Alexandersmap

    Category: Art

    • Getting to Deeper Work

      “In an age of network tools… knowledge workers increasingly replace deep work with the shallow alternative—constantly sending and receiving e-mail messages like human network routers, with frequent breaks for quick hits of distraction. Larger efforts that would be well served by deep thinking, such as forming a new business strategy or writing an important grant application, get fragmented into distracted dashes that produce muted quality…. Spend enough time in a state of frenetic shallowness and you permanently reduce your capacity to perform deep work.” – Cal Newport, Deep Work: Rules for Focused Success in a Distracted World

      I think the reason I get up early is to think, uninterrupted. And when I am interrupted, by other early risers or by something as simple as the cat meowing for food my own deep thinking is disrupted, often to a point where I have to put away the work and find a way to reset myself. The beautiful thing about posting a blog every day is I’m forced to find a way through the shallow pool I find myself swimming in back to deeper waters, distractions be damned. But the work never feels the same.

      Noise-cancelling headphones help a lot. When I go deep I’ll play the same song on repeat until I’m done with whatever project I’m committed to finishing. For me, two songs work particularly well for this, Mark Knopfler’s Wild Theme (no surprise if you know what my favorite movie is) and Claude Debussy’s Clair de lune because they both quietly soar and have no lyrics to draw me out of my focused state. After years of this trick, playing one of these songs becomes Pavlovian in snapping my mind to attention.

      Long walks in nature help reset the mind when you find yourself in frenetic shallowness, and I have my go-to spots for this too. Walking helps you sort out the puzzle pieces in your subconscious mind, putting all the pieces on the table and shuffling them one step at a time. If the walk goes well you sort things out just enough. But sometimes I find myself dwelling on another puzzle altogether, and realize the distraction wasn’t swimming shallow at all but this elephant in the room that you’ve got to remove before you can properly focus on the original project. Long walks help sift the pieces enough for you to see what you’ve been staring at all along.

      Another trick of the trade that countless brilliant minds subscribe to is strict daily application of Julia Cameron’s Morning Pages. Write whatever comes out of your mind onto the page for three pages in a gushing stream of consciousness until you’ve gotten all the noise out of yourself, and then shift to creative output. I’ve tried this a few times but find myself frustrated by the time spent on Morning Pages that I could be spending on the work itself. The fault isn’t in the process but in my commitment to it. Enough people swear by it that it must work, and to go deeper I might have to recommit to this process myself.

      “The way to live is to create.
      Die Empty.
      Get every idea out of your head and into reality.”
      – Derek Sivers,       How to Live

      Whatever gets you there, deeper work is where we mine the very best of ourselves. Eliminate as many distractions as possible, retreat to your proverbial cabin in the woods and do the work. While there’s still time.

    • Look at That Sky, Life’s Begun

      Don’t let me hear you say life’s taking you nowhere
      Angel
      Come get up, my baby
      Look at that sky, life’s begun
      Nights are warm and the days are young
      Come get up, my baby
      — David Bowie, Golden Years

      Attitude is everything in life, and at some point you’ve got to shake yourself loose from whatever holds you back and get going already. Even during the pandemic, a dark time for modern humanity, we hear of plenty of people who got out in the world and did something amazing. So why not now?

      If you believe the stories, David Bowie wrote Golden Years for Elvis to sing. Admittedly, that would have been a fascinating take on the song. There’s an element of sadness in the lyrics, and I can see Bowie having someone like Elvis in mind when he wrote it. I think about the Elvis of 1975, only a couple of years before he died. He felt like old news and a bit used up in the world, but he was only 42 when he died. He was dragged down by drugs and distraction, not by age.

      There’s a lesson there. Don’t get bogged down in the muck life throws at you. Focus intensely on the things you want to do in your life. For all the celebration of those who rise up, this world would rather have you consume than produce. Consumption will be the death of us all. Instead, get up and produce something of consequence.

      Lean into your dreams. Look up at that sky. Life’s just begun, Angel.

    • Have Your Day

      Time drops in decay,
      Like a candle burnt out,
      And the mountains and woods
      Have their day, have their day;
      What one in the rout
      Of the fire-born moods
      Has fallen away?
      – WB Yeats, The Moods

      The Moods, as I understand it, are the messengers from God (God, in turn, is fire). Whatever your beliefs, there’s truth in the core message: time slips away drop by drop, and we all must pass. Whether a poet or philosopher or the woods or even the mountains themselves, all must “have their day”.

