Alexandersmap

    Category: Nature

    • A Visit to Joshua Tree

      California’s Joshua Tree National Park is technically a part of the Mojave Desert, but it straddles the Colorado Desert. Where the Mojave is considered a high elevation desert, the Colorado Desert is a low elevation desert. So Joshua Tree is the unique meeting place of the two extremes. It was protected as a national monument in 1936, largely to stop cactus poachers from taking everything, and elevated to a national park in 1994 as part of the Desert Protection Bill. It’s namesake, the Joshua Tree, or Yucca brevifolia, earned its nickname for resembling arms raised in supplication, and became famous when U2 gave the name to their biggest album. U2 put Joshua Tree on my radar, and I’ve felt compelled to visit ever since.

      Joshua Tree is famous for more than just the yuccas dotting the arid landscape. There are massive boulders and rock formations to explore. Three of the most famous of these are Arch Rock, Skull Rock and the once evasive Heart Rock. Fame comes with a price, and each had swarms of tourists descending on them for photographs. I descended on them too, of course, and managed a few pictures without people crawling into view with patience and creative staging. Each picture you see below was the result of waiting out the people taking their version of the same picture. But this is what you get in a place like this. Better to share than to have it owned by a private individual who bars access. National Parks are a treasure for all citizens to enjoy.

      My visit to Joshua Tree National Park was a detour from Las Vegas to Los Angeles. This drive took me through the stark landscape of the Mojave Desert. This is a place where a full tank of gasoline and plenty of water are essential elements of your self-preservation. It’s so very different from the two cities on either end of the journey. You can see no signs of life for miles around you driving through the desert, and the desert is indifferent to your desire to stay alive in it. Come prepared.

      There are several places to camp in Joshua Tree, and some additional motels nearby. There’s even a Starbucks in Twentynine Palms, not ten minutes from one of the entrances to the park. Civilization isn’t far at all from some parts of Joshua Tree, but you’ll feel like you’re on another planet anyway.

      Arch Rock
      Heart Rock
      Joshua Tree (Yucca brevifolia)
      Cholla Cactus Garden
      Skull Rock
      Rock scrambler’s paradise

    • Insist on Color

      “I don’t trust the answers or the people who give me the answers. I believe in dirt and bone and flowers and fresh pasta and salsa cruda and red wine. I don’t believe in white wine; I insist on color.” ― Charles Bowden (Via Outlawspoetic)

      There are surely shades of gray that warrant discussion, for there’s a place for nuance in this complicated world. But give me color. Give me personality and vibrancy. Give me that jolt that knocks me off my complacency when I encounter something out of the ordinary.

      There’s a reason humans seek out sunsets and the aurora borealis, knock down doors to see Van Gogh or sing about pink houses. We humans crave brightness and a rich color palate. Life is full of enough muted living; give us bold.

      This blog was started as a lens on a particular corner of the world I happen to love. It’s grown as my attention shifted, as I’ve changed. What comes next is anyone’s guess, but expect colorful wherever we go.

      Early Morning Orange

    • The Call of the Wild

      “Deep in the forest a call was sounding, and as often as he heard this call, mysteriously thrilling and luring, he felt compelled to turn his back upon the fire and the beaten earth around it, and to plunge into the forest, and on and on, he knew not where or why; nor did he wonder where or why, the call sounding imperiously, deep in the forest.”
      ― Jack London, The Call of the Wild

      Finishing my first cup of coffee, I heard the distinctive honk of a skein of geese. Quickly removing myself from the comfort of the moment, I caught the geese circling back around the woods and turn towards a local pond. The rising sun caught them in flight, illuminating their bodies in the red light of dawn. They soon disappeared behind the roofline and the honks faded away as I walked back into the warmth of the nest.

      We know deep down whether we were meant to be wild things or creatures of comfort. The world wants very much for us to seek comfort, to leave those crazy dreams well enough alone and celebrate the nest—to turn back towards the fire. Maybe a little part of us feels this too. So why are we so drawn to wild things? What is it that we seek?

      I believe it’s vitality. Vitality bursts out of us, it isn’t buried in the mundane. It is not another cup of coffee to get through the hour, or a nightcap to wash away the day. To be fully alive we must step out of ourselves and be uncomfortable. Test limits and stretch to new places. To do otherwise is to avoid a full and vibrant life.

      “You cannot find peace by avoiding life.” — Virginia Woolf

      Will we be drawn to the Siren’s call to the rocks or to the call of the wild? One calls us to accept what always was until our end, the other calls us to fly. We ought to ask ourselves, is inertia comfort in disguise, and vitality masked by the judgement of imprudence? We are, each of us, on a hero’s journey, listening for our calling. What call will we turn towards?

