Alexandersmap

    Category: Writing

    • Adding Extra to Ordinary

      “A master is in control. A master has a system. A master turns the ordinary into the sacred.”
      – Ryan Holiday

      “The primary math of the real world is one and one equals two. The layman (as, often, do I) swings that every day. He goes to the job, does his work, pays his bills and comes home. One plus one equals two. It keeps the world spinning. But artists, musicians, con men, poets, mystics and such are paid to turn that math on its head, to rub two sticks together and bring forth fire. Everybody performs this alchemy somewhere in their life, but it’s hard to hold on to and easy to forget. People don’t come to rock shows to learn something. They come to be reminded of something they already know and feel deep down in their gut. That when the world is at its best, when we are at our best, when life feels fullest, one and one equals three. It’s the essential equation of love, art, rock ’n’ roll and rock ’n’ roll bands. It’s the reason the universe will never be fully comprehensible, love will continue to be ecstatic, confounding, and true rock ’n’ roll will never die.” – Bruce Springsteen, Born to Run

      I’m beginning to understand the art of weaving magic. I am by no means a master, but each turn in the blog, each tangle with words in other work I’m developing, leads me closer to the sacred. The blog is my apprenticeship, never fully realized because I ship the work daily whether the magic is sprinkled on yet or not. This is a turn of the ordinary, and a march towards something more.

      Routines infer ordinary. We have our habits and generally stick with them, and we feel out of sorts when the routine is broken by happenstance or travel. But routines are where you find the magic, hidden deeply in layers of repetition and persistence. You don’t pull magic out of your ass, you work for it.

      You know it when you see it. Moments crackle with excitement. And one plus one does, for a brief moment, equal three. The greatest artists and performers regularly dance with the extraordinary. But hidden from that brilliant moment of now are the buried hours of falling flat, picking yourself up and trying something else then. You don’t add extra to ordinary without sacrifice.

      I’m well aware of where I am with my own work, and I also know where I’m going. Towards the sacred. Towards three. Towards the incomprehensible and magic and the extraordinary. I hope someday to share that with you.

    • The Navigator’s Station

      “The winds and waves are always on the side of the ablest navigators.” – Edward Gibbon

      Some days everything clicks, and some days it pours stress over you like an ice bucket challenge run amuck. In general we try to steer our lives in the right direction, even when we drift off course now and then. The trick is to know where you want to be go and how to change course to get there. That often starts with sitting in your navigation station and sorting through where you are, where you’re going and what needs to happen to bring you there.

      The writing desk is my navigation station. I normally write at the same time every day, and I’m out of sorts if I don’t do it at that time. The last two days I’ve been out of sorts, writing late in the afternoon instead of with my first mug of coffee for the day. And that makes me feel largely off course for the entire day. This is the combined power of routine and the state change achieved through the flow of writing.

      Over the next couple of weeks I’m going to be challenging that routine trying new habits out for size. I’m also beginning to get out of the house and feeling out the new normal of work away from a computer screen. These forces are already disrupting my state, and I can feel the need to spend a bit more time at the old navigation station to fully absorb the changes.

      Changes are inevitable in life. Really, life is change. Life isn’t all about blind luck and chance encounters, there’s a healthy dose of magic when it’s done well. And that requires execution at a high level and embracing the role of navigator instead of merely being a passenger along for the ride.

      Where do you go from here? Have a seat and sort it out. Invest time where it will help the most – at the navigator’s station.

    • The Battle of Timidity and Boldness

      “Focus your attention on the link between you and your death, without remorse or sadness or worrying. Focus your attention on the fact you don’t have time and let your acts flow accordingly. Let each of your acts be your last battle on earth. Only under those conditions will your acts have their rightful power. Otherwise they will be, for as long as you live, the acts of a timid man…. Being timid prevents us from examining and exploiting our lot as men.” – Carlos Castaneda, Journey to Ixtlan

      I did the math, mentally adding 25 years to my current age and toyed with the idea of being that later age. There are no guarantees that I’ll ever reach that point in my life, of course. No guarantees for any of us marching through time on our annual trip around the sun. But I toyed with the idea of being an old man and wondered at the state of my mind and body. I wondered at the experiences I’d had in the interim, these years between now and then.

      This long sleep we have in store for ourselves is our future, whether a quarter century away or this afternoon, and we ought to live boldly instead of merely timidly existing. I won’t say I’ve mastered this, but I live a better life knowing that the whole dance could end on the next drum beat. But we can do so much more. Simply by living with urgency.