      Let us turn to old friend Henry and consider the phrase differently:

      “The universe constantly and obediently answers to our conceptions; whether we travel fast or slow, the track is laid for us. Let us spend our lives in conceiving then. The poet or the artist never yet had so fair and noble a design but some of his posterity at least could accomplish it. Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito’s wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry—determined to make a day of it. Why should we knock under and go with the stream?” – Henry David Thoreau, Walden

      We get so caught up in life’s minor distractions that we lose track of the days slipping by. Shouldn’t we channel that inner fire and spend our lives in conceiving while we have this time? But wait! If even the mountains themselves eventually erode to sand, how can we be so bold as to expect a measure of immortality?

      This is why the concept of God and eternity hold so much meaning in our brief lives, we seek to understand the meaning of it all. Poets and philosophers and amateur bloggers each confront the brutal fact that we all must pass, and we don’t really have an answer for what lies beyond.

      So be it. But knowing that the track is indeed laid before us, shouldn’t we reach for our own measure of immortality, as fragile as it might be, and make a day of it? That, friends, seems to be the point all along. Have your day.

    • From Scratch, Daily

      Every morning I glance at a blank page and begin to write from scratch. I’m sure your own writing process is different in many ways, but for me the act of beginning to type is a signal to the brain to get to it already. Often I’ll delete entire paragraphs that ultimately don’t make the cut, but Stephen King told us to kill our babies, didn’t he?

      That last paragraph may ultimately disappear into bits and bytes of what might have been. This one too, may pay the ultimate price for being in the early stages of a thought. Or maybe not, should I be so bold as to believe an idea is worth putting out there as it is when it dances off the fingertips. Time will tell.

      The easiest blog posts to write are about places I’ve been to or things I’ve experienced. The hardest are about things I process in my brain in the early morning hours as I contemplate whatever ideas I’m toying with at the moment. But isn’t that the way conversation works too? We enthusiastically jump into conversation about things we’ve experienced, but are more reluctant to dip a toe into deep philosophical or abstract waters. Want to ice the waters even more? Make it deeply personal.

      This blog about places I visit in the northeast corner of North America evolved into a deeper dive into waters I didn’t expect to swim in. But a blog is meant to evolve as its writer does, and this writer is ever-so-slowly evolving into something better than the person who started writing it. One book or one experience leads to another, which opens the mind to new ideas, which end up in the blog when they’ve properly steeped in the brain for a time. That’s life, isn’t it? A bunch of people figuring things out lumped together and occasionally bumping into each other.

      The easiest path to a blog post is to drop in a quote or poem that inspires deeper exploration. I use this frequently, and have a stack of drafts awaiting further exploration. Likewise, I revisit highlighted passages on the Kindle or pull old favorite books off the shelf now and then to flesh out a thought that sits in limbo a beat too long. Like that conversation you have in a coffee shop or on a quiet walk, contribution from others opens up new ideas in your own mind.

      A blog ends up being a mostly one-sided conversation, as one person figures things out in this strange and complicated world we live in. But nothing is more complicated than the human brain, reacting and adapting to the changes, both within and without. We’re all a work in progress, and a blog offers you the chance to place it out there for all to see. I wish a few more people I know would start writing their own.

      Until tomorrow….

    • Aspired Greatness

      “I believe that the first test of a great man is his humility. I don’t mean by humility, doubt of his power. But really great men have a curious feeling that the greatness is not of them, but through them. And they see something divine in every other man and are endlessly, foolishly, incredibly merciful.” – John Ruskin

      If we agree, and I hope we do, that there’s a divine spark in each person, then each of us has something to offer. I know there some particularly hideous exceptions to that rule, but in general most people in this world are trying to do the right thing. The outrage we feel when some dark soul erupts in the world demonstrates our shared faith in humanity. Outrage originates out of a feeling of betrayal of shared beliefs.

      To reach greatness in the world doesn’t require the most followers or likes on YouTube or a particular net worth. Really great people have an aura of positive energy exuding from them. Really great people lift those around them up. Really great people strap themselves to the helm to steer the ship through the worst of storms. There are plenty of really great people in the world, and you’re probably thinking of a few examples right now.

