to My Senses by Sting

      You Don’t Have to Say You Love Me by Shelby Lynne (sorry Dusty)

      Deacon Blues by Steely Dan