      This theme, the constant reminder of our imminent death, runs through Stoic philosophy. And it runs through this blog. I try, not always successfully, to use it as a cattle prod to my backside. A jolt of awareness that this could all end at any moment, so break free of that routine, break away from the timid existence and live a life of adventure and boldness. It’s the underlying theme of this blog, beginning on the home page with Thoreau’s call to action:

      “Rise free from care before the dawn and seek adventures.” – Henry David Thoreau

      If we accept that we must die, and as improbable as it might seem, at any moment, what might we do to live now? If this is our final act, what will it be? And, if blessed with another, what of the act to follow?

      The answer clearly must be to live the moment with urgency. Say what must be said. Do what must be done. Get out there and live boldly! Pursue the magic in the moment with vigor and a profound lust for life.

    • Ignoring That Other Urge to Merge

      “Death is the only wise advisor that we have. Whenever you feel, as you always do, that everything is going wrong and you’re about to be annihilated, turn to your death and ask if that is so. Your death will tell you that you’re wrong; that nothing really matters outside its touch. Your death will tell you, ‘I haven’t touched you yet.” – Carlos Castaneda, Journey To Ixtlan

      If the measure of a life is our contribution to the larger world around us, should we work harder, or focus on what moves the world through us? Shouldn’t we rejoice in the wonder of waking up this morning, feel the vibration of the world around us (such that it is), and make the most of this one more day? Moving the world through us takes imagination, vigor and commitment to our calling.

      It feels easier to just grind it out, making the most of the path we choose, than to step off that path and try another. It feels easier to just turn on the television and immerse ourselves in something outside ourselves. To meet expectations and be a part of the way things are. Instead of moving the world through us we move through the world as everyone else does.

      And there’s the trap. When we surrender to the world we lose our essence – we lose our autonomy. And, I hate to do it, but I’m going to use the same quote that Jeff Bezos used in his final letter to Amazon shareholders because it hasn’t left me since I read it:

      “Staving off death is a thing that you have to work at. Left to itself — and that is what it is when it dies — the body tends to revert to a state of equilibrium with its environment. If you measure some quantity such as the temperature, the acidity, the water content or the electrical potential in a living body, you will typically find that it is markedly different from the corresponding measure in the surroundings. Our bodies, for instance, are usually hotter than our surroundings, and in cold climates they have to work hard to maintain the differential. When we die the work stops, the temperature differential starts to disappear, and we end up the same temperature as our surroundings… More generally, if living things didn’t work actively to prevent it, they would eventually merge into their surroundings, and cease to exist as autonomous beings. That is what happens when they die.” – Richard Dawkins, The Blind Watchmaker

      Which reminds me of the most famous episode of Star Trek, The Next Generation:

      “We are the Borg. Existence, as you know it, is over. We will add your biological and technological distinctiveness to our own. Resistance is futile.” – The Borg, from Star Trek, The Next Generation

      You and I, we aren’t ready to merge into our surroundings, are we? We aren’t ready to be assimilated. No, death hasn’t touched us yet, not today. And so we must remain autonomous. We must hear the call of our own heartbeat and somehow resist the temptation to just go with the flow. We must learn to move the world through us. To be unique.

      None of this is easy. I struggle with autonomy, influenced as heavily as you might be by family and friends, quarterly numbers that demand attention and the occasional soundbite or affront to humanity making the rounds on social media. It’s hard to remember sometimes that all that is outside of us. All that wants us to merge with it and amplify the chorus with our voice. It takes courage to turn away, see a different path and start down it.

      Your death will tell you that you’re wrong; that nothing really matters outside its touch.

      Ignore the urge to merge. Move through this world in your own way. Down your own path. While there’s still time.

    • The Muse

      There’s a ghost in my head. A story that won’t go away. Compelling and screaming to be written. The boy in the story died over 300 years ago, and he didn’t live much of a life at all. A life of lost freedom and sadness. But his story is screaming out for someone to tell the world about him.

      So the muse taps my shoulder, asking when I’m going to get around to it. Threatening to leave me and take the boy elsewhere. And I feel the guilt of ignoring the call of the dead boy for the obligations of the living. Your story must be told… but not just yet. And the muse grows restless.

      I suppose I could just write about him in the blog. It would serve to tell his story. But I’ve held on to his life as the kernel of a novel that could grow around him. It seems selfish when I write that, holding a ghost boy hostage while I procrastinate on writing his story. Yet here we are.

      The confession serves as a concession to the muse. I’ll get to the boy, one of these days. I’ll write his story as best I can. This year? Yes, absolutely. This year. Just after I finish these other things…

      And the muse grows more restless.

    • The Practice

      “We are what we pretend to be, so we must be careful about what we pretend to be.” – Kurt Vonnegut

      “The practice of art isn’t to make a living. It’s to make your soul grow.” – Kurt Vonnegut

      This blogging business can be a grind if you think about it the wrong way. I try not to think about it the wrong way. Still, it pops up in my head in certain moments. What the hell am I writing for? I don’t actively accumulate followers and don’t chase likes. Nor will this site be monetized. So what’s the point?