      “I believe God made me for a purpose, but he also made me fast. And when I run I feel His pleasure.” – Eric Liddell in Chariots of Fire

      Divinity isn’t within us, it runs through us in our chosen pursuits, our relationships, our empathy and our sacrifice. It’s a calling, a purpose, that demands us to give of ourselves so that others may feel the Divine Spirit as well. That spirit may mean something religious to you (capital D, capital S), or simply something far greater than ourselves.

      I humbly write in pursuit of the divine – not to capture it, but to channel it through my writing. I’m a long way from greatness, but I see the path grow incrementally shorter with every hour devoted to the craft. Writing hasn’t been my life’s work to this point, but it’s woven in everything I’ve ever done. A modest, often futile attempt to share the divine that I’ve encountered in this world with you. Does that make it a purpose or a pursuit? I think the latter, but I hear the call of the former.

      And shouldn’t we aspire for greatness and a way to share it?

    • Every Setting Sun

      “Let every dawn of morning be to you as the beginning of life, and every setting sun be to you as its close.” – John Ruskin, The Two Paths

      You see the difference in the days now. September brings that perceptible tilt of the earth, shrinking daylight hours and with it a persistent tightening up of that time between sunrise and sunset. Soon the trees will react and the world will turn a kaleidoscope of colors. In the northern hemisphere we’ve turned the corner from the laziness of summer and you can feel the quiet insistence of the harvest season upon us.

      There’s work to do, meaningful work, and it must begin in earnest while there’s time. It’s funny how September does that. Deeply engrained in our souls, this feeling of bringing all your work to a satisfactory conclusion. A harvest. Like the setting sun you can feel when one chapter is ending, with a bold suggestion that something new might begin. But we’re fools to focus on that which isn’t promised to us.

      Sunsets are lovely, but you earn the sunrise. And when you greet the day your thoughts turn naturally to what you might do with it. Life is best lived in the urgency between sunrise and sunset. When the sun sets this evening, what will we have harvested in these brief hours? For the days grow shorter with every setting sun.

    • The How of Things

      “We humans live in two worlds. First, there is the outer world of appearances—all of the forms of things that captivate our eye. But hidden from our view is another world—how these things actually function, their anatomy or composition, the parts working together and forming the whole. This second world is not so immediately captivating. It is harder to understand. It is not something visible to the eye, but only to the mind that glimpses the reality. But this “how” of things is just as poetic once we understand it—it contains the secret of life, of how things move and change.”
      – Robert Greene, Mastery

      You might read a paragraph like the one above with the eye of a scientist, seeing the truth through the lens of composition of matter and chemical reaction and such. You might read it through the eyes of a politician or businessperson, immediately grasping the backroom deals and favors that occur well before the headlines catch the attention of the public. Or you might read it with the eye of an artist, seeing the structure of the words themselves and how they spin magic in their unique assembly on the page. There is indeed poetry in the how.

      There’s a light that dawns when you see this other side of things, this secret sauce of how and why things are the way they are. Lessons learned through experience and intelligent observation and time invested in the questions of how. Some people receive the gift of a curious mind early in life and immerse themselves in the wonder of how, but most of us are too dazzled by the sleight of hand to focus on how the magician does the trick.

      There’s magic in the how. Watch Paul McCartney at a mixing board isolating bits of a Beatles song and you learn the intricate composition and experimentation that went into crafting it. The magic seems to sparkle on the surface, but it’s much deeper than you might hear in a first listen. The final product is an illusion built on layers of sonic novelty and gumption. The joy lies in discovering things you missed the first dozen times you heard a song.

      The magic lies in the mix. What we see on the surface is only the tip of the iceberg. Dive deeper into the how.

    • Follow the Trail and Scatter Light

      Man dreams one day to fly
      A man takes a rocket ship into the sky
      He lives on a star that’s dying in the night
      And follows in the trail, the scatter of light
      – U2, In A Little While

      There are moments in an album or a book or an evening when you recognize the magic. Emotion wells up in you, stirring and amplifying feelings, sending you to another place. A higher place, maybe, or a darker place should the moment direct you that way. I keep climbing to higher places, hoping the view is better. Hoping I’ll become better in the process. And some of it ends up here in this blog.

      U2 hit me a few times over with All That You Can’t Leave Behind. Opening with the hit, dropping in a mournful homage to Michael Hutchence and then the heart pounding Elevation. This was the U2 I’d missed in their experimental days of the late 90’s. These were songs that stuck with you. Ear worms if you will. And then they hit you with Walk On, which grabbed me by the throat waiting for a flight from LA to Boston. When Bono starts singing “Home, hard to know where it is if you’ve never had one” while sleepily waiting for a red eye flight home… well, I’ll never hear the song the same again.