    • A Snowball Walk in the Woods

      There are winters when it seem to snow, relentlessly, mercilessly, every day. The types of winters that wiped out half of the pilgrims on the Mayflower. “Hungry? Eat more snow!” kind of winters. This was not that kind of winter in New England. And now that we’re well into March, when the sun is higher and the snow melts quickly, it seems clear that opportunities to celebrate winter are drawing to a close.

      Blame it on seasonal variability or jet streams run askew or climate change, whatever the reason, the opportunities to fly across snow on skis or snowshoes wasn’t quite available locally. None of that quick lunch hour snowshoe hiking presented itself this year in southern New Hampshire. And truthfully, I missed it. When friends invited me to hike up north after a heavy snowfall on Saturday, I leaned in towards it but pivoted back to home. I wanted to savor the local trails instead. It turned out to be a sound decision.

      Driving over to a local town forest, I expected the parking lot to be jammed full of fellow snow lovers. Instead, I found it relatively quiet. Tracks indicated others had set off on snowshoes, while a few chose to post-hole their way through the snow, wrecking the pristine trail. This would prove a problem on the wooded trails, but in the fields I simply flew off on my snowshoes to break my own trail. After all, this was what I missed most this winter—flying atop unbroken snow.

      It proved to be as delightful as I’d hoped it would be, but already the sun was up and working on the snow pack. The trees began dropping snowballs, often with small branches, which dampened my enthusiasm for the wooded trails. The fields were better, and I thumped my way around in earnest, seeking that flying feeling until I was breathless. Stopping for a rest, I looked around and listened. Nothing but snowballs falling in the woods. Not a single human voice, or dog barking, or even a car far off in the distance. Just a clydesdale in snow, appreciating the briefness of the moment. We never know if we might have another opportunity to do something. A winter like this one teaches you to make the most of the moment before it melts away.

      A rare opportunity to fly over snow

    • Little Things

      Elle est retrouvée!
      Quoi? -l’Éternité.
      C’est la mer allée
      Avec le soleil.

      She is found!
      What? -Eternity.
      It’s the sea gone
      With the sun. — Arthur Rimbaud

      Sunsets are routine, often ritualized. Little things, really, repeated daily. I’ve been known for carrying on about such things as the position of the sun relative to where it was in warmer days. Most people, it seems, could care less about where the tilt of the earth is. We are what we focus on.

      “Little things in life, which afford what [Daniel] Kahneman calls “experiences that you think about when you’re having them,” provide a great deal of everyday enjoyment. Because you’re apt to pay more attention to your remembering than your experiencing self, however, it’s all too easy to forget to indulge yourself in these small but important pleasures on a daily basis, thus depriving yourself of much joy.” — Winifred Gallagher, Rapt

      I should think life would be less enjoyable the very moment one forgot to savor the little things. We get used to things that once delighted us, looking for the next big thing to replace that feeling, always chasing. Never really savoring.

      Most writers have an eye for details, and linger in them longer than the average bear, seeking a deeper understanding. There’s pleasure to be derived from digging deeply into what seems trivial. Consider Rimbauld’s twelve words, arranged just so, that draw so much out of what someone else might think of as just another sunset. Poetry itself might be thought a little thing. Ah, but what things they are, sunsets and poems! I think I’ll stick with little things, thank you.

    • A Visit to Black Sand Beach

      When polling the five people I visited Iceland with last week, the consensus pick for most memorable place to visit was Black Sand Beach (Reynisfjar​a). There are plenty of options to choose from aside from that particular location—epic waterfalls, glaciers, volcanoes, geysers, the Blue Lagoon, tectonic plates drifting away from each other, and of course, Reykjavik. Each offers a possible highlight moment on a normal week of living on this planet. But the Black Sand Beach stood out for all of us.

      Why? Because a place like Reynisfjar​a changes you, as travel does, but more viscerally than visiting the tasty Icelandic hot dog stand. It might be the distinct black sand, ground up bits of lava expressing itself vividly against the white salty foam of the crashing waves. It might be the angry seas with their sneaker waves, always threatening to pull a distracted tourist to their doom. Maybe it was the basalt columns rising up from the sand and sea, standing against the ocean in a fight to the end of time. Mostly it was all of those things, combined into a magical place that is indifferent to the hordes of tour buses casting tourists upon the sands. The beach will be here long after we’re gone, but each of us take black sand memories with us.

      Reynisfjar​a
      The white foam against black sand was mesmerizing to watch as the waves receded.
      The famous basalt columns at Reynisfjar​a. You can see them referenced in architecture in Reykjavik. You just might also see a few tourists at this beach, and this time of year, a bit of snow.