      The writing is a discipline; a routine of consequence. A practice of art carrying me towards who I fancy myself to be, and I chase it down relentlessly every day. And though I wonder sometimes at what the point of it all really is, I already know the answer. It’s simply to write.

      Kurt Vonnegut was one of those people whom I’d have around that dinner table, along with a cast of characters larger than life through their practice of being what they pretended to be… and thus became. Then again, I hang out with them all the time through their contribution. Or at least the character I think them to be. For they were just people like us, who chipped away at their work until they built something of consequence.

      And there’s that word again: consequence. What are we building in our daily work? Followers, or our souls? I may not ever meet my great-grandchildren if they should ever debut in the world, but I fancy them someday knowing something about me from the way I stack words together… just… so.

      The crew of SV Delos (Brian and Karin) had a live stream conversation on Mother’s Day. For those who don’t know, they sail around the world and post videos on YouTube. They’ve been cranking out videos for years, first as a way to share experiences with family and friends and later as an income stream as it became apparent that plenty of people were interested in what they were doing. Watching their 300+ videos helped me get through the void of travel-less lockdown during the pandemic.

      One thing Brian said caught my ear. He spoke about people who keep working on their boats, project after project, waiting for things to be perfect for them to set out on their own passage. And of course that day never comes because nothing is ever perfect. The point being to just go when things are ready enough.

      On a much smaller scale, blogging is the same sort of passage that Delos is on. You chip away at it, maybe picking up a follower or two along the way (thank you) and see where the passage takes you. And maybe that’s enough. Then again, maybe there’s more.

    • Poems and Cat Puke

      The clouds have left the sky,
      The wind hath left the sea,
      The half-moon up on high
      Shrinketh her face of dree

      She lightens on the comb
      Of leaden waves, that roar
      And thrust their hurried foam
      Up on the dusky shore.

      Behind the western bars
      The shrouded day retreats,
      And unperceived the stars
      Steal to their sovran seats.

      And whiter grows the foam,
      The small moon lightens more;
      And as I turn me home,
      My shadow walks before.
      – Robert Bridges, Dusky Shore

      There’s a moment when expectations meet reality. Certainly we all expected more out of 2020 than we got, and I can say the same about this morning’s blog. It started with a poem – Dusky Shore, as you see. It became cleanup in aisle 5.

      I’ve toyed with Bridges’ famous poem for some time, undecided about whether to dance with the classic romantic lines, or leave well enough alone. It has all the ingredients sprinkled together just so – the moon and the sea, post sunset dusky bliss and a turn towards home… but it still misses the mark for me. And I’m not sure why.

      I believe it’s in the way the words are stacked just so. It feels like he’s playing to the audience a bit to me, instead of mining his soul. But still the words are lovely in the way that a Thomas Kinkade painting is. Pretty, I suppose, but not really my style.

      As I walked down the stairs contemplating this poem and whether to go there, I came across the apocalyptic mounds of yellowish cat puke on the area rug that announced my quaint dalliance with Dusky Shore was going to take a back seat for the moment. As the designated early bird in a house full of night owls, I’m faced with such moments more than I care to remember. You either pretend not to see it or grab the paper towels and deal with it. I’ve learned it’s best to tackle the demons head-on and get on with your life. There’s nothing more demonic than cat puke on an area rug.

      I wonder about Robert Bridges, turning from the white foamy sea towards home, shadow walking before. As he opened the door to his humble home, what greeted him? For all the beauty of the prose, every now and then a little cat puke intrudes upon your Rosebud Cottage. It may be unwelcome, but it teaches you a bit about who you are when the moment of bliss is interrupted.

    • Quicksand and Tasks of Consequence

      “Bad writing is almost always a love poem addressed by the self to the self.” Toby Litt

      “The more books we read, the clearer it becomes that the true function of a writer is to produce a masterpiece and that no other task is of any consequence.” – Cyril Connolly

      The time we spend, these moments slipping through the hourglass, are either consequential or quicksand. And so the tasks filling those moments are loaded with questions – is this the right use of this brief moment in time or might there be a better place to spend the grains of sand? Is this a task of consequence, or is it a love poem to the self, mere folly?

      You know when you’ve stepped in quicksand. Maybe not immediately, but soon enough you recognize the stickiness of a habit and the sinking feeling that you’re not making any forward progress. Quicksand is tricky stuff. The one thing you don’t want to do when you’re in it is flail in place.

      Writing a blog every day might not be a masterpiece, but is it folly? The act of writing is pouring your grains of sand into a jumble of words and placing them just so. With a picture in your mind of what they might be if you could just get it right.