      For all that, the second half of the album is admittedly weaker. And for me, In A Little While became the unconscious end. For it was this song that got that emotion welling, that stirred and amplified those feelings. When Bono sings “Slow down my bleeding heart” I’m right with him, and I know it hit others the same way. That’s the power of a moment.

      Bono stated at one of the concerts U2 recorded that Joey Ramone’s family told him In A Little While was the song that he listened to in hospice, which changed the song for Bono, the guy who wrote it, from a hung over dolt going home at the end of the night to something bigger. Something more meaningful. I never heard the song as anything but soul-stirring, which just goes to show, art might begin with the artist, but it becomes whatever the audience wants it to be.

      I think about that as I write. About reaching moments of emotional connection in my writing. About crafting something of depth and substance, something that amplifies that nugget of desire or fear or love in your soul. Surely I’m a work in progress, but still climbing. Following the trail and scattering light. Still dreaming of flying.

    • Editing Our Short [Life] Story

      “Stuart Cornfeld once told me that in a good screenplay, every structural unit needs to do two things: (1) be entertaining in its own right and (2) advance the story in a non-trivial way. We will henceforth refer to this as ‘the Cornfeld Principle.” – George Saunders, A Swim in a Pond in the Rain

      I don’t recall who recommended Saunder’s book to me. It was most certainly a podcast or blog somewhere along the way. On the face of it the book seems a bit academic, but it’s a delightful class in writing well using Russian short stories as the vehicle for instruction. If that sounds boring, I understand, but Saunders makes the stories come alive while informing us on the craft of building a story.

      Which brings me to this observation on writing a screenplay by Stuart Cornfeld. Who can argue each point when it comes to building a story? Yet so many fall flat in one or both element. And what of building a life? Shouldn’t a life be built around joy and purpose? There’s a balance there between fully enjoying this short life and making something of our short time here, isn’t there? What do we keep in our stories and what do we eliminate? This Cornfeld Principle offers a simple template, even if the application isn’t always so simple in practice.

      Stuart Cornfeld passed away last year. He’s best known for collaborations with Ben Stiller, including a joy nugget, The Secret Life of Walter Mitty. I don’t know much about him other than his work, but it’s clear he brought a bit of happiness to the world in his brief go at life.

      Shouldn’t we all aspire to a similar contribution? As we write our oh-so-brief life stories day-to-day, don’t we owe it to ourselves to make it both interesting and non-trivial? Whether our story becomes a page-turner of a life or a satisfying epic is up to us. Edit well.

    • Dancing in the Gap

      “Don’t lament so much about how your career is going to turn out. You don’t have a career, you have a life.” – Cheryl Strayed

      “Cease to be a drudge, seek to be an artist.” – Mary McLeod Bethune

      “I knew I had been transformed, moved by the revelation that human beings create art, that to be an artist was to see what others could not.” – Patti Smith

      Today is a Friday. which in the world of work means something to the majority of people making a living. Back in the day, Thursday and Friday night meant having a few drinks after work to wait out the traffic, commiserate about the grind suffered in earnest that week, and to talk of plans for the weekend.

      I’m done climbing that particular ladder. But I haven’t quite weened myself off being a drudge. But I fight and cajole myself towards some measure of artistry. Admittedly, it’s an odd place to reside. I know people who delight in their drudgery and shun artistry. I find that they live the rest of their lives in a similar fashion.

      We’ve built this social structure where taking one for the team and being a cog is celebrated. Cheryl Strayed is right to point out that your career is merely a part of your life, but it’s a big part. Aren’t we obligated to rise above the grind? We all know salespeople and engineers and accountants who spin delightful work out of what others might view as drudgery. Life is what you make of it, and so is your career. You can and should create beautiful art in your daily work.

      I’m particularly excited about a couple of projects I’m working on in my career. I’d like to weave a bit more art into each, and really, that ambition to raise the project to a level above the norm is where artists begin their work day. So what if it’s a sculpture or a PowerPoint presentation; make it beautiful.

      Our short, fragile lives are built on whimsy and chance and a bit of gumption. So why succumb to drudgery? Why not begin a notch or two above the norm and see how much you can stretch yourself? To dance in the gap between drudgery and art is to lift yourself beyond a job or a task to a place where the beautiful and noteworthy begins.