    • The Dweller in the Gorge

      A short walk from its more famous waterfall cousin Seljalandsfoss is a hidden waterfall that I found overwhelmingly beautiful. Gljúfrafoss is hidden in a gorge, which you can reach by wading into ankle-deep water. This leads you into a cathedral of falling water and mossy boulders. Gljúfrafoss also goes by another Icelandic name, Gljúfrabúi, which I’m told means “Dweller in the Gorge”, which describes it perfectly.

      Iceland is bearing a massive surge in popularity, and you really see that at the popular tourist spots like Seljalandsfoss, which are overwhelmed with buses and small group vans. I’m one of those visitors too, so who am I to judge? But hidden waterfalls, even the most magical ones, become overrun by the masses. I have mixed feelings about it, while being drawn to these places myself.

      I wanted to shout for the rest of my friends to join me in this misty cathedral, but there were no takers. The thing is, when you meet a place as magical as this head-on, you want the world to experience it as you have. Yet you want to be protective of it too. For a few minutes of relative quiet, as one of the few to wade into the cold waters flowing out of the gorge, I paused in reverence in the cold mist before heading back to join the masses.

      Gljúfrabúi
      A friend captured this image of me inside the gorge
      Ice formations made it even more magical

    • Geysers and Ice

      Iceland is known as the land of fire and ice, for all the volcanic activity you can find nudged up against the Arctic Circle. Visiting in February, there’s ample opportunity to experience ice, but less so fire. You just don’t get eruptions that frequently, even here. But you do get plenty of geothermal activity. They might be experienced as hot springs, as with the Blue Lagoon, or they can be experienced as geysers dancing with in sky. Both are amazing to be a part of,

      Geysers are what you might expect: groundwater boiling underground looking for a release. Once it finds a weak spot it erupts with whatever force it’s accumulated. The result, especially on a cold winter day, is a spectacular column of boiling water and steam. Not something to linger too close to, but fun to watch from just far enough away.

      The word geyser originated in Iceland, with a geyser called—surprise—Geysir. Geysir is largely dormant now, but the boiling water has a release point nearby in a geyser called Strokkur, which spouts every 7-10 minutes. It’s predictability and frequency make it a great place to experience a geyser with efficient use of your limited winter daylight.

      Strokkur
      Strokkur

    • Finding Aurora

      “The Aurora Borealis is a fickle phenomenon. A week can pass without a flicker … then bang! The Northern Lights come on like a celestial lava lamp.” — Nigel Tisdall

      I went to Iceland expecting to be disappointed by the weather. I’m not a pessimist by nature, but the forecast simply didn’t look good. There are a lot of reasons to go to Iceland in winter, but the primary reason is to see the Aurora Borealis. Yes, there are waterfalls and volcanoes, geysers and glaciers. These are spectacular, but also things that you can see any old month. But the Northern Lights are more evasive than that. Dark, clear skies are merely a starting point. You must also have some luck. Winter brings ample darkness but also some challenging weather conditions. We put ourselves in the way of beauty, but a bit of luck goes a long way too.

      Sure enough, we arrived to heavy snow. That might have frustrated me, but I’d already seen the Northern Lights on this trip. We’d had an ace up our sleeve, a window seat facing north for the flight, which carried us over the snow-laden clouds, up where auroras dance. It’s there that I finally glimpsed it, checking a box I wondered when I’d ever get to. There’s still hope for more dances with Aurora, should the weather cooperate, beginning tonight. Bucket lists deserve more than a brief encounter to savor, don’t you think?

    • A Wisp of a Moment, Captured

      On a recent walk I noticed the recently painted median strip dividing the road featured artwork now and then. It seems they painted the road in autumn, as the oak leaves returned to the earth to close their cycle and begin again. A few rebels, wishing for immortality perhaps, found the opportunity to capture the moment. It struck me this was what all artists do; reach out from the anonymous mass of their moment and leave something of ourselves for others to find.

      There’s something lovely in the temporary nature of this street art, akin to chalk drawings on sidewalks or sandcastles at low tide. Some art is meant to someday be a memory, recalled in quiet moments when you again walk down that street or on that particular stretch of beach. Do you remember the leaves of autumn, swirling in the wind? How quickly they fade from memory. We surf on a wisp of a moment, sometimes captured, mostly lost forever. We ought to embrace the freedom in that, elusive as it feels, for this is our fragile dance.

      “If you would create something, you must be something.” ― Johann Wolfgang von Goethe

      At times we hear the call from the naked page of a notebook, and at times from the middle of the road. Leaves locked in the amber of their moment are a whisper from seasons past to do something with this one. To feel the urgency of the season and make the most of it before the moment fades. This is the unique call of our work, leaping to our attention in the strangest of places. In each case, the question lingers in the moment: Where will you take us now?