      The ultimate measure of tasks is whether you’re flailing in place or going somewhere consequential. What might you otherwise be doing with those grains of sand? The answer isn’t what are you doing now. Not really. It’s what are you becoming? That is what really matters. For what will your masterpiece be, in the end?

      Work towards that.

    • The Lindy Effect

      A few years ago Nassim Nicholas Taleb described a phenomenon known as the Lindy Effect in his book Antifragile. Soon after you started hearing about it in other work, referenced in blog posts, magazine articles and even its own Wikipedia page. I tend to shy away from uber-trendy topics, but I’ve thought a lot about this Lindy Effect since reading about it in Taleb’s book.

      “I follow the Lindy effect as a guide in selecting what to read: books that have been around for ten years will be around for ten more; books that have been around for two millennia should be around for quite a bit of time, and so forth.” – Nassim Nicholas Taleb, Antifragile

      Lindy’s was a famous deli in New York where comedians and actors would gather and discuss such things as the durability of a Broadway show. The observation is that if something survives for a period of time longer than the norm, it implies that it will survive at least that long into the future. The Lindy Effect only applies to non-perishable items, so you and I and that orange on the counter don’t count. But that picture you take or that book you write or the product you release to the market do count. The implication is that you might build something that outlasts you by a long stretch.

      Henry David Thoreau died just eight years after publishing Walden, but the book lives on to this day. When it was originally published it was hardly noticed. Yet today it’s been read by millions. When Ansel Adams took the photograph “Monolith, the Face of Half Dome” in 1927 he was creating something that still captures the imagination of people around the world almost 100 years later. It was the picture that built his legacy and helped preserve Yosemite.

      Ernest Hemingway published his first classic, The Sun Also Rises, in October of 1926, six months before Adams took that photograph. Hemingway had a burning desire to be a great writer, and to publish great and lasting work. Many people point to the last lines of the novel for the way it captures the relationship between the two central characters. You might also see the final line as a hopeful wish from Hemingway that this book might fly:

      “Oh Jake,” Brett said, “We could have had such a damned good time together.”
      Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly, pressing Brett against me.
      Yes,” I said. “Isn’t it pretty to think so?”
      – Ernest Hemingway, The Sun Also Rises

      I’ve noticed a small trend in this blog where 6-10 specific blog posts seem to get views all the time, while the other 1000+ have their moment in the spotlight and fade away over time. Millions of books and paintings and pictures similarly fade away over time, but some stand up forever as legendary. Making art may have a formula, but creating its stickiness remains a mystery to most of us.

      Ironically, Lindy’s, the delicatessen that gave birth to the concept of building something that might last forever, closed forever in 2017. For businesses are perishable too. Yet its name lives on. Maybe, like Thoreau or Adams or Hemingway, that is as it should be.

    • Leaning Into Revelatory Writing

      “I feel it’s important for me to be completely honest in what I write about. To me artists fall into two categories, they are revelatory or obfuscatory. There are artists that want to create an image of themselves, that isn’t really them, but it’s part of the product, the brand and stuff like that. So whenever they are in the context of performance… they adopt this persona. And the words that they write are from this persona not from themselves… I have always been a revelatory artist. I am most interested in writing about the things that I actually think about rather than trying to think about what someone wants to hear and write about that.” – Todd Rundgren, from The Moment podcast interview

      There are days when I’d rather have published anonymously. There’s something liberating about the free pass granted to the anonymous – you see it in Tweet and troll comments I suppose, where people feel they can say anything that comes to mind. But, deep down, can you really respect the anonymous? I don’t believe so. We respect those who put themselves out on a limb.

      We all balance the character we want to present to the world with who we actually are. As you get a bit wiser you stop worrying about becoming a character and you just become yourself (and some of us are real characters). Artists either play for the hits or mine deep for the gold. Now and then you get both in the same work.

      If you’re lucky and a bit brave, you reach a point where you just write for the love of discovery and revelation. Joyful bits of magic stumbled upon and written about, one post at a time. Some frivolous, some tedious, but now and then you scrub the words together just so and something sparkles. Sometimes you’re the only one that sees the glimmer, other times it bounces around the room like laser light on a disco ball.

      You know when you’ve put it all out there, just as you know when you’ve held back a bit of yourself. I’ve written a few posts where I clearly obfuscated and see it immediately when I look back on it. I think most people see it too. Deep down we all know when someone is holding back or playing to the audience. Fluff writing designed for clicks and likes and whatnot.

      Rundgren reminds me that there’s more to do. You want your work to crackle and spark imagination and wonder? Go deeper. Leaning into revelatory writing is a leap into the the chasm. But where else would you rather be?